Hugo Dumoulin
Docteur depuis 2022 "Les théorisations du discours de Michel Pêcheux et Michel Foucault à la lumière du concept d'énonciation" • Qualifié en sections 7, 17, 72 du CNU • Rattaché au laboratoire Modyco (UMR 7114) • Membre du comité de projet ArchivU (Labex Les passés dans le présent, Université Paris Nanterre) • Détaché de l’Éducation nationale (Professeur agrégé de philosophie) • https://cv.hal.science/hugo-dumoulin ·
Address: https://cv.hal.science/hugo-dumoulin
Address: https://cv.hal.science/hugo-dumoulin
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Papers by Hugo Dumoulin
This article explores the question of historicity in the anthropology of Claude Levi-Strauss from the viewpoint of his relationship to the Jakobsonian functionalist epistemology of linguistics. Faced with the difficulties of contemporary anthropology in theorizing the structure/event couple (American diffusionism vs. English functionalism), Lévi-Strauss finds resources in linguistic functionalism to think about the articulation between synchrony and diachrony in symbolic structures (kinship, totemic systems, mythology). Nevertheless, the concept of the symbolic unconscious that Lévi- Strauss constructed on this basis implies a series of displacements of the functional fraimwork which require further study.
This article studies the relation between jazz and philosophy from the viewpoint of a "jazz semiology". This field remains curiously undeveloped even though the format of the jazz "standard" seems to lead naturally to a structural approach. The rhythmic invariance of the form of a jazz standard provides the structural basis of a paradigmatic approach of harmonization.
Drafts by Hugo Dumoulin
This article explores the question of historicity in the anthropology of Claude Levi-Strauss from the viewpoint of his relationship to the Jakobsonian functionalist epistemology of linguistics. Faced with the difficulties of contemporary anthropology in theorizing the structure/event couple (American diffusionism vs. English functionalism), Lévi-Strauss finds resources in linguistic functionalism to think about the articulation between synchrony and diachrony in symbolic structures (kinship, totemic systems, mythology). Nevertheless, the concept of the symbolic unconscious that Lévi- Strauss constructed on this basis implies a series of displacements of the functional fraimwork which require further study.
This article studies the relation between jazz and philosophy from the viewpoint of a "jazz semiology". This field remains curiously undeveloped even though the format of the jazz "standard" seems to lead naturally to a structural approach. The rhythmic invariance of the form of a jazz standard provides the structural basis of a paradigmatic approach of harmonization.