Garry Winogrand was one of the last great street photojournalists. He was a populist photographer, a real egalitarian, and his photographs of people on the street show that any face can be interesting. Yet in a way his style is difficult, because the world he depicts is often so quotidian that you yourself wouldn’t stop to look at it. In his photographs of the street, the suburbs, airports, the rodeo, he shows a piece of American life where, to his credit, there’s no desire to be aesthetic…
