Henry selick

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Elisabeth Schwarzkopf, Henry Selick, The Graveyard Book, Pete Dragon, Lina Cavalieri, Monday's Child, Rosemary Clooney, Shadow King, The Great Mouse Detective

Henry Selick is the director of The Nightmare Before Christmas. His work also includes the films, James and the Giant Peach, Monkeybone, Coraline, and Wendell & Wild. Wendell & Wild was Selick's first feature film since Coraline with the Portland, Oregon on Netflix. Phases (CalArts) Tube Tales (CalArts) Seepage (1981) Slow Bob in the Lower Dimensions (1991) TV The Nightmare Before Christmas (1993) James and the Giant Peach (1996) Monkeybone (2001) Moongirl (2005) Coraline (2009) Wendell…

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Base Character, Henry Selick, Danny Elfman, Sure Thing, The Nightmare Before Christmas, Big Adventure, Halloween Town, The Nightmare, Character Development

Henry Selick is an American stop motion director he has worked on various movies such as; The Nightmare before christmas, James and the giant peach, Monkeybone, Life Aquatic, Moon girl and Coraline. His most recognisable works are The Nightmare before christmas, James and The Giant Peach and Coraline. Coraline I really like his work as he has a great imagination and his animations are at a great quality. It's not just the quality that catches my eye I love that he still uses traditional…

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Henry Selick: As a gifted and renown stop-motion animator, Henry has directed a number of animated films in addition to collaborating on projects with directors such as Tim Burton and Wes Anderson. While I've worked experimentally with stop-motion, I've never had the opportunity to properly learn the art of stop-motion character design and animation as I have often hoped. There's something perfectly magical about it. I'd like to create some of that magic, just as Henry has. Coraline Artwork, Lou Romano, Henry Selick, Laika Studios, Kubo And The Two Strings, James And The Giant Peach, Movies For Kids, Scary Films, The Giant Peach

Henry Selick: As a gifted and renown stop-motion animator, Henry has directed a number of animated films in addition to collaborating on projects with directors such as Tim Burton and Wes Anderson. While I've worked experimentally with stop-motion, I've never had the opportunity to properly learn the art of stop-motion character design and animation as I have often hoped. There's something perfectly magical about it. I'd like to create some of that magic, just as Henry has.

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