Lina L E O N O R E Morawetz
English below
**
Schriftstellerin, Essayistin, Übersetzerin, lebt in Wien.
Groß- und Kleinbuchstaben (Sonderzahl/formatgebung 2021, ISBN 978-3-85449-582-6). Aktuell Arbeit an einem Roman. Mitglied IG Autorinnen Autoren + Forum Literaturübersetzen Österreich.
Prosa + Gedichte in Literaturzeitschriften (SALZ, Mosaik, Podium, Edit, Das Narr, Makhzin Beirut u.a.).
Literarische Essays/Artwriting zu Fotografie, Film und visueller Kunst in Künstlerbüchern + Kunstzeitschriften seit 2013 (Fotohof Salzburg, Kunstraum Lakeside, Lubok Verlag, Steidl Verlag, Kunstpreis Böttcherstrasse, Motto Books, Camera Austria International, Eikon, u.a.)
Forschungsreisen zu (Familien)Geschichten von Gewalt und Liebe in Ungarn, Mexiko, Russland, Israel, Österreich, Deutschland. Lebte in Rom, London, Leipzig.
Förderungen der literarischen Arbeit: österr. Kulturinstitut Mexiko, österr. Bundeskanzleramt, Land Salzburg (Jahresstipendium 2021) Kulturstiftung d. Freistaates Sachsen, österr. Gesellschaft für Literatur.
2013, 3. Edit Essaypreis
Freie Dozentin für Praxen des experimentellen Schreibens/Applied Poetry (Lehraufträge Univ. für Angewandte Kunst/Sprachkunst, Akademie der bild. Künste, Wien, Kunstuniversität Linz, BURG Giebichenstein, Halle).
Übersetzung Englisch - Deutsch:
Lyrik von Etel Adnan (portikus) Eileen Myles, Liz Howard (Camera Austria), Solmaz Sharif (Edit Magazin), Essayband "Untranslatable", Schloss Solitude, Archive Books 2023 (mit Raguel Roumer); Essays für documenta fifteen (lumbung erzählen), HKW Berlin (von Tiona Nekkia McClodden, Renée Green uvm.), Kunstverein Braunschweig (Jota Mombaça, Bonaventure Soh Bejeng Ndikung u.a.).
2015 Kuratorin Ausstellungs-Symposium „The Long Moment. A transcontinental encounter of poetic research and theoretical investigation“ (Wien). 2017 - 2019 tätig für "Hubert Fichte: Love and Ethnology" (HKW, Berlin). Organisatorin und Co-kuratorische Tätigkeit Bereich bild. Kunst (2008 - 2014).
Seit 1999 Arbeit in der organisch-biologischen Landwirtschaft.
Ausbildung
Goldsmiths College, University of London, Aural & Visual Cultures (Kodwo Eshun, Mark Fisher/k-punk), MA; Deutsches Literaturinstitut Leipzig, Literarisches Schreiben, BA; Freie Universität Bolzano/Bozen, Italien, Fakultät für Design und Kunst, BA; Akademie der bildenden Künste, Critical Studies (2012–2014); Ausbildung Zeitgenössischer Tanz, UniT Graz
**
Writer, essayist, translator, born 1981, based in Vienna.
„Groß- und Kleinbuchstaben“ (Sonderzahl, 2021). Currently working on a novel. Member of Austrian Author’s Association (IG Autoren Autorinnen) and The Austrian Association of Literary and Scientific Translators
Fiction and non-fiction have appeared in literature magazines, i.e. SALZ, Podium, Edit, Das Narr, Makhzin Beirut. Artwriting on the threshold of poetic research and theoretical investigation of visual the arts for artist books, since 2013 (Kunstraum Lakeside, Lubok Verlag, Steidl Verlag, Kunstpreis Böttcherstrasse, Motto Books, Camera Austria International, Eikon, TQW Magazine/Secession u.a.) .
Grants and support for literary work: from the Austrian Federal Ministery for Arts, the State of Salzburg (annual scholarship 2021), Cultural Foundation of the Free State of Saxony, Austrian Literature Society, Villa Empain, Brussels, Kunsthalle Exnergasse, Vienna. 2013 microfiction Motten (Moths) was awarded at Edit Essay Prize.
Research travels investigating mostly histories of violence and love, in Mexico, Germany, Hungary, Austria, Israel, Russia.
University Lecturer in experimental writing/applied poetry at art schools (University of Applied Arts, Academy of Fine Arts Vienna, BURG Giebichenstein, Halle; Workshops at HGB Leipzig, et al)
Translations (English-German): "Untranslatables" (Archive Books + Edition Solitude, 2023, ISBN: 978-3-948212-55-1).
