Works Cited

Aarseth, Espen. “Genre Trouble: Narrativism and the Art of Simulation.” In First Person: New Media as Story, Performance, and Game, edited by Noah Wardrip-Fruin and Pat Harrigan, 45–55. Cambridge, MA: MIT Press, 2004.

Aarseth, Espen. “Playing Research: Methodological Approaches to Game Analysis.” Paper presented at the Game Approaches / Spil-veje: Papers for spilforskning.dk Conference, 28–9 August 2003.

Adams, Jenny. Power Play: The Literature and Politics of Chess in the Late Middle Ages. Philadelphia: University of Pennsylvania Press, 2006.

Adelman, Janet. Suffocating Mothers: Fantasies of Maternal Origin in Shakespeare’s Plays, “Hamlet” to “The Tempest.” New York: Routledge, 1992.

Agnew, Jean-Christophe. Worlds Apart: The Market and the Theater in Anglo-American Thought, 1550–1750. Cambridge: Cambridge University Press, 1986.

Altman, Joel B. The Tudor Play of Mind: Rhetorical Inquiry and the Development of Elizabethan Drama. Berkeley: University of California Press, 1978.

Ames, William. Conscience with the Power and Cases Thereof. London, 1639.

Anon. Arden of Faversham. 2nd ed. Edited by Martin White. London: A & C Black, 2007.

Anon. The Bloody Game at Cards. [London], c. 1642.

Anon. The Boke of the New Cardys. London, 1530.

Anon. “Commonplace Book.” Folger Library, E.a.6, ca. 1650–70.

Anon. Geographical Cards. London: F. H. van Hove, 1675.

Anon. Geographical Cards of the World. London: Henry Winstanley, c. 1675–6.

Anon. The Plotting Cards Reviv’d; or, The New Game at Forty One. London, 1681.

Arcangeli, Alessandro. Recreation in the Renaissance: Attitudes toward Leisure and Pastimes in European Culture, c. 1425–1675. New York: Palgrave Macmillan, 2003.

Armstrong, Philip. “Spheres of Influence: Cartography and the Gaze in Shakespearean Tragedy and History.” Shakespeare Studies 23 (1995): 39–70.

Ascham, Roger. Toxophilus. Edited by Peter E. Medine. Medieval and Renaissance Texts and Studies 244. Tempe: Arizona Center for Medieval and Renaissance Studies, 2002 [1545].

Attwell, David. “Property, Status, and the Subject in a Middle-Class Tragedy: Arden of Faversham.” English Literary Renaissance 21, no. 3 (1991): 328–48.

Bach, Rebecca Ann. “The Homosocial Imaginary of A Woman Killed with Kindness.” Textual Practice 12, no. 3 (1998): 503–24.

Bach, Rebecca Ann. Shakespeare and Renaissance Literature before Heterosexuality. New York: Palgrave Macmillan, 2007.

Bacon, Francis. Bacon’s Essays, with Annotations by Richard Whately and Notes and a Glossarial Index, by Franklin Fiske Heard. Boston: Lee & Shepard, 1868. Reprint, Making of America [online], University of Michigan Library, 2005. http://name.umdl.umich.edu/ABV4738.0001.001.

Balmford, James. A Short and Plaine Dialogue Concerning the Unlawfulnes of Playing at Cards or Tables, or Any Other Game Consisting in Chance. London, 1593.

Barber, C. L. Shakespeare’s Festive Comedies. Princeton, NJ: Princeton University Press, 1959.

Barker, Francis, and Peter Hulme. “Nymphs and Reapers Heavily Vanish: The Discursive Con-Texts of The Tempest.” In Alternative Shakespeares, 2nd ed., edited by John Drakakis, 194–208. London and New York: Methuen, 2002 [1985].

Bateson, Gregory. “A Theory of Play and Fantasy.” In Steps to an Ecology of Mind, 177–93. New York: Ballatine, 1972.

Bay-Cheng, Sarah, Jennifer Parker-Starbuck, and David Z. Saltz. Performance and Media: Taxonomies for a Changing Field. Ann Arbor: University of Michigan Press, 2015.

Beckerman, Bernard. Dynamics of Drama: Theory and Methods of Analysis. New York: Alfred A. Knopf, 1970.

Bell, R. C. Board and Table Games from Many Civilizations. London: Oxford University Press, 1960.

Benham, W. Gurney. Playing Cards: History of the Pack and Explanations of Its Many Secrets. London: Ward, Lock & Co., 1931.

Benjamin, Walter. “On the Concept of History.” In Walter Benjamin: Selected Writings, Vol. 4: 1938–1940, edited by Howard Eiland and Michael W. Jennings. Cambridge, MA: Belknap Press of Harvard University Press, 2006.

Bennett, Lyn L. “The Homosocial Economics of A Woman Killed with Kindness.” Renaissance and Reformation 24, no. 2 (2000): 35–61.

Bennett, Susan. Theatre Audiences: A Theory of Production and Reception. New York: Routledge, 1990.

Bergeron, David M. “The Education of Rafe in Lyly’s Gallathea.” Studies in English Literature, 1500–1900 23, no. 2 (1983): 197–206.

Bergeron, David M. Royal Family, Royal Lovers: King James of England and Scotland. Columbia: University of Missouri Press, 1991.

Berry, Edward. Shakespeare and the Hunt: A Cultural and Social Study. Cambridge: Cambridge University Press, 2001.

Berry, Herbert. “The Stage and Boxes at Blackfriars.” Studies in Philology 63, no. 2 (1966): 163–86.

Berry, Ralph. Shakespeare and the Awareness of the Audience. London: Macmillan, 1985.

Bicks, Caroline. “Staging the Jesuitess in A Game at Chess.” Studies in English Literature, 1500–1900 49, no. 2 (2009): 463–84.

Bird, Samuel. A Friendlie Communication or Dialogue between Paule and Demas Wherein Is Disputed How We Are to Use the Pleasures of This Life. London, 1580.

Bishop, Tom. “Shakespeare’s Theater Games.” Journal of Medieval and Early Modern Studies 40, no. 1 (2010): 65–88.

Bloom, Gina. “Games.” In Early Modern Theatricality, edited by Henry S. Turner, 189–211. Oxford Twenty-First Century Approaches to Literature. Oxford: Oxford University Press, 2013.

Bloom, Gina. “The Historicist as Gamer.” In Shakespeare in Our Time: A Shakespeare Association of America Collection, edited by Dympna Callaghan and Suzanne Gossett, 223–8. The Arden Shakespeare. London: Bloomsbury, 2016.

Bloom, Gina. “Manly Drunkenness: Binge Drinking as Disciplined Play.” In Masculinity and the Metropolis of Vice, 1550–1650, edited by Amanda Bailey and Roze Hentschell, 21–44. Early Modern Cultural Studies, 1500–1700. New York: Palgrave Macmillan, 2010.

Bloom, Gina. “Videogame Shakespeare: Enskilling Audiences through Theater-Making Games.” Shakespeare Studies 43 (2015): 114–27.

Bloom, Gina. Voice in Motion: Staging Gender, Shaping Sound in Early Modern England. Material Texts. Philadelphia: University of Pennsylvania Press, 2007.

Bloom, Gina, Anston Bosman, and William N. West. “Ophelia’s Intertheatricality; or, How Performance Is History.” Theatre Journal 65 (2013): 165–82.

Bloom, Gina, Sawyer Kemp, Nicholas Toothman, and Evan Buswell. “‘A Whole Theatre of Others’: Amateur Acting and Immersive Spectatorship in the Digital Shakespeare Game Play the Knave.” Special issue on “#Bard,” ed. Douglas Lanier, Shakespeare Quarterly 67, no. 4 (2016): 408–30.

Bly, Mary. “Bawdy Puns and Lustful Virgins: The Legacy of Juliet’s Desire in Comedies of the Early 1600s.” Shakespeare Survey 49 (1996): 97–109.

Boluk, Stephanie, and Patrick LeMieux. Metagaming: Playing, Competing, Spectating, Cheating, Trading, Making, and Breaking Videogames. Minneapolis: University of Minnesota Press, 2017.

Bosman, Anston. “Renaissance Intertheater and the Staging of Nobody.” English Language History 71, no. 3 (2004): 559–85.

Bownde, Nicholas. Sabbathum Veteris et Noui Testamenti; or, The True Doctrine of the Sabbath. London, 1606.

Brand, John, and Sir Henry Ellis. Observations on Popular Antiquities, Chiefly Illustrating the Origin of Our Vulgar Customs, Ceremonies and Superstitions. London: F. C. & J. Rivington, 1873.

