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Summary
anonymous: The Capture of the 'Alcide' and 'Lys', 8 June 1755
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| Artist |  | |||||||||||
| Author |
British School, 18th century |
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| Title |
The Capture of the 'Alcide' and 'Lys', 8 June 1755  |
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| Object type | painting | |||||||||||
| Description |
English: The Capture of the 'Alcide' and 'Lys', 8 June 1755 On the belief that the French were preparing to build up their military presence in America, in April 1755 an English naval squadron was despatched to America. The aim was to catch the French fleet in a net of British war ships. In charge was Admiral Boscawen who, having received his orders, got his fleet of 14 ships underway, followed soon afterwards by seven more ships under Admiral Holbourne. By the end of May, 1755, a British war fleet was cruising between the southern coast of Newfoundland and the northern coast of Cape Breton. At the same time, after a considerable delay the French fleet left Brest on 3 May, 1755. Aboard were 3,000 troops, with Admiral de la Motte in charge of the French fleet which had been dispatched with provisions for the French colonies in North America. In foggy conditions off the Newfoundland Banks, four French warships of de la Motte’s fleet became separated from their fleet and were sighted on 6 June and chased. They played hide and seek in the fog until two of them were brought to action and taken. A third that had been sighted and chased and escaped in the fog. Even though war was not officially declared, Boscawen had been ordered to attack any French squadron he met. The French ‘Alcide’ and ‘Lys’ were captured which resulted in the first shots of the Seven Years War, 1756-1763. In the foreground of this contemporary painting, the ‘Defiance’, commanded by Captain Thomas Andrews is firing into the French warship the ‘Lys’, which is not replying. Between the two ships in the background can be seen the ‘Dunkirk’ commanded by Captain the Hon. Richard Howe and the ‘Alcide’ commanded by Captain de Hocquart. On the left an English merchantman is shown coming towards the viewer. |
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| Date | after 1755 | |||||||||||
| Medium |
oil on canvas |
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| Dimensions | Painting: 940 mm x 1320 mm; Frame: 1056 mm x 1439 mm x 60 mm | |||||||||||
| Collection |
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| Current location | ||||||||||||
| Accession number |
BHC0376 |
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| References | ||||||||||||
| Source/Photographer | http://collections.rmg.co.uk/collections/objects/11868 | |||||||||||
| Permission (Reusing this file) |
The original artefact or artwork has been assessed as public domain by age, and faithful reproductions of the two dimensional work are also public domain. No permission is required for reuse for any purpose. The text of this image record has been derived from the Royal Museums Greenwich catalogue and image metadata. Individual data and facts such as date, author and title are not copyrightable, but reuse of longer descriptive text from the catalogue may not be considered fair use. Reuse of the text must be attributed to the "National Maritime Museum, Greenwich, London" and a Creative Commons CC-BY-NC-SA-3.0 license may apply if not rewritten. Refer to Royal Museums Greenwich copyright. |
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| Other versions |
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| Identifier | Acquisition Number: 1932-63 Acquisition Number: CC V1, P40, 225 id number: BHC0376 |
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| Collection | Oil paintings | |||||||||||
Licensing
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This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer.  You must also include a United States public domain tag to indicate why this work is in the public domain in the United States.
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| This file has been identified as being free of known restrictions under copyright law, including all related and neighboring rights. | |
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| Date/Time | Thumbnail | Dimensions | User | Comment | |
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| current | 17:15, 13 July 2011 | | 1,280 × 893 (228 KB) | AYE R |
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