A somewhat similar design is painted on the side of the helmets of some katcina dancers, where the bracts or petals are colored in sequence, with the pigments corresponding to the six directions—north, west, south, east, above, and below.

Hence, the religious society to which the deceased belonged, and the members of the clan who survive, place in the mortuary bowls, or in the left hand of their friend, the paho or prayer emblem for rain; hence, also, in prayers at interment they address the breath body of the dead as a katcina, or rain god.

This small fragment is instructive, in that it indicates the existence of the katcina cult in Tusayan before 1700; but the rarity of the figures of these supernatural beings is very suggestive.

They were late arrivals in Tusayan, coming at least after the Flute people, and probably before the Honani or Badger people, who brought, I believe, the katcina cult.

Although we can not definitely assert that this cultus was unknown at Sikyatki, it is significant that in the ruins no ornamental vessel was found with a figure of a katcina mask, although these figures occur on modern bowls.