Brathwaite, Richard. Whimzies; or, A New Cast of Characters. London, 1631.

Bratton, Jacky. New Readings in Theatre History. Cambridge: Cambridge University Press, 2003.

Bray, Alan. The Friend. Chicago: University of Chicago Press, 2003.

Breton, Nicholas. The Workes of a Young Wyt. London, 1577.

Bristol, Michael D. Big-Time Shakespeare. London: Routledge, 1996.

Bristol, Michael D. “Shamelessness in Arden: Early Modern Theater and the Obsolescence of Popular Theatricality.” In Print, Manuscript, Performance: The Changing Relations of the Media in Early Modern England, edited by Arthur F. Marotti and Michael D. Bristol, 279–306. Columbus: Ohio State University Press, 2000.

Bristol, Michael D. “Theater and Popular Culture.” In A New History of Early English Drama, edited by John D. Cox and David Scott Kastan, 231–48. New York: Columbia University Press, 1997.

Broadhurst, Susan, and Josephine Machon, eds. Performance and Technology: Practices of Virtual Embodiment and Interactivity. New York: Palgrave Macmillan, 2011 [2006].

Bromley, James. Intimacy and Sexuality in the Age of Shakespeare. Cambridge: Cambridge University Press, 2012.

Bromley, Laura G. “Domestic Conduct in A Woman Killed with Kindness.” Studies in English Literature, 1500–1900 26, no. 2 (1986): 259–76.

Brown, Eric C. “‘Like Men at Chess’: Time and Control in The Tempest.” Shakespeare Yearbook 10 (1999): 481–9.

Brown, Paul. “‘This Thing of Darkness I Acknowledge Mine’: The Tempest and the Discourse of Colonialism.” In Political Shakespeare: New Essays in Cultural Materialism, edited by Jonathan Dollimore and Alan Sinfeld, 48–71. Manchester: Manchester University Press, 1985.

Brown, Wendy. Edgework: Critical Essays on Knowledge and Politics. Princeton, NJ: Princeton University Press, 2005.

Bruster, Douglas. Drama and Market in the Age of Shakespeare. Cambridge: Cambridge University Press, 1992.

Burton, Robert. Anatomy of Melancholy. 5th ed. Oxford, 1638 [1621].

Bushnell, Rebecca. Tragic Time in Drama, Film, and Videogames: The Future in the Instant. Palgrave Pivot. London: Palgrave Macmillan, 2016.

Butler, Judith. “Performative Acts and Gender Constitution: An Essay in Phenomenology and Feminist Theory.” Theatre Journal 40, no. 4 (1988): 519–31.

Butler, Martin. “William Prynne and the Allegory of Middleton’s Game at Chess.” Notes and Queries 30, no. 2 (1983): 153–4.

Caillois, Roger. Man, Play and Games. Translated by Meyer Barash. Urbana: University of Illinois Press, 2001 [1961].

Campbell, Heather. “Bringing Forth Wonders: Temporal and Divine Power in The Tempest.” In The Witness of Times: Manifestations of Ideology in Seventeenth Century England, edited by Katherine Z. Zeller and Gerald J. Schiffhorst, 69–89. Pittsburgh: Duquesne University Press, 1993.

Cardano, Gerolamo. “The Book on Games of Chance.” Translated by Sydney Henry Gould. In Øystein Ore, Cardano: The Gambling Scholar, 181–242. Princeton, NJ: Princeton University Press, 1953.

Carson, Christie. “Democratising the Audience?” In Shakespeare’s Globe: A Theatrical Experiment, edited by Christie Carson and Farah Karim-Cooper, 115–26. Cambridge: Cambridge University Press, 2008.

Carson, Christie. “Technology as a Bridge to Audience Participation?” In Performance and Technology: Practices of Virtual Embodiment and Interactivity, edited by Susan Broadhurst and Josephine Machon, 181–93. New York: Palgrave Macmillan, 2011 [2006].

Cartelli, Thomas. “Prospero in Africa: The Tempest as Colonialist Text and Pretext.” In Shakespeare Reproduced: The Text in History and Ideology, edited by Jean E. Howard and Marion F. O’Connor, 99–115. New York and London: Methuen, 1987.

Cartwright, Kent. Theatre and Humanism: English Drama in the Sixteenth Century. Cambridge: Cambridge University Press, 1999.

Cartwright, William. The Game at Chesse: A Metaphoricall Discourse Shewing the Present Estate of This Kingdome. London, 1643.

Case, Sue-Ellen. Performing Science and the Virtual. New York: Routledge, 2007.

Causey, Matthew. “The Screen Test of the Double: The Uncanny Performer in the Space of Technology.” Theatre Journal 51, no. 4 (1999): 383–94.

Cessolis, Jacobus de. The Game and Playe of Chesse. Translated by William Caxton. London, 1474.

Chakravorty, Swapan. Society and Politics in the Plays of Thomas Middleton. Oxford and New York: Clarendon Press, 1996.

Charles I, King. The Kings Majesties Declaration to His Subjects Concerning Lawfull Sports to Be Used. London, 1633 [1618].

Chatto, William Andrew. Facts and Speculations on the Origin and History of Playing Cards. London: John Russell Smith, 1848.

Cicero. “De amicitia,” to Which Is Added “Scipio’s Dream” and Cicero, “De senectute.” Translated by Andrew P. Peabody. Boston: Little, Brown, 1884. Available at http://archive.fo/20160422122603/ancienthistory.about.com/library/bl/bl_text_cic_friendship.htm (accessed 23 October 2017).

Cicero. De senectute, De amicitia, De divinatione. Translated by William Armistead Falconer. Loeb Classical Library 154. Cambridge, MA: Harvard University Press, 1923. Available at https://www.loebclassics.com/view/marcus_tullius_cicero-de_amicitia/1923/pb_LCL154.205.xml (accessed 23 October 2017).

Cleland, James. Hērō-paideia; or, The Institution of a Young Noble Man. Oxford, 1607.

Clopper, Lawrence M. Drama, Play, and Game: English Festive Culture in the Medieval and Early Modern Period. Chicago: University of Chicago Press, 2001.

Cogswell, Thomas. “Thomas Middleton and the Court, 1624: A Game at Chess in Context.” Huntington Library Quarterly 47, no. 4 (1984): 273–88.

Comensoli, Viviana. “Household Business”: Domestic Plays of Early Modern England. Toronto: University of Toronto Press, 1996.

Consalvo, Mia. Cheating: Gaining Advantage in Videogames. Cambridge, MA: MIT Press, 2007.

Cook, Amy. Shakespearean Neuroplay: Reinvigorating the Study of Dramatic Texts and Performance through Cognitive Science. New York: Palgrave Macmillan, 2010.

Cook, Amy. “Wrinkles, Wormholes, and Hamlet: The Wooster Group’s Hamlet as a Challenge to Periodicity.” TDR: The Drama Review 53, no. 4 (2009): 104–19.

Cook, David. “A Woman Killed with Kindness: An Unshakespearian Tragedy.” English Studies 45, no. 5 (1964): 353–72.

Cotgrave, John. Wits Interpreter, the English Parnassus; or, A Sure Guide to Those Admirable Accomplishments That Compleat Our English Gentry. 2nd ed. London, 1662 [1st ed., 1655].

Cotton, Charles. The Compleat Gamester; Instructions How to Play at Billiards, Trucks, Bowls, and Chess: Together with All Manner of Usual and Most Gentile Games Either on Cards or Dice: To Which Is Added, the Arts and Mysteries of Riding, Racing, Archery, and Cock-Fighting. London, 1674.

Coursen, Herbert R., Jr. “The Subplot of A Woman Killed with Kindness.” English Language Notes 2, no. 3 (1965): 180–5.

Cram, David, Jeffrey L. Forgeng, and Dorothy Johnston, eds. Francis Willughby’s Book of Games: A Seventeenth-Century Treatise on Sports, Games and Pastimes. Burlington, VT: Ashgate, 2003.

Crane, Mary Thomas. “What Was Performance?” Criticism 43, no. 2 (2001): 169–87.

Crimsal, Richard. John Hadlands Advice; or, A Warning for All Young Men That Have Meanes Advising Them to Forsake Lewd Company Cards, Dice, and Queanes, to the Tune of the Bonny Bonny Broome. London, 1635.

Damiano da Odemia, Pedro. The Pleasaunt and Wittie Playe of the Cheasts Renewed with Instructions Both to Learne It Easely, and to Play It Well. Translated by William Ward. London, 1562.

Daneau, Lambert. True and Christian Friendshippe . . . Together Also with a Right Excellent Invectiue of the Same Author, Against the Wicked Exercise of Diceplay, and other Prophane Gaming. Translated by Thomas Newton. London, 1586.

