“The Ballad of Sexual Dependency” was the seminal photography collection of the eighties, capturing the era’s lawless bohemianism.

A look at the book of Nan Goldin’s influential, intensely personal visual diary marks its 30th anniversary.

Nan Goldin, Bruce bleaching his eyebrows, Pleasant St., Cambridge, 1975. Silver dye bleach print, sheet: 40 × 27 3/8 in. (101.6 × 69.5 cm) Image: 38 3/8 × 25 3/4 in. (97.5 × 65.4 cm) Frame: 41 × 28 3/8 × 1 3/4 in. (104.1 × 72.1 × 4.4 cm). Whitney Museum of American Art, New York; purchase, with funds from the Photography Committee 99.148. © Nan Goldin

Rafael at Home, 1997 Mark Morrisroe in Bed, 1989 “I am not a photographer,” Gail Thacker insists. “I am a painter who discovered a medium that has a soul with…

Outsiders is a new, AGO-curated exhibition of more than 300 photographs and five films by such American masters as Diane Arbus, Garry Winogrand, Nan Goldin, Gordon Parks and Robert Frank

Naomi Fry on Laura Poitras’s documentary “All the Beauty and the Bloodshed,” on the photographer Nan Goldin and on the Sackler family’s role in the opioid crisis.

Friends coming over to admire the latest addition to your collection? Here's what to say about the artist's work to visitors

New York City Nan Goldin, c.1983

How Nan Goldin displayed the effect of AIDS across society through her best medium