Lys van orrelregisters

'n Orrelstop kan een van drie dinge beteken:

• die beheer op 'n orrelkonsole wat 'n spesifieke klank kies
• die ry orrelpype gebruik om 'n spesifieke klank te skep, meer toepaslik bekend as 'n rang
• die klank self

Orrelstoppe word in vier hoofgrope gesorteer: principale, snaar, riet en fluit .

Dit is 'n sorteerbare lys van name wat gevind kan word wat verband hou met elektroniese en pyp orrel stop. Ontelbare stops is oor die eeue heen ontwerp, en individuele organe mag stoppe hê, of name van stop, wat nêrens anders gebruik word nie. Hierdie nie-omvattende lys handel meestal oor die name van plekke wat op talle barok-, klassieke en romantiese organe voorkom. Hier is 'n paar van die algemeenste:

Registernaam	Alternatiewe naam	Tipe	Notas
Aeoline	Aéoline Éolienne	Snaar	'n Baie klein skaal stop met baie delikate, lugtig klanke; Gebou meestal as 'n enkel-posisie stop, of as 'n duble-posisie celeste.
Blockflöte		Fluit	Duits vir "blokfluit"; 'n wye skaalvormige koniese of gestopte fluit van 4'- of 2'-toonhoogte, met die naam van die gewone fluit wat 'n "blokfluit" genoem word, wat sy toon nou saamlik is.
Bombarde		Riet	'n kragtige koorstok stop met 'n koperagtige timbre, wat voorkom op die handleidings om 16 '(en soms 8'), of in die pedaal by 'n 16 'of 32' toonhoogte
Bourdon		Fluit	'n grootskaalse gestop-fluit, 16 'of 8' op die sleutelborde, en 16 'of 32' in die pedale (waar dit Subbase of Contra Bourdon genoem kan word)
Cello	Violoncelle	Snaar	'n skaal stop by 8 'of 16'; het 'n warmer, meer "romantiese" toon as die Gamba
Choralbass		Principal	'n 4'-sterkte-oktaaf Principaal in die pedaalafdeling, hoofsaaklik vir cantus firmus gebruik
Claribel	Clarabel Flute Claribel Flute Melodia	Fluit	'n 8 oop hout handleiding stop.
Clarinet	Clarinette Clarionet	Riet	'n riet stop met 'n ryke toon wat die orkesinstrument naboots
Clarion	Clairon	Riet	8' (pedaal) of 4' (sleutelbord of pedaal) refrein, soortgelyke toon as die "Trompette"
Cornet		Fluit	'n baie-rang-stop wat bestaan uit tot vyf geledere van wydverspreide pype. Die plekke sluit in 8 ', 4', 2 2/3 ', 2' en 1 3/5 '. Drie- en vier-rangkornette skakel 8'- en 4'-geledere uit. Hierdie stop is nie nabootsend van die orkeskornet nie.
Cornopean		Riet	8' koor-riet soortgelyk aan die trompet; gewoonlik in die swell-afdeling geleë.
Cromorne	Krummhorn	Riet	Sillindriese solo riet wat 'n duidelike bruisende of blink geluid het, nabootsend van die historiese instrument met dieselfde naam
Diapason	Montre Open Diapason Principale Principal Prinzipal Tenori	Principal	'n ruitstop wat die orgaan se "ruggraat" klank is. Mees algemeen by 8 'in sleutelborde, en 8' of 16 'in die pedale.
Diaphone			'n spesiale soort orgaanpyp wat toon produseer deur 'n hamer te gebruik om lug deur die resonator te klop. Gewoonlik op teaterorgane, wat nie dikwels in klassieke instrumente gebruik word nie.
Fagotto	Bassoon Fagott	Riet	16' koorriet. Omgekeerde koniese konstruksie, sagter as 'n trompet of trombone.
Flageolet		Fluit	'n fluit van 2' of 1' toonhoogte.
Fugara		Snaar	'n fuit stop in 4' of 8' toonhoogte. Die toon het 'n skerp stringagtige gehalte.
Gamba	Viola da Gamba Viole	Snaar	'n Skraal stop met 'n din klanke, soos 'n tjello stop. Die stop se naamgenoot kom van die viola de gamba.
Gedackt	Gedeckt	Fluit	'n gestopte fluit by 8 'in die sleutelborde, en gestop 16' en / of 8 'fluitstem in die pedale
Gemshorn	Cor de Chamois	Snaar	German for "chamois horn"; a narrow-scale, tapered stop. It is also usually the lowest stop in the organ that has one.
Gravissima			Name for a resultant 64' flue (a 32' stop combined with a 212⁄3' stop, which is a fifth, producing a difference tone of 8 Hz on low C.)
Harmonic Flute		Fluit	an open metal flute made to sound an octave above its length by means of a small hole at its midpoint. This stop has a very pure flute tone and was popularized by Aristide Cavaillé-Coll.