Davies, Richard A., and Alan R. Young. “‘Strange Cunning’ in Thomas Middleton’s A Game at Chess.” University of Toronto Quarterly 45, no. 3 (1976): 236–45.

Dawson, Anthony B., and Paul Yachnin, The Culture of Playgoing in Shakespeare’s England: A Collaborative Debate. Cambridge: Cambridge University Press, 2001.

de Certeau, Michel. The Practice of Everyday Life [vol. 1]. Translated by Steven Rendall. Berkeley: University of California Press, 1988 [1984].

de Grazia, Margreta. “The Motive for Interiority: Shakespeare’s Sonnets and Hamlet.” Style 23, no. 3 (1989): 430–44.

de Grazia, Margreta. “Teleology, Delay, and the ‘Old Mole.’” Shakespeare Quarterly 50, no. 3 (1999): 251–67.

de Vroom, Theresia. “Female Heroism in Heywood’s Tragic Farce of Adultery: A Woman Killed with Kindness.” In The Female Tragic Hero in English Renaissance Drama, edited by Naomi Conn Liebler, 119–40. New York: Palgrave, 2002.

Delbridge, Matt. Motion Capture in Performance: An Introduction. Palgrave Pivot. Houndmills, Basingstoke, UK: Palgrave Macmillan, 2015.

Dessen, Alan C., and Leslie Thompson. A Dictionary of Stage Directions in English Drama, 1580–1642. Cambridge: Cambridge University Press, 2001.

Deutermann, Allison. Listening for Theatrical Form in Early Modern England. Edinburgh Critical Studies in Renaissance Culture. Edinburgh: Edinburgh University Press, 2016.

di Cesare, Mario A. “Introduction.” In The Game of Chess: Marco Girolamo Vida’s “Scacchia ludus,” with English Verse Translation and the Texts of the Three Earlier Versions, edited by Mario A. di Cesare, 9–35. Nieuwkoop, The Netherlands: De Graaf, 1975.

Diamond, Elin. Unmaking Mimesis: Essays on Feminism and Theatre. London and New York: Routledge, 1997.

Dibbell, Julian. “Mutilated Furries, Flying Phalluses: Put the Blame on Griefers, the Sociopaths of the Virtual World.” Wired Magazine 16, no. 2 (2008): 90–100. Available online at https://www.wired.com/2008/01/mf-goons/ (accessed 16 October 2017).

Dixon, Steve. Digital Performance: A History of New Media in Theater, Dance, Performance Art, and Installation. Cambridge, MA: MIT Press, 2007.

Dolan, Frances E. Dangerous Familiars: Representations of Domestic Crime in England, 1550–1700. Ithaca, NY: Cornell University Press, 1994.

Dolan, Frances E. Marriage and Violence: The Early Modern Legacy. Philadelphia: University of Pennsylvania Press, 2008.

Dolan, Frances E. “The Subordinate(’s) Plot: Petty Treason and the Forms of Domestic Rebellion.” Shakespeare Quarterly 43, no. 3 (1992): 317–40.

Dolan, Frances E. True Relations: Reading, Literature, and Evidence in Seventeenth-Century England. Philadelphia: University of Pennsylvania Press, 2013.

Downe, John. Certaine Treatises of the Late Reverend and Learned Divine, Mr John Downe . . . Published at the Instance of His Friends. Oxford, 1633.

Dreyfus, Hubert L. What Computers Still Can’t Do: A Critique of Artificial Reason. Cambridge, MA: MIT Press, 1972.

du Val, P. “Les Tables de géographie réduites en un jeu ee cartes.” In A Collection of Maps of the World by P. du Val. Engraved by L. Cordier, J. F. D. Lapointe, J. Lhulier, N. Michu, J. Somer and I. Swelinck. [Paris], 1660–76.

Ducharme, Lori J., and Gary Alan Fine. “No Escaping Obligation: Erving Goffman on the Demands and Constraints of Play.” In The Play of Self, edited by Ronald Bogue and Mihai I. Spariosu, 89–111. Albany: SUNY Press, 1994.

Duncan, Douglas. “Gammer Gurton’s Needle and the Concept of Humanist Parody.” Studies in English Literature, 1500–1900 27, no. 2 (1987): 177–96.

Dutton, Richard. Licensing, Censorship, and Authorship in Early Modern England: Buggeswords. Houndmills, Basingstoke, UK and New York: Palgrave, 2000.

Dutton, Richard. “Thomas Middleton’s A Game at Chess: A Case Study.” In The Cambridge History of British Theatre, vol. 1: Origins to 1660, edited by Jane Milling and Peter Thomson, 424–38. Cambridge: Cambridge University Press, 2004.

Eales, Richard. Chess: The History of a Game. Glasgow: Hardinge Simpole, 2002 [1985].

Elam, Diane. Feminism and Deconstruction: Ms. en abyme. New York: Routledge, 1994.

Elam, Keir. The Semiotics of Theatre and Drama. 2nd ed. New Accents. London: Routledge, 2002.

Elyot, Thomas. The Boke Named the Governour. London, 1537.

England and Wales, Parliament of. Committee Appointed by Parliament for the Navy and Customes Upon the Humble Complaints of Severall Poore Cardmakers of London. London, 1643.

Evett, Marianne Brish, ed. Henry Porter’s Two Angry Women of Abington: A Critical Edition. New York: Garland, 1980.

Falocco, Joe. Reimagining Shakespeare’s Playhouse: Early Modern Staging Conventions in the Twentieth Century. Cambridge: D. S. Brewer, 2010.

Farber, Matthew. “Games in Education: Teacher Takeaways,” Edutopia (9 October 2014), http://www.edutopia.org/blog/games-in-education-teacher-takeaways-matthew-farber (accessed 11 October 2015).

Faret, Nicolas. The Honest Man; or, The Art to Please in Court. Translated by Edward Grimeston: London, 1632.

Fenner, Dudley. A Short and Profitable Treatise of Lawfull and Unlawfull Recreations, and of the Right Use and Abuse of Those That Are Lawfull. London, 1590.

Finkenzeller, Roswin, Wilhelm Ziehr, and Emil M. Bührer. Chess: A Celebration of 2,000 Years. New York: Arcade/Little, Brown, 1990.

Fischer-Lichte, Erika. The Transformative Power of Performance: A New Aesthetics. Translated by Saskya Iris Jain. London: Routledge, 2008.

Fletcher, Walter Morley. “On Some Old Playing Cards Found in Trinity College.” Proceedings of the Cambridge Antiquarian Society 11, no. 3 (1907): 454–64.

Floreale, Alba. Game and Gaming Metaphor: Proteus and the Gamester Masks in Seventeenth-Century Conduct Books and the Comedy of Manners. Biblioteca di Cultura. Rome: Bulzoni, 2004.

Florio, John. Florio’s Second Frutes. London, 1591.

Ford, John R. “Changeable Taffeta: Re-Dressing the Bears in Twelfth Night.” In Inside Shakespeare: Essays on the Blackfriars Stage, edited by Paul Menzer, 174–91. Selinsgrove, PA: Susquehana University Press, 2006.

Foster, Susan Leigh. “Movement’s Contagion: The Kinesthetic Impact of Performance.” In The Cambridge Companion to Performance Studies, edited by Tracy C. Davis, 46–59. Cambridge: Cambridge University Press, 2008.

Foucault, Michel. “Questions on Geography.” In Power/Knowledge: Selected Interviews and Other Writings, edited by Colin Gordon, translated by Colin Gordon et al., 63–77. New York: Pantheon, 1980.

Frasca, Gonzalo. “Videogames of the Oppressed: Critical Thinking, Education, Tolerance and Other Trivial Issues.” In First Person: New Media as Story, Performance, and Game, edited by Noah Wardrip-Fruin and Pat Harrigan, 85–94. Cambridge, MA: MIT Press, 2004.

Freeman, Elizabeth. Time Binds: Queer Temporalities, Queer Histories. Durham, NC: Duke University Press, 2010.

Frey, Christopher, and Leanore Lieblein. “‘My Breasts Sear’d’: The Self-Starved Female Body and A Woman Killed with Kindness.” Early Theatre 7, no. 1 (2004): 45–66.

Fumerton, Patricia. “Not Home: Alehouses, Ballads, and the Vagrant Husband in Early Modern England.” Journal of Medieval and Early Modern Studies 32, no. 3 (2002): 493–518.

G. B. Ludus Scacchiae: Chesse-Play. A Game, Both Pleasant, Wittie, and Politicke . . . Translated out of the Italian into the English Tongue. London, 1597.

