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The lost daughter
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The actor talks about her new film’s complicated depiction of motherhood, her upcoming period drama, and sharing her deepest, darkest secrets with the “Normal People” star.
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Early in Julia May Jonas’s searing debut novel Vladimir, the unnamed narrator, an “oldish white woman in her late fifties (the identity I am burdened with publicly presenting, to my general embarra…
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Maggie Gyllenhaal’s adaptation of 'The Lost Daughter' challenges Hollywood’s ideas about what women owe to their children—and to themselves.
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Maggie Gyllenhaal and Alba Rohrwacher in The Lost Daughter (2021)
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Dakota Johnson and Paul Mescal looked stylish as they attended the screening of The Lost Daughter at Film Independent in Los Angeles on Sunday.
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How the Costumes in ¡®The Lost Daughter¡¯ Champion the Female Gaze, #culture ,#tv-and-movies ,#fashion, #ad
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The movie boasts an a-list cast, and the stars were out in force to party following the New York Film Festival premiere of The Lost Daughter on Wednesday night.
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Dakota Johnson and Olivia Colman in "The Lost Daughter" directed by Maggie Gyllenhaal
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uniquely eclectic interior styling inspiration curated with an eye for vintage-modern design with a snapshot of travel, lifestyle and fashion, too. we’re all about unique, personal style here. welcome. Click to read SFGirlByBay, a Substack publication.
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The actress covered up her stylish summer ensemble in a cosy grey hoodie as she took a break between scenes, while Olivia puffed on a cigarette.
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The Lost Daughter is a novel by Elena Ferrante, published in 2008 by Europa Editions, featuring the complex relationship between a mother and her daughters.
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Amazon.com: The Lost Daughter eBook : Ferrante, Elena, Goldstein, Ann: Kindle Store
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Artist Claerwen James recounts how she bonded with her father in his final months by helping him compile an anthology of his favourite verse
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Motherhood, by nature, requires constant self-giving. In this generous outpouring, we don't lose ourselves, but paradoxically find ourselves.
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319 p. : b1 col. ill. ; c19 cm.
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