Essays, experimental writing, poetry, texts of institutions and individuals such as: documenta fifteen, HKW Berlin (2019-2022), Portikus Frankfurt, Camera Austria International (2017-2020); Etel Adnan, Eileen Myles, Solmaz Sharif, Tiona Nekkia McClodden, Bonaventure Soh Bejeng Ndikun, Eyal Weizman, and many more.
2015 curation of exhibition-symposium „The Long Moment. A transcontinental encounter of poetic research and theoretical investigation“ with Jeff Derksen, Mark Fisher, Suzana Milevska et al, Kunsthalle Exnergasse. 2017 - 2019 served for "Hubert Fichte: Love and Ethnology", HKW, Berlin and as a speechwriter for a German minister in Saxony. 2008-20014 organiser and co-curator in the field of Visual Arts in Vienna.
Education:
Aural&Visual Cultures, Goldsmiths College, London (Kodwo Eshun, Mark Fisher/k-punk), MA, German Literature Institute in Leipzig, BA. She also studied at Academy of fine Arts Vienna (Critical Studies, 2012-2014) and has received a BA from the Art and Design Dept. at Free University of Bolzano, Italy. From 2000-2001 she received an education in contemporary dance from UniT Graz.
Works in organic farming since 1999
Phone: 15202126149
**
Schriftstellerin, Essayistin, Übersetzerin, lebt in Wien.
Groß- und Kleinbuchstaben (Sonderzahl/formatgebung 2021, ISBN 978-3-85449-582-6). Aktuell Arbeit an einem Roman. Mitglied IG Autorinnen Autoren + Forum Literaturübersetzen Österreich.
Prosa + Gedichte in Literaturzeitschriften (SALZ, Mosaik, Podium, Edit, Das Narr, Makhzin Beirut u.a.).
Literarische Essays/Artwriting zu Fotografie, Film und visueller Kunst in Künstlerbüchern + Kunstzeitschriften seit 2013 (Fotohof Salzburg, Kunstraum Lakeside, Lubok Verlag, Steidl Verlag, Kunstpreis Böttcherstrasse, Motto Books, Camera Austria International, Eikon, u.a.)
Forschungsreisen zu (Familien)Geschichten von Gewalt und Liebe in Ungarn, Mexiko, Russland, Israel, Österreich, Deutschland. Lebte in Rom, London, Leipzig.
Förderungen der literarischen Arbeit: österr. Kulturinstitut Mexiko, österr. Bundeskanzleramt, Land Salzburg (Jahresstipendium 2021) Kulturstiftung d. Freistaates Sachsen, österr. Gesellschaft für Literatur.
2013, 3. Edit Essaypreis
Freie Dozentin für Praxen des experimentellen Schreibens/Applied Poetry (Lehraufträge Univ. für Angewandte Kunst/Sprachkunst, Akademie der bild. Künste, Wien, Kunstuniversität Linz, BURG Giebichenstein, Halle).
Übersetzung Englisch - Deutsch:
Lyrik von Etel Adnan (portikus) Eileen Myles, Liz Howard (Camera Austria), Solmaz Sharif (Edit Magazin), Essayband "Untranslatable", Schloss Solitude, Archive Books 2023 (mit Raguel Roumer); Essays für documenta fifteen (lumbung erzählen), HKW Berlin (von Tiona Nekkia McClodden, Renée Green uvm.), Kunstverein Braunschweig (Jota Mombaça, Bonaventure Soh Bejeng Ndikung u.a.).
2015 Kuratorin Ausstellungs-Symposium „The Long Moment. A transcontinental encounter of poetic research and theoretical investigation“ (Wien). 2017 - 2019 tätig für "Hubert Fichte: Love and Ethnology" (HKW, Berlin). Organisatorin und Co-kuratorische Tätigkeit Bereich bild. Kunst (2008 - 2014).
Seit 1999 Arbeit in der organisch-biologischen Landwirtschaft.
Ausbildung
Goldsmiths College, University of London, Aural & Visual Cultures (Kodwo Eshun, Mark Fisher/k-punk), MA; Deutsches Literaturinstitut Leipzig, Literarisches Schreiben, BA; Freie Universität Bolzano/Bozen, Italien, Fakultät für Design und Kunst, BA; Akademie der bildenden Künste, Critical Studies (2012–2014); Ausbildung Zeitgenössischer Tanz, UniT Graz
**
Writer, essayist, translator, born 1981, based in Vienna.
„Groß- und Kleinbuchstaben“ (Sonderzahl, 2021). Currently working on a novel. Member of Austrian Author’s Association (IG Autoren Autorinnen) and The Austrian Association of Literary and Scientific Translators
Fiction and non-fiction have appeared in literature magazines, i.e. SALZ, Podium, Edit, Das Narr, Makhzin Beirut. Artwriting on the threshold of poetic research and theoretical investigation of visual the arts for artist books, since 2013 (Kunstraum Lakeside, Lubok Verlag, Steidl Verlag, Kunstpreis Böttcherstrasse, Motto Books, Camera Austria International, Eikon, TQW Magazine/Secession u.a.) .