Hohlflöte	Hohlflute Holpijp	Fluit	a metal or wooden 8' open or stopped flute.
Larigot		Fluit	Fluit mutation stop at 1+1⁄3′ pitch
Mixture	Fourniture Plein Jeu	Principal	Multi-rank stops that enhance the harmonics of the fundamental pitch, and are intended for use with foundation stops, not alone. Mixture IV indicates that the stop has four ranks. Mixture 15.19.22.26 indicates the composition.
Nachthorn	Night Horn Cor de Nuit Corno de Nacht	Fluit	wide-scaled flute with a relatively small mouth, produces a soft, but penetrating sound; occurring at 8′ and 4′ pitch, and also at 2′ pitch at pedal
Nasard	Nasat Nazard	Fluit	Fluit mutation stop of 2+2⁄3′ (sounding a twelfth above written pitch)
Oboe	Hautbois	Riet	Riet stop used as both a solo stop and a chorus reed.
Octave	Oktav Prestant Principal	Principal	A 4′ Principal. "Prestant" often indicates ranks that have pipes mounted in the front of the organ case.
Ophicleide		Riet	powerful reed stop, much like the Bombarde; normally a 16′ or 32′ pedal reed; unusually an 8′ or 16′ on the manuals
Orchestral Oboe		Riet	a different stop from Oboe; intended to imitate the orchestral instrument; of smaller scale than the non-imitative oboe
Piccolo		Fluit	2′ flute
Quarte		Fluit	2′ flute on 17th and 18th century French organs; short for Quarte de nasard, sounding an interval of a fourth above the nasard stop
Regal		Riet	a reed stop with fractional-length resonators; produces a buzzy sound with low fundamental frequency.
Rohrflöte	Chimney Flute	Fluit	German for "reed flute"; a semi-capped metal pipe with a narrow, open-ended tube (i.e. "chimney") extending from the top which resembles a reed
Salicional		Snaar	An 8′ string stop, softer in tone than the Gamba.
Scharf	Cymbale	Principal	A high-pitched mixture stop.
Sesquialtera		Principal	Comprises ranks at 22⁄3' and 13⁄5'
Sifflöte	Piccolo Sifflet	Fluit	1′ flute
Super Octave	Doublette Fifteenth	Principal	the manual 2′ Principal or Diapason; its name merely signifies that it is above (i.e. "super") the 4′ Octave.
Tibia Clausa	Tibia	Fluit	a large-scale, stopped wood flute pipe, usually with a leathered lip; performs same function in a theatre pipe organ as a principal in a classical organ.
Tierce	Seventeenth Terz Tertia	Fluit	mutation stop pitched 1+3⁄5′, supporting the 8′ harmonic series
Trichterregal		Riet	an 8-ft reed stop on a pipe organ with funnel-shaped resonators. A trichterregal was used by Schnitger in the Schnitger organ that he built for St. James's Church, Hamburg.
Trombone	Posaune	Riet	Chorus reed simulating the trombone; most commonly in the pedal at 16′ or 32′ pitch
Trompette en Chamade		Riet	Solo trumpet laid horizontally; can often be heard over full organ.
Trompette Militaire		Riet	powerful solo reed of the trumpet-family, with a brassy, penetrating tone
Trumpovet	Trompete Trompette	Riet	a loud chorus reed stop, generally a single rank, with inverted conical resonators.
Tuba		Riet	large-scale, high pressure, smooth solo reed usually 8′ in the manuals and 16′ (sometimes 32′) in the pedal. Tuba is Latin for Trumpovet; it is not named after the orchestral tuba.
Twelfth		Principal	principal mutation stop of 2+2⁄3′
Twenty-Second	Kleine Principal	Principal	a 1′ principal
Unda Maris		Fluit	Latin for "wave of the sea"; a very soft rank tuned slightly sharp or flat. It is drawn with another soft rank to create an undulating effect. Occasionally built as a double-rank stop called Unda Maris II, which has both a normal-pitched and detuned rank.
Voix céleste		Snaar	An 8′ string stop tuned slightly sharp or flat to create an undulating effect when combined with another string stop. Some variants contain both a normal-pitched and detuned rank.
Vox humana	Voix humaine	Riet	fractional length regal supposedly intended to imitate the human voice