Galloway, Alexander R. Gaming: Essays on Algorithmic Culture. Minneapolis: University of Minnesota Press, 2006.

Garner, Stanton B., Jr. Bodied Spaces: Phenomenology and Performance in Contemporary Drama. Ithaca, NY: Cornell University Press, 1994.

Gataker, Thomas. A Just Defence of Certaine Passages in a Former Treatise Concerning the Nature and Use of Lots. London, 1619.

Gayton, Edward. Chartæ Scriptæ; or, A New Game at Cards Call’d Play by the Booke. London, 1645.

Geertz, Clifford. “Deep Play: Notes on the Balinese Cockfight.” In The Interpretation of Cultures. New York: Basic Books, 1972.

Giannachi, Gabriella, and Nick Kaye. Performing Presence: Between the Live and the Simulated. Manchester, UK: Manchester University Press, 2011.

Gillies, John. Shakespeare and the Geography of Difference. Cambridge Studies in Literature and Culture. Cambridge: Cambridge University Press, 1994.

Gitelman, Lisa. Always Already New: Media, History, and the Data of Culture. Cambridge, MA: MIT Press, 2006.

Gitelman, Lisa, and Geoffrey B. Pingree, eds. New Media, 1740–1915. Cambridge, MA: MIT Press, 2003.

Goffman, Erving. Frame Analysis: An Essay on the Organization of Experience. Cambridge, MA: Harvard University Press, 1974.

Goffman, Erving. Interaction Ritual: Essays on Face-to-Face Behavior. New York: Pantheon Books, 1967.

Goffman, Erving. Strategic Interaction. Philadelphia: University of Pennsylvania Press, 1969.

Goggin, Joyce. “A History of Otherness: Tarot and Playing Cards from Early Modern Europe,” Journal for the Academic Study of Magic 1, no. 1 (2003): 45–74.

Gossett, Suzanne. “‘I’ll Look to Like’: Arranged Marriages in Shakespeare’s Plays.” In Sexuality and Politics in Renaissance Drama, edited by Carole Levin and Karen Robertson, 57–74. Studies in Renaissance Literature. Lewiston, NY: Edwin Mellen Press, 1991.

Greco, Gioachino (Il Calabrese). The Royall Game of Chesse-Play. Translated by Francis Beale. London, 1656.

Green, Reina. “Open Ears, Appetite, and Adultery in A Woman Killed with Kindness.” English Studies in Canada 31, no. 4 (2005): 53–74.

Greenberg, Marissa. “Signs of the Crimes: Topography, Murder, and Early Modern Domestic Tragedy.” Genre 40, nos. 1–2 (2007): 1–29.

Gromala, Diana. “Response” (to Stuart Moulthrop, “From Work to Play: Molecular Cultures in the Time of Deadly Games,” 56–69). In First Person: New Media as Story, Performance, and Game, edited by Noah Wardrip-Fruin and Pat Harrigan, 56–60. Cambridge, MA: MIT Press, 2004.

Grosart, Alexander Balloch, ed. The Dr. Farmer Chetham Ms: Being a Commonplace-Book in the Chetham Library, Manchester. 2 vols. Manchester: Chetham Society and Charles Simms, 1873.

Gurr, Andrew. “Bears and Players: Philip Henslowe’s Double Acts.” Shakespeare Bulletin 22, no. 4 (2004): 31–41

Gurr, Andrew. Playgoing in Shakespeare’s London. 2nd ed. Cambridge: Cambridge University Press, 1996.

Gurr, Andrew, and Mariko Ichikawa. Staging in Shakespeare’s Theatres. Oxford Shakespeare Topics. Oxford: Oxford University Press, 2000.

Gurr, Andrew, and Karoline Szatek. “Women and Crowds at the Theater.” Medieval and Renaissance Drama in England 21 (2008): 157–69.

Gutierrez, Nancy A. “The Irresolution of Melodrama: The Meaning of Adultery in A Woman Killed with Kindness.” Exemplaria 1, no. 1 (1989): 265–91.

Hall, Kim F. Things of Darkness: Economies of Race and Gender in Early Modern England. Ithaca, NY: Cornell University Press, 1995.

Halperin, David M. “Introduction: Among Men—History, Sexuality, and the Return of Affect.” In Love, Sex, Intimacy, and Friendship between Men, 1550–1800, edited by Katherine O’Donnell and Michael O’Rourke, 1–11. New York: Palgrave, 2003.

Hansen, Mark B. N. New Philosophy for New Media. Cambridge, MA: MIT Press, 2004.

Hargrave, Catherine Perry. A History of Playing Cards and a Bibliography of Cards and Gaming. Reprint ed. New York: Dover, 1966 [1930].

Harris, Jonathan Gil. Untimely Matter in the Time of Shakespeare. Philadelphia: University of Pennsylvania Press, 2008.

Hartmann, John. “Garry Kasparov Is a Cyborg; or, What Chessbase Teaches Us about Technology.” In Philosophy Looks at Chess, edited by Benjamin Hale, 39–64. Chicago: Open Court, 2008.

Harvey, P. D. A. “Board Games and Early Cartography.” Paper presented at the International Conference on the History of Cartography, Newberry Library, Chicago, 25 June 1993.

Hedrick, Donald. “Real Entertainment: Sportification, Coercion, and Carceral Theater.” In Thunder at a Playhouse: Essaying Shakespeare and the Early Modern Stage, edited by Peter Kanelos and Matt Kozusko, 50–66. Selinsgrove, PA: Susquehanna University Press, 2010.

Heinemann, Margot. Puritanism and Theatre: Thomas Middleton and Opposition Drama under the Early Stuarts. Cambridge: Cambridge University Press, 1980.

Helgerson, Richard. Adulterous Alliances: Home, State, and History in Early Modern European Drama and Painting. Chicago: University of Chicago Press, 2003.

Heylyn, Peter. The History of the Sabbath. London, 1636.

Heywood, Thomas. A Woman Killed with Kindness. Edited by Brian Scobie. New Mermaids. London: Methuen Drama, 2012.

Hobgood, Allison P. Passionate Playgoing in Early Modern England. Cambridge: Cambridge University Press, 2014.

Hodgdon, Barbara. Shakespeare, Performance, and the Archive. New York: Routledge, 2016.

Hoffmann, Detlef. The Playing Card: An Illustrated History. Translated by C. S. V. Salt, with Sylvia Mann. Greenwich, CT: New York Graphic Society Ltd., 1973.

Hogg, James. “An Ephemeral Hit: Thomas Middleton’s A Game at Chess.” In Jacobean Drama as Social Criticism, edited by James Hogg, 285–318. Salzburg University Studies. Lewiston, NY: Edwin Mellen Press, 1995.

Holme, Randle. The Academy of Armory; or, A Storehouse of Armory and Blazon. [1688]. Edited by Isaac Herbert Jeayes. Vol. 2. London: Roxburghe Club, 1905.

Hooper, David, and Kenneth Whyld. The Oxford Companion to Chess. 2nd ed. Oxford: Oxford University Press, 1996.

Hopkins, Lisa. “Maternity in A Woman Killed with Kindness.” In Performing Maternity in Early Modern England, edited by Kathryn M. Montcrief and Kathryn R. McPherson, 73–84. Aldershot, UK: Ashgate, 2007.

Hornback, Robert. “‘Holy Crap!’: Scatalogical Iconoclasm in Tudor Evangelical Comedy.” In Thunder at a Playhouse: Essaying Shakespeare and the Early Modern Stage, edited by Peter Kanelos and Matt Kozusko, 67–86. Selinsgrove, PA: Susquehanna University Press, 2010.

Howard, Jean E. Shakespeare’s Art of Orchestration: Stage Technique and Audience Response. Urbana: University of Illinois Press, 1984.

Howard-Hill, T. H. Middleton’s “Vulgar Pasquin”: Essays on “A Game at Chess.” Newark: University of Delaware Press, 1995.

Huhtamo, Erkki. “Dismantling the Fairy Engine: Media Archaeology as Topos Study.” In Media Archaeology: Approaches, Applications, and Implications, edited by Erkki Huhtamo and Jussi Parikka, 27–47. Berkeley: University of California Press, 2011.

Huhtamo, Erkki. Illusions in Motion: Media Archaeology of the Moving Panorama and Related Spectacles. Cambridge, MA: MIT Press, 2013.

Huizinga, Johan. Homo Ludens: A Study of the Play-Element in Culture. Boston: Beacon Press, 1950.

Huntemann, Nina B., and Matthew Thomas Payne, eds. Joystick Soldiers: The Politics of Play in Military Video Games. New York: Routledge, 2010.