Grants and support for literary work: from the Austrian Federal Ministery for Arts, the State of Salzburg (annual scholarship 2021), Cultural Foundation of the Free State of Saxony, Austrian Literature Society, Villa Empain, Brussels, Kunsthalle Exnergasse, Vienna. 2013 microfiction Motten (Moths) was awarded at Edit Essay Prize.
Research travels investigating mostly histories of violence and love, in Mexico, Germany, Hungary, Austria, Israel, Russia.
University Lecturer in experimental writing/applied poetry at art schools (University of Applied Arts, Academy of Fine Arts Vienna, BURG Giebichenstein, Halle; Workshops at HGB Leipzig, et al)
Translations (English-German): "Untranslatables" (Archive Books + Edition Solitude, 2023, ISBN: 978-3-948212-55-1).
Essays, experimental writing, poetry, texts of institutions and individuals such as: documenta fifteen, HKW Berlin (2019-2022), Portikus Frankfurt, Camera Austria International (2017-2020); Etel Adnan, Eileen Myles, Solmaz Sharif, Tiona Nekkia McClodden, Bonaventure Soh Bejeng Ndikun, Eyal Weizman, and many more.
2015 curation of exhibition-symposium „The Long Moment. A transcontinental encounter of poetic research and theoretical investigation“ with Jeff Derksen, Mark Fisher, Suzana Milevska et al, Kunsthalle Exnergasse. 2017 - 2019 served for "Hubert Fichte: Love and Ethnology", HKW, Berlin and as a speechwriter for a German minister in Saxony. 2008-20014 organiser and co-curator in the field of Visual Arts in Vienna.
Education:
Aural&Visual Cultures, Goldsmiths College, London (Kodwo Eshun, Mark Fisher/k-punk), MA, German Literature Institute in Leipzig, BA. She also studied at Academy of fine Arts Vienna (Critical Studies, 2012-2014) and has received a BA from the Art and Design Dept. at Free University of Bolzano, Italy. From 2000-2001 she received an education in contemporary dance from UniT Graz.
Works in organic farming since 1999
Phone: 15202126149
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Literature Magazines by Lina L E O N O R E Morawetz
98editions is a small press based in Beirut. Our first four issues consisted of individual chapbooks by writers working in different forms and genres. With this publication, 98editions inaugurates MAkhZIN, an occasional periodical that may be themed or un-themed.
Editor: Mirene Arsanios
Guest Editors for MAkhZIN N01: Omar Berrada, Lara Khaldi, Ghalya Saadawi Copy Editors: Pranav Behari, Nathan Witt
Design: Karine Wehbé
Printer: QuickPress
Edition: 500
Artists' Books, Catalogues by Lina L E O N O R E Morawetz
Beginning with source texts, such as legal briefs from American courts (which provided the base for his major work 'Testimony: The United States 1885–1915'), and with the testimonies embedded within 'The Trials of the Major War Criminals at Nuremberg' and 'The Eichmann Trial in Jerusalem', which he reworked into his book 'Holocaust' (1975), Reznikoff's editing practice, which appears minimal, sharpens a reader's perception of historical conditions and social surfaces. We bring Reznikoff's practice forward with an interview with Georg Deggerich, the translator of 'Holocaust' into German, by Lina Leonore Morawetz. Reznikoff's dedication to the material he worked with – both the testimonies and language itself –was a sincere relationship between the materiality of the poem the materiality of history. (Jeff Derksen)
98editions is a small press based in Beirut. Our first four issues consisted of individual chapbooks by writers working in different forms and genres. With this publication, 98editions inaugurates MAkhZIN, an occasional periodical that may be themed or un-themed.
Editor: Mirene Arsanios
Guest Editors for MAkhZIN N01: Omar Berrada, Lara Khaldi, Ghalya Saadawi Copy Editors: Pranav Behari, Nathan Witt
Design: Karine Wehbé
Printer: QuickPress
Edition: 500
Beginning with source texts, such as legal briefs from American courts (which provided the base for his major work 'Testimony: The United States 1885–1915'), and with the testimonies embedded within 'The Trials of the Major War Criminals at Nuremberg' and 'The Eichmann Trial in Jerusalem', which he reworked into his book 'Holocaust' (1975), Reznikoff's editing practice, which appears minimal, sharpens a reader's perception of historical conditions and social surfaces. We bring Reznikoff's practice forward with an interview with Georg Deggerich, the translator of 'Holocaust' into German, by Lina Leonore Morawetz. Reznikoff's dedication to the material he worked with – both the testimonies and language itself –was a sincere relationship between the materiality of the poem the materiality of history. (Jeff Derksen)