When TCM ran this flick recently, the host observed that Crawford, while not exactly thrilled about sharing the spotlight with Tracy, did take care to scale her performance down so that her usual overplaying wouldn't look wildly out of place. She's still false -- all eyebrows and key lighting -- but she does have star quality, and she's playing a very appealing, practical rags-to-riches lady. Tracy brought his usual sincerity to another appealing role, and Borzage brought his characteristic lyricism -- the whole movie seems quiet and understated, not at all tainted by the typical MGM frou-frou. The dialogue has snap, the plot has pace, and there are unusual touches: Note the scene in the subway car, and how charmingly and inconclusively it ends. Maybe this was considered standard MGM claptrap in its day, but it holds up remarkably well and somehow feels modern. The issues haven't really dated. Maybe today's Joan Crawford, Julia Roberts, could do a remake?