Alfred Stieglitz. Scurrying Home. 1894. Photogravure. 7 3/8 × 5 3/8" (18.7 × 13.7 cm). Transferred from The Museum of Modern Art Library, New York. 405.1976. © 2025 Estate of Alfred Stieglitz / Artists Rights Society (ARS), New York. Photography

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Brooklyn Bridge, 1903. Gloria Swanson, New York, 1924. Drizzle On Fortieth Street, New York, 1925. Edward Steichen (1879-1973) is unquestionably one of the most prolific, versatile, influential, an…

In honor of Women's History Month, Manuscript Division curator Barbara Bair explores the life and work of American artist Georgia O'Keeffe.

This photograph, one of more than three hundred images Stieglitz made of O'Keeffe (1887–1986) between 1917 and 1937, is part of an extraordinary composite portrait. Stieglitz believed that portraiture concerned more than merely the face and that it should be a record of a person's entire experience, a mosaic of expressive movements, emotions, and gestures that would function collectively to evoke a life

Alfred Stieglitz

Alfred Stieglitz returned to New York in 1890 determined to prove that photography was a medium as capable of artistic expression as painting or sculpture.

National Gallery of Art

Alfred Stieglitz, Georgia O’Keeffe Hands and Grapes, 1921

Photograph by Alfred Stieglitz, 'The Steerage', photogravure, loose print from 'Camera Work' 36 (October 1911), 1907.