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2024, Tests and Us (Volume 3)
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This futuristic short story highlights the point that writing needs to connect to the real world and that much more important than grammar and other surface concerns is that the content of one's writing must support a world in which people strive together to make life better for all.
2050
Ghosts, Robots, Automatic Writing: An AI Study Level Guide by Anne Alexander, Caroline Bassett, Alan Blackwell, and Jo Lindsay Walton "As far as academic ‘research outputs’ go, this is a strange one, really. The result of a two-year long collaboration between the authors, shaped by discussion with dozens of participants in an online workshop series hosted by Cambridge Digital Humanities Learning Programme and CRASSH, it sits somewhere between speculative fiction, scholarly essay and a primer for that elusive being ‘the general public’ about an emerging technology. The actual date of publication is 2021, but readers are asked to imagine when they read it that they are living in a future where Automatic Writing has made it into school literature curricula and onto the syllabus for undergraduate degrees. In common with much writing about imagined futures, the essays in this booklet highlight current debates and concerns by placing them in a new context. By exploring tensions in the research communities which have coalesced around the project of creating ‘Large Language Models’ through fiction, we also hope to encourage deeper and more critical engagement with this field of research, particularly by researchers from the Humanities." - Anne Alexander
Blurring TimeScapes: Subversions to Erasure & Remembering Ghosts, 2020
In this volume, archaeologists (and others) explain how the past lingers in places using the standard ways that academics communicate. We spend a great deal of time compiling site-specific data and then explore how theories of human behavior transform that data into a more universal narrative. In this chapter, I flip the script a bit to explore how hauntings themselves link specific peoples and places, creating local instances of universal narratives. To tell a compelling ghost story is to communicate a past in the present in such a way as to seemingly jeopardize the future. Perhaps the magic of the ghost story is that the listener need not have any special knowledge or expertise to learn its lesson.
A reflection on the possibility of emerging modes of interplay of cognitive and narrative aspects through the related phenomena of digital video editing as encountered in India in the early years after the millennium (2000-2003).
2017
The Handbook to the Ghost Story sets out to survey and significantly extend a new field of criticism which has been taking shape over recent years, centring on the ghost story and bringing together a vast range of interpretive methods and theoretical perspectives. The main task of the volume is to properly situate the genre within historical and contemporary literary cultures across the globe, and to explore its significance within wider literary contexts as well as those of the supernatural. The Handbook offers the most significant contribution to this new critical field to date, assembling some of its leading scholars to examine the key contexts and issues required for understanding the emergence and development of the ghost story.
In César Aira's novel Ghosts (Los Fantasmas, 1990) a wife of a workman washes clothes in a bathroom of a semi-finished building when she senses the presence of ghosts:
Open Cultural Studies, 2019
If narratives that uphold secular humanism have led to an "unparalleled catastrophe" as Sylvia Wynter notes in an interview with Katherine McKittrick, then it is time to unwrite them. In this essay, I examine the dead as a category that exceeds metaphysical classifications of subject and object and provides alternate possibilities of communication and hybridity. To do so, I call on work by Claire Colebrook, Jacques Derrida, John Durham Peters, Eve Tuck, and Unica Zürn, among others, with the cultural work and words of Sylvia Wynter as a guide and galvanising force. Here, I repopulate the life/death seam with gorgons, witches, fates, and revenge stories. If ghosts are seen simply as other beings, albeit taboo ones like bacteria, or require alternate cultural narratives like villains, or exist both in the symbolic sphere of the mystical and the so-called natural world like roses, what kinds of methodologies can be opened? What do the dead have to say and how do we listen?
2019
All in all, notwithstanding the weight of the members' subconscious influencing these conversations, which may have accounted for everything, the group finished by constructing the story of a young Philip who joined the army at sixteen, was married first to the cold Dorothea because his parents obliged, and then fell in love with the gypsy Margo who, having been accused of
2016
In this volume, ghost stories are studied in the context of their media, their place in history and geography. From prehistory to this day, we have been haunted by our memories, the past itself, by inklings of the future, by events playing outside our lives, and by ourselves. Hence the lure of ghost stories throughout history and presumably prehistory. Science has been a great destroyer of myth and superstition, but at the same time it has created new black boxes which we are filling with our ghostly imagination. In this book, literature from the Middle Ages to Oscar Wilde and Neil Gaiman, children's stories, folklore and films, ranging from the Antarctic and Russia to Haiti, are covered and show the continuing presence of spectral phenomena. Maria Fleischhack lectures at Leipzig University with a focus on Victorian and Postmodern fiction and Shakespearean drama; special interest: Sherlock Bibliographic Information published by the Deutsche Nationalbibliothek
This is meant as a work of postructuralist philosophy concerning the nature of Writing, artfully and poetically crafted to rupture lineality with the poetic unconscious and with real lived experience. I was inspired to write this whilst reading in the British Library, with the realisation that the central themes of my traumatic childhood are some of the very same themes of postructuralist thought, and could be understood symbolically as such. Some fragments are autobiographical, but written in a kind of surreal dreamscape, but with cutting quotes from many postructuralist thinkers throughought which is it's backbone. It's message is to magnify the personal and muted unconscious into the universal Conversation- and thus it is I hope a true work of postrucuturalism.
Malaysian Journal of International Relations, 2021
Frontiers in human neuroscience, 2013
A Companion to Heidegger's "Introduction to Metaphysics", 2017
Arqueologia em Portugal 2020 - Estado da Questão, 2020
Journal of Psychosomatic Research, 2010
Tectonophysics, 1994
Cancer Medicine, 2021
World Journal of Dentistry, 2011
Middle East Journal of Digestive Diseases
Legal Knowledge Matters, Vol. 21, Colin Biggers & Paisley Lawyers, 2023
Annals of oncology : official journal of the European Society for Medical Oncology / ESMO, 2013
NBER International Seminar on Macroeconomics, 2007
Jurnal Seni Musik, 2020
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