Her name is Cameron, Cinderella of the Wastelands.

The new exhibition "Cameron: Songs for the Witch Woman," revisits the legacy of Marjorie Cameron, a towering figure of mid-century counterculture and subversive art in L.A.

"By the late 1960s, the signifier ‘monster’ had undergone a radical shift, splitting into at least two opposing constructs – a traditional one which continued to posit the monster as a threat to the moral order of society, and another which saw the monster becoming increasingly domesticated … monsters became hip and, like the witch, defined in counter-cultural or feminist terms." - Harry M. Benshoff, Monsters in the Closet: Homosexuality and the Horror Film