Husserl, Edmund. On the Phenomenology of the Consciousness of Internal Time (1893–1917). Translated by John Barnett Brough. Dordrecht: Kluwer Academic, 1991.

Hutson, Lorna. The Invention of Suspicion: Law and Mimesis in Shakespeare and Renaissance Drama. Oxford: Oxford University Press, 2007.

Hutson, Lorna. The Usurer’s Daughter: Male Friendship and Fictions of Women in Sixteenth-Century England. London: Routledge, 1994.

Ingram, R. W. “Gammer Gurton’s Needle: Comedy Not Quite of the Lowest Order?” Studies in English Literature, 1500–1900 7, no. 2 (1967): 257–68.

Jacob, Christian. The Sovereign Map: Theoretical Approaches in Cartography through History. Edited by Edward H. Dahl. Translated by Tom Conley. Chicago: University of Chicago Press, 2006.

James I, King. Basilikon Dōron; or, His Majesties Instructions to His Dearest Sonne, Henry the Prince. London, 1603.

James I, King. . . . Makers of Playing Cards within Our Realme of England. London, 1615.

Jones, Steven E., and George K. Thiruvathukal. Codename Revolution: The Nintendo Wii Platform. Cambridge, MA: MIT Press, 2012.

Juul, Jesper. A Casual Revolution: Reinventing Video Games and Their Players. Cambridge, MA: MIT Press, 2010.

Kahn, Coppélia. “The Providential Tempest and the Shakespearean Family.” In Representing Shakespeare: New Psychoanalytic Essays, edited by Murray M. Schwartz and Coppélia Kahn, 217–43. Baltimore: Johns Hopkins University Press, 1980.

Kastan, David Scott. “‘The Duke of Milan / and His Brave Son’: Old Histories and New in The Tempest.” In Shakespeare’s Romances, edited by Alison Thorne, 226–44. New Casebooks. Basingstoke, UK: Palgrave, 2003.

Kavanagh, Thomas M. Dice, Cards, Wheels: A Different History of French Culture. Philadelphia: University of Pennsylvania Press, 2005.

Kirby, Kathleen M. “Re: Mapping Subjectivity: Cartographic Vision and the Limits of Politics.” In BodySpace: Destabilizing Geographies of Gender and Sexuality, edited by Nancy Duncan, 45–55. New York: Routledge, 1996.

Kittler, Friedrich A. Discourse Networks 1800/1900. Translated by Michael Metteer, with Chris Cullens. Stanford, CA: Stanford University Press, 1990 [1985].

Kittler, Friedrich A. Gramophone, Film, Typewriter. Translated by Geoffrey Winthrop-Young and Michael Wutz. Stanford, CA: Stanford University Press, 1999.

Kolve, V. A. The Play Called “Corpus Christi.” Stanford, CA: Stanford University Press, 1966.

Kozel, Susan. Closer: Performance, Technologies, Phenomenology. Leonardo Book Series. Cambridge, MA: MIT Press, 2007.

Laroque, François. Shakespeare’s Festive World: Elizabethan Seasonal Entertainment and the Professional Stage. Translated by Janet Lloyd. Cambridge: Cambridge University Press, 1991 [1988].

Latimer, Hugh. Sermons on the Card and Other Discourses. Edited by Henry Morley. Project Gutenberg [eBook no. 2458], 2005 [1883], http://www.gutenberg.org/files/2458/2458.txt.

Laurel, Brenda. Computers as Theatre. Reading, MA: Addison–Wesley, 1993.

Leggatt, Alexander. “Arden of Faversham.” Shakespeare Survey 36 (1983): 121–33.

Leininger, Lorie Jerrell. “The Miranda Trap: Sexism and Racism in Shakespeare’s Tempest.” In The Woman’s Part: Feminist Criticism of Shakespeare, edited by Carolyn Ruth Swift Lenz, Gayle Greene, and Carol Thomas Neely, 285–94. Urbana: University of Illinois Press, 1980.

Lieblein, Leanore. “The Context of Murder in English Domestic Plays, 1590–1610.” Studies in English Literature, 1500–1900 23, no. 2 (1983): 181–96.

Liebler, Naomi Conn. Shakespeare’s Festive Tragedy: The Ritual Foundations of Genre. New York: Routledge, 1995.

Limon, Jerzy. Dangerous Matter: English Drama and Politics in 1623/24. Cambridge: Cambridge University Press, 2010.

Lin, Erika T. “Popular Festivity and the Early Modern Stage: The Case of George a Greene.” Theatre Journal 61, no. 2 (2009): 271–97.

Lockwood, Tom. “Introduction.” In Arden of Faversham, 2nd ed., edited by Martin White, vii–xxxi. London: A & C Black, 2007.

Loomba, Ania. Gender, Race, Renaissance Drama. Manchester: Manchester University Press, 1989.

Lopez, Jeremy. Theatrical Convention and Audience Response in Early Modern Drama. Cambridge: Cambridge University Press, 2003.

Loughrey, Bryan, and Neil Taylor. “Ferdinand and Miranda at Chess.” Shakespeare Survey 35 (1982): 113–18.

Love, Genevieve. “Performance Criticism without Performance: The Study of Non-Shakespearean Drama.” In New Directions in Renaissance Drama and Performance Studies, edited by Sarah Werner, 131–46. New York: Palgrave Macmillan, 2010.

Low, Jennifer A. Manhood and the Duel: Masculinity in Early Modern Drama and Culture. New York: Palgrave Macmillan, 2003.

Lydgate, John. “The Debate of the Horse, Goose, and Sheep.” The Minor Poems of John Lydgate, part 2: Secular Poems, edited by Henry Noble MacCracken, 539–65. London: Oxford University Press, for Early English Text Society. Available at https://archive.org/stream/TheMinorPoemsOfJohnLydgate2/The_Minor_Poems_of_John_Lydgate_2#page/n174/mode/1up/search/goose (accessed 25 October 2017).

MacFaul, Tom. Male Friendship in Shakespeare and His Contemporaries. Cambridge: Cambridge University Press, 2007.

Machon, Josephine. Immersive Theatres: Intimacy and Immediacy in Contemporary Performance. Basingstoke, UK: Palgrave Macmillan, 2013.

Marcus, Leah S. The Politics of Mirth: Jonson, Herrick, Milton, Marvell and the Defense of Old Holiday Pastimes. Chicago: University of Chicago Press, 1986.

Margolin, Jean-Claude, and Diana Wormuth. “Mathias Ringmann’s Grammatica figurata; or, Grammar as a Card Game.” Yale French Studies 47 (1972): 33–46.

Marshall, Cynthia. “Wrestling as Play and Game in As You Like It.” Studies in English Literature, 1500–1900 33, no. 2 (1993): 265–87.

Masten, Jeffrey. Textual Intercourse: Collaboration, Authorship, and Sexualities in Renaissance Drama. Cambridge Studies in Renaissance Literature and Culture. Cambridge: Cambridge University Press, 1997.

Maus, Katharine Eisaman. “Horns of Dilemma: Jealousy, Gender and Spectatorship in English Renaissance Drama.” English Language History 54, no. 3 (1987): 561–83.

McAuley, Gay. Space in Performance: Making Meaning in the Theatre. Theatre: Theory/Text/Performance. Ann Arbor: University of Michigan Press, 2000.

McClintock, Michael. “Grief, Theater and Society in Thomas Heywood’s A Woman Killed with Kindness.” In Speaking Grief in English Literary Culture: Shakespeare to Milton, edited by Margo Swiss and David A. Kent, 98–118. Pittsburgh: Duquesne University Press, 2002.

McConachie, Bruce. Engaging Audiences: A Cognitive Approach to Spectating in the Theatre. Cognitive Studies in Literature and Performance. New York: Palgrave Macmillan, 2008.

McConachie, Bruce. “Using Cognitive Science to Understand Spatiality and Community in the Theater.” Contemporary Theatre Review 12, no. 3 (2002): 97–114.

McCullen, Joseph T., Jr. “The Use of Parlor and Tavern Games in Elizabethan and Early Stuart Drama.” Modern Language Quarterly 14, no. 1 (1953): 7–14.

McFadyen, N. Lindsay. “What Was Really Lost in Gammer Gurton’s Needle.” Renaissance Papers (1982): 9–13.

Menzer, Paul. “The Actor’s Inhibition: Early Modern Acting and the Rhetoric of Restraint.” Renaissance Drama 35 (2006): 83–111.

Menzer, Paul. “Crowd Control.” In Imagining the Audience in Early Modern Drama, 1558–1642, edited by Jennifer A. Low and Nova Myhill, 19–36. New York: Palgrave Macmillan, 2011.

