For both her first solo museum show, “Calida Rawles: Away with the Tides,” on view now through Feb. 2 at the Pérez, and Lehmann Maupin’s presentation at Art Basel Miami Beach, running Friday through Sunday, Rawles painted portraits of Overtown residents based on photo sessions in the water.

Nearby, a striking 9th century Indonesian carving in volcanic stone of Brahma, the multi-headed god, represents the myriad complexities of creation — just like every other Hindu Brahma sculpture that is not on view.

These two mediocre exhibitions are on view in LACMA’s Resnick Pavilion — one until spring, the other for nearly a year.

On view through March 16, the exhibition is highly immersive and highly Instagrammable.

George, feeling abandoned and in no mood to endure more racist bullying, jumps from the train, starting a return odyssey to London — unbeknownst to his mother — that gives McQueen a chance to seed a childhood adventure within an episodic portrait of a besieged city, a place where people’s best and worst survival instincts are on view.