Nataraja: Difference between revisions

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Archaeological discoveries have yielded a red Nataraja sandstone statue, from 9th to 10th century from [[Ujjain]], [[Madhya Pradesh]], now held at the Gwalior Archaeological Museum.<ref>{{Cite journal|url=http://doi.org/10.11168/jeb1947.1971.96_L74|doi=10.11168/jeb1947.1971.96_L74|year=1971|volume=1971|last1=山本|first1=智教|title=Catalogue of Antiquities from East Asia in the Museums of art in U. S. A. Europe and India (5)|journal=密教文化}}</ref><ref>{{cite book|author=James C. Harle|title=The Art and Architecture of the Indian Subcontinent|url=https://archive.org/details/artarchitectureo00harl|url-access=registration|year=1994|publisher=Yale University Press|isbn=978-0-300-06217-5|pages=[https://archive.org/details/artarchitectureo00harl/page/156 156]–157}}</ref> Similarly, Nataraja artwork has been found in archaeological sites in the Himalayan region such as [[Kashmir]], albeit in with somewhat different dance pose and iconography, such as just two arms or with eight arms.<ref>{{cite book|author=Anne-Marie Gaston|title=Śiva in dance, myth, and iconography|url=https://books.google.com/books?id=OMLu94PYIkoC|year=1982|publisher=Oxford University Press|pages=56, 47, 101|isbn=9780195613544}}</ref>
[[File:Temple troglodytique dédié à Shiva (Badami, Inde) (14146091479).jpg|thumb|6th/7th century Nataraja in Cave 1 of [[Badami cave temples]]|left|280x280px273x273px]]Around the 10th century, it emerged in [[Tamil Nadu]] in its mature and best-known expression in [[Chola bronze]]s, of various heights typically less than four feet.<ref name="rao227" /><ref name="jharle309" /> Nataraja reliefs are found in historic settings in many parts of South East Asia such as [[Ankor Wat]], and in [[Bali]], [[Cambodia]], and central Asia.<ref name="panthey1987" /><ref name="Banerjee 1969 73–80" /><ref name="Mahadev Chakravarti 1986 178 with footnotes" /> The oldest free-standing stone sculptures of Nataraja were built by [[Chola dynasty|Chola]] queen [[Sembiyan Mahadevi]].<ref name=":1" /> Nataraja gained special significance and became a symbol of royalty in [[Tamil Nadu]]. The dancing Shiva became a part of Chola era processions and religious festivals, a practice that continued thereafter.<ref name="Davis2010p18">{{cite book|author1=Aghoraśivācārya|author2=Richard H. Davis|title=A Priest's Guide for the Great Festival|url=https://books.google.com/books?id=ruAfDP0OZyEC |year=2010|publisher=Oxford University Press|isbn=978-0-19-537852-8|pages=15–20, 24–25}}</ref>
 
The depiction was informed of cosmic or [[Metaphysics|metaphysical]] connotations is also argued on the basis of the testimony of the hymns of [[Tamil people|Tamil]] saints.<ref>[https://www.researchgate.net/publication/242523462_Shiva_as_%27cosmic_dancer%27_On_Pallava_origins_for_the_Nataraja_bronze Sharada Srinivasan, "Shiva as 'cosmic dancer': on Pallava origins for the Nataraja bronze"], ''World Archaeology'' (2004) 36(3), pages 432–450.</ref>
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