Miah, Andy. “A Deep Blue Grasshopper: Playing Games with Artificial Intelligence.” In Philosophy Looks at Chess, edited by Benjamin Hale, 13–23. Chicago: Open Court, 2008.

Middleton, Thomas. A Game at Chess, edited by T. H. Howard-Hill. The Revels Plays. Manchester: Manchester University Press, 1993.

Milburn, Colin. “Atoms and Avatars: Virtual Worlds as Massively-Multiplayer Laboratories.” Spontaneous Generations 2, no. 1 (2008): 63–89.

Milburn, Colin. Mondo Nano: Fun and Games in the World of Digital Matter. Durham, NC: Duke University Press, 2015.

Miller, Kiri. Playing Along: Digital Games, YouTube, and Virtual Performance. Oxford Music/Media. New York and Oxford: Oxford University Press, 2012.

Mills, Lauren J. One Soul in Bodies Twain: Friendship in Tudor Literature and Stuart Drama. Bloomington, IN: Principia Press, 1937.

Moisan, Thomas. “Framing with Kindness: The Transgressive Theatre of A Woman Killed with Kindness.” In Essays on Transgressive Readings: Reading over the Lines, edited by Georgia Johnston, 171–84. Lewiston, NY: Edwin Mellen Press, 1997.

Montaigne, Michel de. The Essays of Michael Lord of Montaigne, . . . The First Booke, Volume 2. Translated by John Florio. London: J. M. Dent, 1897.

Montrose, Louis A. “‘Sport by Sport O’erthrown’: Love’s Labour’s Lost and the Politics of Play.” Texas Studies in Literature and Language 18, no. 4 (1977): 528–52.

Moore, John Robert. “The Contemporary Significance of Middleton’s Game at Chesse.” PMLA 50, no. 3 (1935): 761–8.

Morden, Robert. Facsimile of Morden’s Playing Cards. Lympne Castle, Kent, UK: Harry Margary, 1972.

Moxon, Joseph. The Use of the Astronomical Playing-Cards Teaching Any Ordinary Capacity by Them. London, 1676.

Mukherji, Subha. Law and Representation in Early Modern Drama. Cambridge: Cambridge University Press, 2006.

Mullaney, Steven. The Place of the Stage: License, Play, and Power in Renaissance England. Chicago: University of Chicago Press, 1988.

Mullinger, James Bass. The University of Cambridge. Vol. 1 (of 3). Cambridge: University Press, 1873.

Murray, H. J. R. A History of Board-Games Other than Chess. Oxford: Clarendon Press, 1951.

Murray, H. J. R. A History of Chess. Reprint ed. London: Oxford at the Clarendon Press, 1962 [1913].

Murray, Janet H. Hamlet on the Holodeck: The Future of Narrative in Cyberspace. 2nd printing. Cambridge, MA: MIT Press, 1999.

Mussou, Amandine. “Playing with Memory: The Chessboard as a Mnemonic Tool in Medieval Didactic Literature.” In Chess in the Middle Ages and Early Modern Age: A Fundamental Thought Paradigm of the Premodern World, edited by Daniel E. O’Sullivan, 187–97. Berlin: Walter de Gruyter, 2012.

Myhill, Nova. “Taking the Stage: Spectators as Spectacle in the Caroline Private Theaters.” In Imagining the Audience in Early Modern Drama, 1558–1642, edited by Jennifer A. Low and Nova Myhill, 37–54. New York: Palgrave Macmillan, 2011.

Nardo, Anna K. The Ludic Self in Seventeenth-Century English Literature. Albany: SUNY Press, 1991.

Neely, Carol Thomas. Distracted Subjects: Madness and Gender in Shakespeare and Early Modern Culture. Ithaca, NY: Cornell University Press, 2004.

Neill, Michael. Putting History to the Question: Power, Politics, and Society in English Renaissance Drama. New York: Columbia University Press, 2000.

Neill, Michael. “‘This Gentle Gentleman’: Social Change and the Language of Status in Arden of Faversham.” Medieval and Renaissance Drama in England 10 (1998): 73–97.

Netto, Jeffrey A. “Intertextuality and the Chess Motif: Shakespeare, Middleton, Greenaway.” In Shakespeare, Italy, and Intertextuality, edited by Michele Marrapodi, 216–26. Manchester: Manchester University Press, 2004.

Neville, Henry. Shuffling, Cutting, and Dealing in a Game at Pickquet. [London,], 1659.

Newman, Karen. Cultural Capitals: Early Modern London and Paris. Princeton, NJ: Princeton University Press, 2009.

Northbrooke, John. A Treatise Wherein Dicing, Dauncing, Vaine Playes or Enterluds with Other Idle Pastimes &c. Commonly Used on the Sabboth Day, Are Reproved. London, 1577.

Novy, Marianne L. “Patriarchy and Play in The Taming of the Shrew.” English Literary Renaissance 9, no. 2 (1979): 264–80.

Olson, Glending. “Plays as Play: A Medieval Ethical Theory of Performance and the Intellectual Context of the Tretise of Miraclis Pleyinge.” Viator: Medieval and Renaissance Studies 26 (1995): 195–221.

Orlin, Lena Cowen. Private Matters and Public Culture in Post-Reformation England. Ithaca, NY: Cornell University Press, 1994.

The Oxford English Dictionary. Online ed. Oxford: Oxford University Press.

Panek, Jennifer. “Punishing Adultery in A Woman Killed with Kindness.” Studies in English Literature, 1500–1900 34, no. 2 (1994): 357–78.

Parikka, Jussi. A Geology of Media. Electronic Mediations. Minneapolis: University of Minnesota Press, 2015.

Parikka, Jussi. What Is Media Archaeology? Cambridge: Polity Press, 2012.

Parker-Starbuck, Jennifer. Cyborg Theatre: Corporeal/Technological Intersections in Multimedia Performance. Performance Interventions. New York: Palgrave Macmillan, 2014.

Parlett, David. A Dictionary of Card Games. Oxford: Oxford University Press, 1992.

Parlett, David. The Oxford Guide to Card Games. Oxford: Oxford University Press, 1990.

Parlett, David. The Oxford History of Board Games. Oxford: Oxford University Press, 1999.

Paster, Gail Kern. The Body Embarrassed: Drama and the Disciplines of Shame in Early Modern England. Ithaca, NY: Cornell University Press, 1993.

Paster, Gail Kern. Humoring the Body: Emotions and the Shakespearean Stage. Chicago: Chicago University Press, 2004.

Paster, Gail, Katherine Rowe, and Mary Floyd-Wilson, eds. Reading the Early Modern Passions: Essays in the Cultural History of Emotion. Philadelphia: University of Pennsylvania Press, 2004.

Pearce, Celia. The Interactive Book: A Guide to the Interactive Revolution. Indianapolis: Macmillan Technical, 1997.

Penny, Simon. “Representation, Enaction, and the Ethics of Simulation.” In First Person: New Media as Story, Performance, and Game, edited by Noah Wardrip-Fruin and Pat Harrigan, 73–84. Cambridge, MA: MIT Press, 2004.

Perry, Curtis. “Commodity and Commonwealth in Gammer Gurton’s Needle.” Studies in English Literature, 1500–1900 42, no. 2 (2002): 217–34.

Philpot, John. A Prospective-Glasse for Gamesters; or, A Short Treatise against Gaming. London, 1646.

Popat, Sita. “Missing in Action: Embodied Experience and Virtual Reality.” Theatre Journal 68, no. 3 (2016): 357–78.

Postlewait, Thomas. “Theater Events and Their Political Contexts: A Problem in the Writing of Theater History.” In Critical Theory and Performance: Revised and Enlarged Edition, edited by Janelle G. Reinelt and Joseph R. Roach, 198–222. Ann Arbor: University of Michigan Press, 2007.

Preiss, Richard. Clowning and Authorship in Early Modern Theatre. Cambridge: Cambridge University Press, 2014.

Preiss, Richard. “Interiority.” In Early Modern Theatricality, edited by Henry S. Turner, 47–70. Oxford Twenty-First Century Approaches to Literature. Oxford: Oxford University Press, 2013.

Prynne, William, with Henry Burton. The Lord’s Day, the Sabbath Day. London, 1636.

Rackin, Phyllis. “The Role of Audience in Shakespeare’s Richard II.” Shakespeare Quarterly 36, no. 3 (1985): 262–81.

Rancière, Jacques. The Emancipated Spectator. Translated by Gregory Elliott. London: Verso, 2011.

