I like the look of this proposal that would allow authors to have more control over network priorities for third-party iframes—I’ve already documented how I had to use a third-party library to fix this problem on the Salter Cane site.
The web is open, apps are closed. The majority of web users have installed an ad blocker (which is also a privacy blocker). But no one installs an ad blocker for an app, because it’s a felony to distribute that tool, because you have to reverse-engineer the app to make it. An app is just a website wrapped in enough IP so that the company that made it can send you to prison if you dare to modify it so that it serves your interests rather than theirs.
The tech bros advocating for generative AI to take over art are at the same level of cultural refinement as the characters in Severance. They’re creating apps to summarize books to people, tweeting from accounts with Greek statue profile pictures.
GenAI would automate Lumon’s cultural mission, allowing humans to sever themselves from the production of art and culture.
You can think of flying to Mars like one of those art films where the director has to shoot the movie in a single take. Even if no scene is especially challenging, the requirement that everything go right sequentially, with no way to pause or reshoot, means that even small risks become unacceptable in the aggregate.
A fun new font from Jason:
Citywide is a sans serif family inspired by mid-1900s bus and train destination roll signs.
A handy one-pager for front-end web developers:
Here are ways to keep track of what you can use, of what’s new in web browsers, and ways you can influence the development of the platform by making your voice heard.
This is absolutely wonderful!
There’s deep dives and then there’s Marcin’s deeeeeeep dives. Sit back and enjoy this wholesome detective work, all beautifully presented with lovely interactive elements.
This is what the web is for!
I’m not a fan of Nicholas Carr and his moral panics, but this is an excellent dive into some historical media theory.
What Innis saw is that some media are particularly good at transporting information across space, while others are particularly good at transporting it through time. Some are space-biased while others are time-biased. Each medium’s temporal or spatial emphasis stems from its material qualities. Time-biased media tend to be heavy and durable. They last a long time, but they are not easy to move around. Think of a gravestone carved out of granite or marble. Its message can remain legible for centuries, but only those who visit the cemetery are able to read it. Space-biased media tend to be lightweight and portable. They’re easy to carry, but they decay or degrade quickly. Think of a newspaper printed on cheap, thin stock. It can be distributed in the morning to a large, widely dispersed readership, but by evening it’s in the trash.
Being “in tech” in 2025 is depressing, and if I’m going to stick around, I need to remember why I’m here.
This. A million times, this.
I urge you to read what Miriam has written here. She has articulated everything I’ve been feeling.
I don’t know how to participate in a community that so eagerly brushes aside the active and intentional/foundational harms of a technology. In return for what? Faster copypasta? Automation tools being rebranded as an “agentic” web? Assurance that we won’t be left behind?
Strong Deb Chachra vibes in this ongoing series by Charles C. Mann:
he great European cathedrals were built over generations by thousands of people and sustained entire communities. Similarly, the electric grid, the public-water supply, the food-distribution network, and the public-health system took the collective labor of thousands of people over many decades. They are the cathedrals of our secular era. They are high among the great accomplishments of our civilization. But they don’t inspire bestselling novels or blockbuster films. No poets celebrate the sewage treatment plants that prevent them from dying of dysentery. Like almost everyone else, they rarely note the existence of the systems around them, let alone understand how they work.
Heydon’s latest video is particularly good:
All of my videos are black and white, but especially this one.
Robin takes a fair and balanced look at the ethics of using large language models.
- Springy easing with
linear()- Typed custom properties
- View transitions for page navigation
- Transition animation for
dialogandpopover- Transition animation for
details- Animated adaptive gradient text
I’m going to share this with the organisers of that conference I pulled out of recently.
LLMs are good at transforming text into less text
Laurie is really onto something with this:
This is the biggest and most fundamental thing about LLMs, and a great rule of thumb for what’s going to be an effective LLM application. Is what you’re doing taking a large amount of text and asking the LLM to convert it into a smaller amount of text? Then it’s probably going to be great at it. If you’re asking it to convert into a roughly equal amount of text it will be so-so. If you’re asking it to create more text than you gave it, forget about it.
Depending how much of the hype around AI you’ve taken on board, the idea that they “take text and turn it into less text” might seem gigantic back-pedal away from previous claims of what AI can do. But taking text and turning it into less text is still an enormous field of endeavour, and a huge market. It’s still very exciting, all the more exciting because it’s got clear boundaries and isn’t hype-driven over-reaching, or dependent on LLMs overnight becoming way better than they currently are.
Deceptive design meets gamification in this explanatory puzzle game (though I wish it weren’t using the problematic label “dark patterns”).
I created this interactive experience to explore the intersection of design ethics and human psychology, helping us all make more informed choices while browsing the web.
A complete digital archive of the famous typography from the Sanborn Fire Insurance Maps
The lettering really is lovely!
In 2024, A Book Apart closed its doors after publishing a much-loved collection of more than 50 brief books for people who make websites. The rights to each book have reverted to the authors — hi, that’s us — and we’ve put together this semi-official directory to help you find our books in their new homes.
…now including Going Offline.
A ban on tracking-based personalised advertising will provide an incentive to reinforce sustainable alternative models and, in fact, will be a condition for making them viable. The advertising industry already has sustainable, proven concepts for effective online advertising that do not require targeted tracking and personalisation (e.g. contextual advertising).