Rasskin-Gutman, Diego. Chess Metaphors: Artificial Intelligence and the Human Mind. Translated by Deborah Klosky. Cambridge, MA: MIT Press, 2009.

Rice, Richard. An Invective against Vices, Taken for Vertue. London, 1581.

Richardson, Catherine. Domestic Life and Domestic Tragedy in Early Modern England: The Material Life of the Household. Manchester: Manchester University Press, 2006.

Robertson, Adi. “Replacing VR and AR with ‘Mixed Reality’ is Good For Microsoft but Bad for the Rest of Us,” The Verge (12 May 2017), https://www.theverge.com/2017/5/12/15625972/microsoft-build-windows-mixed-reality-hololens-vr-confusing (accessed 3 January 2018).

Robinson, J. W. “The Art and Meaning of Gammer Gurton’s Needle.” Renaissance Drama 14 (1983): 45–77.

Rokem, Freddie. “Dramaturgies of Exile: Brecht and Benjamin ‘Playing’ Chess and Go.” Theatre Research International 37, no. 1 (2012): 5–19.

Rumbold, Kate. “From ‘Access’ to ‘Creativity’: Shakespeare Institutions, New Media, and the Language of Cultural Value.” Shakespeare Quarterly 61, no. 3 (2010): 313–36.

S., Mr. Gammer Gurton’s Needle. 2nd ed. Edited by Charles Whitworth. New Mermaids. New York: W. W. Norton, 1997.

Saariluoma, Pertti. Chess Players’ Thinking: A Cognitive Psychological Approach. London: Routledge, 1995.

Sack, Daniel. After Live: Possibility, Potentiality, and the Future of Performance. Ann Arbor: University of Michigan Press, 2015.

Salen, Katie, and Eric Zimmerman. Rules of Play: Game Design Fundamentals. Cambridge, MA: MIT Press, 2004.

Sallaz, Jeffrey J. The Labor of Luck: Casino Capitalism in the United States and South Africa. Berkeley and Los Angeles: University of California Press, 2009.

Salter, Chris. Entangled: Technology and the Transformation of Performance. Cambridge, MA: MIT Press, 2010.

Sanchez, Melissa E. “Seduction and Service in The Tempest.” Studies in Philology 105, no. 1 (2008): 50–82.

Sanford, Rhonda Lemke. Maps and Memory in Early Modern England: A Sense of Place. New York: Palgrave, 2002.

Saul, Arthur. The Famous Game of Chesse-Play, Truely Discovered, and All Doubts Resolved; So That by Reading This Small Booke Thou Shalt Profit More Than by the Playing a Thousand Mates. An Exercise Full of Delight; Fit for Princes, or Any Person of What Qualitie Soever. London, 1614.

Saul, Arthur, with Jo. Barbier. The Famous Game of Chesse-Play. Being a Princely Exercise; Wherin the Learner May Profit More by Reading of This Small Book, Then by Playing of a Thousand Mates. Now Augmented of Many Materiall Things Formerly Wanting, and Beautified with a Three-Fold Methode, Viz. Of the Chesse-Men, of the Chesse-Play, of the Chesse-Lawes. London, 1640.

Schechner, Richard. Performance Theory. Revised ed. Routledge Classics. London: Routledge, 2003.

Schmidgall, Gary. “The Discovery at Chess in The Tempest.” English Language Notes 23, no. 4 (1986): 11–16.

Schneider, Rebecca. Performing Remains: Art and War in Times of Theatrical Reenactment. London: Routledge, 2011.

Scott-Warren, Jason. “When Theaters Were Bear-Gardens; or, What’s at Stake in the Comedy of Humors.” Shakespeare Quarterly 54, no. 1 (2003): 63–82.

Selinger, Evan. “Chess-Playing Computers and Embodied Grandmasters: In What Ways Does the Difference Matter.” In Philosophy Looks at Chess, edited by Benjamin Hale, 65–87. Chicago: Open Court, 2008.

Semenza, Gregory M. Colón. Sport, Politics, and Literature in the English Renaissance. Newark: University of Delaware Press, 2003.

Shakespeare, William. The Norton Shakespeare, 2nd ed. Edited by Stephen Greenblatt. New York: W. W. Norton, 1997.

Shakespeare, William. The Tempest. Edited by Stephen Orgel. The Oxford Shakespeare. Oxford: Clarendon Press, 1987.

Shakespeare, William. The Tempest. Edited by Virginia Mason Vaughan and Alden T. Vaughan. London: Arden Shakespeare, 2000.

Shannon, Laurie. Sovereign Amity: Figures of Friendship in Shakespearean Contexts. Chicago: Chicago University Press, 2002.

Shepard, Alexandra. Meanings of Manhood in Early Modern England. Oxford: Oxford University Press, 2003.

Sherman, Jane. “The Pawns’ Allegory in Middleton’s A Game at Chess.” Review of English Studies 29, no. 114 (1978): 147–59.

Siegel, Paul. “Historical Ironies in The Tempest.” Shakespeare-Jahrbuch 119 (1983): 104–11.

Simons, Patricia. “(Check)Mating the Grand Masters: The Gendered, Sexualized Politics of Chess in Renaissance Italy.” Oxford Art Journal 16, no. 1 (1993): 59–74.

Skura, Meredith Anne. Shakespeare the Actor and the Purposes of Playing. Chicago: Chicago University Press, 1993.

Slights, Jessica. “Rape and the Romanticization of Shakespeare’s Miranda.” Studies in English Literature, 1500–1900 41, no. 2 (2001): 357–79.

Smith, Bruce R. “Getting Back to the Library, Getting Back to the Body.” In Shakespeare and the Digital World: Redefining Scholarship and Practice, edited by Christie Carson and Peter Kirwan, 24–32. Cambridge: Cambridge University Press, 2014.

Smith, Bruce R. The Key of Green: Passion and Perception in Renaissance Culture. Chicago: University of Chicago Press, 2009.

Smith, Bruce R. Phenomenal Shakespeare. Blackwell Manifestos. Chichester, UK: Wiley–Blackwell, 2010.

Smith, G. C. Moore. College Plays Performed in the University of Cambridge. Cambridge: Cambridge University Press, 1923.

Smoller, Laura A. “Playing Cards and Popular Culture in Sixteenth-Century Nuremberg.” Sixteenth Century Journal 17, no. 2 (1986): 183–214.

Sofer, Andrew. Dark Matter: Invisibility in Drama, Theater, and Performance. Theatre: Theory/Text/Performance. Ann Arbor: University of Michigan Press, 2013.

Solem, Delmar E. “Some Elizabethan Game Scenes.” Educational Theatre Journal 6, no. 1 (1954): 15–21.

Southern, Richard. The Staging of Plays before Shakespeare. London: Faber & Faber, 1973.

Sprunger, Keith L. “Ames, William (1576–1633).” In Oxford Dictionary of National Biography. Oxford: Oxford University Press, 2004–9.

Stern, Tiffany. “Taking Part: Actors and Audience on the Stage at Blackfriars.” In Inside Shakespeare: Essays on the Blackfriars Stage, edited by Paul Menzer, 35–53. Selinsgrove, PA: Susquehanna University Press, 2006.

Stephens, Frederick G., and E. Hawkins, comps. Catalogue of Prints and Drawings in the British Museum, Division 1: Political and Personal Satires, vol. 1. (1320–1689). London: Chiswick Press, 1870.

Stewart, Alan. Close Readers: Humanism and Sodomy in Early Modern England. Princeton, NJ: Princeton University Press, 1997.

Stubbes, Phillip. The Anatomie of Abuses. London, 1583.

Sturgess, Keith, ed. Three Elizabethan Domestic Tragedies: Arden of Faversham, A Yorkshire Tragedy, A Woman Killed with Kindness. Harmondsworth, Middlesex, UK: Penguin, 1985.

Suits, Bernard. The Grasshopper: Games, Life, and Utopia. Toronto: University of Toronto Press, 1978.

Sullivan, Garrett A., Jr. The Drama of Landscape: Land, Property, and Social Relations on the Early Modern Stage. Stanford, CA: Stanford University Press, 1998.

Sutton, John. “Batting, Habit and Memory: The Embodied Mind and the Nature of Skill.” Sport in Society: Cultures, Commerce, Media, Politics 10, no. 5 (2007): 763–86.

Taffin, Jean. The Amendment of Life. London, 1595.

Taylor, Diana. The Archive and the Repertoire: Performing Cultural Memory in the Americas. Durham, NC: Duke University Press, 2003.

Taylor, E. S. The History of Playing Cards, with Anecdotes of Their Use in Conjuring, Fortune-Telling, and Card-Sharping. Rutland, VT: Charles E. Tuttle, 1973.

Taylor, Gary. “Introduction to A Game at Chesse: An Early Form.” In Thomas Middleton: The Collected Works, edited by Gary Taylor and John Lavagnino, 1773–1779. Oxford: Clarendon Press, 2007.

Taylor, Gary. “Introduction to A Game at Chesse: A Later Form,” in Thomas Middleton: The Collected Works, edited by Gary Taylor and John Lavagnino, 1825–1828. Oxford: Clarendon Press, 2007.

Taylor, Gary. “Introduction to [Apparatus for] A Game at Chesse: A Later Form.” In Thomas Middleton and Early Modern Textual Culture: A Companion to the Collected Works, edited by Gary Taylor and John Lavagnino, 912-915. Oxford: Clarendon Press, 2007.

Taylor, John. Taylor’s Goose. London, 1621.

Taylor, Mark N. “How Did the Queen Go Mad?” In Chess in the Middle Ages and Early Modern Age: A Fundamental Thought Paradigm of the Premodern World, edited by Daniel E. O’Sullivan, 169–83. Berlin: Walter de Gruyter, 2012.

Tooley, R. V. Geographical Oddities; or, Curious, Ingenious, and Imaginary Maps and Miscellaneous Plates Published in Atlases. London: Map Collectors’ Circle, 1963.

Traub, Valerie. “History in the Present Tense: Feminist Theories, Spatialized Epistemologies, and Early Modern Embodiment.” In Mapping Gendered Routes and Spaces in the Early Modern World, edited by Merry E. Weiser-Hanks, 15–53. Burlington, VT: Ashgate, 2015.

Traub, Valerie. “The Nature of Norms in Early Modern England: Anatomy, Cartography, King Lear.” South Central Review 26, no. 1–2 (2009): 42–81.

Traub, Valerie. The Renaissance of Lesbianism in Early Modern England. Cambridge Studies in Renaissance Literature and Culture. Cambridge: Cambridge University Press, 2002.

Tribble, Evelyn B. Cognition in the Globe: Attention and Memory in Shakespeare’s Theatre. New York: Palgrave Macmillan, 2011.

Tribble, Evelyn B., and John Sutton. “Minds in and out of Time: Memory, Embodied Skill, Anachronism, and Performance.” Textual Practice 26, no. 4 (2012): 587–607.

Turner, Henry S. The English Renaissance Stage: Geometry, Poetics, and the Practical Spatial Arts 1580–1630. Oxford: Oxford University Press, 2006.

Turner, Henry S. “King Lear Without: The Heath.” Renaissance Drama 28 (1997): 161–93.

Turner, Henry S. “Literature and Mapping in Early Modern England, 1520–1688.” In Cartography in the Renaissance, Part I, edited by David Woodward, 412–26. Chicago: University of Chicago Press, 2007.

von Hilgers, Philipp. War Games: A History of War on Paper. Translated by Ross Benjamin. Cambridge, MA: MIT Press, 2012.

Wagner, Matthew D. Shakespeare, Theatre, and Time. New York: Routledge, 2011.

Walker, Gilbert. Mihil Mumchance, His Discoverie of the Art of Cheating in False Dyce Play, and Other Unlawfull Games: With a Discourse of the Figging Craft. London, 1597.

Wall, Wendy. Staging Domesticity: Household Work and English Identity in Early Modern Drama. Cambridge Studies in Renaissance Literature and Culture. Cambridge: Cambridge University Press, 2002.

Walsh, Brian. “‘Unkind Division’: The Double Absence of Performing History in 1 Henry VI.” Shakespeare Quarterly 55, no. 2 (2004): 119–47.

Wardrip-Fruin, Noah, and Pat Harrigan, eds. First Person: New Media as Story, Performance, and Game. Cambridge, MA: MIT Press, 2004.

Weimann, Robert. Author’s Pen and Actor’s Voice: Playing and Writing in Shakespeare’s Theatre, edited by Helen Higbee and William West. Cambridge Studies in Renaissance Literature and Culture. Cambridge: Cambridge University Press, 2000.

Weimann, Robert. Shakespeare and the Popular Tradition in the Theater: Studies in the Social Dimension of Dramatic Form and Function, edited by Robert Schwartz. Baltimore: Johns Hopkins University Press, 1978.

Wells, Robin Headlam. Shakespeare on Masculinity. Cambridge: Cambridge University Press, 2000.

West, William N. “Replaying Early Modern Performances.” In New Directions in Renaissance Drama and Performance Studies, edited by Sarah Werner, 30–50. New York: Palgrave Macmillan, 2010.

Whigham, Frank. Seizures of the Will in Early Modern English Drama. Cambridge Studies in Renaissance Literature and Culture. Cambridge: Cambridge University Press, 1996.

White, Gareth. Audience Participation in Theatre: Aesthetics of the Invitation. New York: Palgrave Macmillan, 2013.

Whiting, B. J. “Diccon’s French Cousin.” Studies in Philology 42, no. 1 (1945): 31–40.

Whitney, Charles. Early Responses to Renaissance Drama. Cambridge: Cambridge University Press, 2006.

W[ilcox], T[homas]. A Glasse for Gamesters: And Namelie for Suche as Delight in Cards & Dise. London, 1581.

Willis, Deborah. “Shakespeare’s The Tempest and the Discourse of Colonialism.” Studies in English Literature 29, no. 2 (1989): 277–89.

Willshire, William Hughes. A Descriptive Catalogue of Playing and Other Cards in the British Museum. London: Trustees of the British Museum, 1876.

Wilson, Mark. “Exclusive: Microsoft Has Stopped Manufacturing the Kinect,” Co.Design (25 October 2017), https://www.fastcodesign.com/90147868/exclusive-microsoft-has-stopped-manufacturing-the-kinect (accessed 3 January 2018).

Wine, M. L., ed. The Tragedy of Master Arden of Faversham. The Revels Plays. London: Methuen, 1973.

Wiseman, Susan. “Introduction” to Thomas Middleton, The Nice Valour; or, The Passionate Madman, edited by Gary Taylor. In Thomas Middleton: The Collected Works, edited by Gary Taylor and John Lavagnino, 1679–83. Manchester: Manchester University Press, 1993.

Wither, George. Prosopopoeia Britannicus: Britan’s Genius, or Good-Angel, Personated; Reasoning and Advising, Touching the Games Now Playing, and the Adventures Now at Hazard in These Islands. London, 1648.

Wizisla, Erdmut. Walter Benjamin and Bertolt Brecht: The Story of a Friendship. Translated by Christine Shuttleworth. New Haven: Yale University Press, 2009 [2004].

Wood, Thomas. “The Seventeenth Century English Casuists on Betting and Gambling.” Church Quarterly Review 149, no. 248 (1950): 159–74.

Woodbridge, Linda. “‘He Beats Thee ’Gainst the Odds’: Gambling, Risk Management, and Antony and Cleopatra.” In Antony and Cleopatra: New Critical Essays, edited by Sara Munson Deats, 193–211. New York: Routledge, 2004.

Worthen, W. B. “Interactive, Immersive, Original Shakespeare,” Shakespeare Bulletin, special issue on “Shakespeare and Performance Studies: A Dialogue,” eds. Susan Bennett and Gina Bloom, 35, no. 3 (2017): 407–24.

Worthen, W. B. Shakespeare and the Authority of Performance. Cambridge: Cambridge University Press, 1997.

Worthen, W. B. Shakespeare and the Force of Modern Performance. Cambridge: Cambridge University Press, 1998.

Worthen, W. B. Shakespeare Performance Studies. Cambridge: Cambridge University Press, 2014.

Wright, Louis B. “The Male-Friendship Cult in Thomas Heywood’s Plays.” Modern Language Notes 42, no. 8 (1927): 510–14.

Yachnin, Paul. “A Game at Chess and Chess Allegory.” Studies in English Literature, 1500–1900 22, no. 2 (1982): 317–30.

Yachnin, Paul. Stage-Wrights: Shakespeare, Jonson, Middleton, and the Making of Theatrical Value. Philadelphia: University of Pennsylvania Press, 1997.

Zielinski, Siegfried. Deep Time of the Media: Toward an Archaeology of Hearing and Seeing by Technical Means. Translated by Gloria Custance. Cambridge, MA: MIT Press, 2006.

Zimmerman, Eric. “Play as Research: The Interactive Design Process.” Final Draft, 8 July 2003, http://static1.squarespace.com/static/579b8aa26b8f5b8f49605c96/t/59921253cd39c3da5bd27a6f/1502745178453/Iterative_Design.pdf (accessed 18 October 2017).

Previous Chapter

Notes

Next Chapter

Index

Share