Typography

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Helvetica Now, from Monotype
After almost four years of painstaking work, Monotype has created a new version of Helvetica – the ubiquitous typeface used by everyone from Apple to Nestlé and Lufthansa.
A typographic book cover
Cover design for a book by Darcey Steinke. The typographic design was created by award winning designer Na Kim, who talks to us about her creative process.
Helvetica Now
Monotype has created a new version of Helvetica – the ubiquitous typeface used by everyone from Apple to Nestlé and Lufthansa. Helvetica Now is not a revival, says Monotype, but an entirely new typeface, with every letterform and character revised and redrawn for optimum legibility
Monotype's new Helvetica
After 35 years, Monotype has finally released a new version of Helvetica fit for the 21st century. Helvetica Now is not a revival, says Monotype, but an entirely new typeface, with every letterform and character revised and redrawn for optimum legibility.
Helvetica Now in use
Monotype has just released a new version of the popular typeface called Helvetica Now. They say the new version is better designed to suit the needs of the 21st century.
The politics of political design
Faux Tory sticker by Keep it Complex. In the UK General Election, support for progressive politics is far more visible in the creative community than pro-Conservative messages are. Yet surveys reveal that not all creative people are left-leaning.
Jack Renwick Studio’s crafty identity for Carpenters Wharf
Typeface GT Pressura references the lettering on shipping crates in the identity created by Jack Renwick Studio for Carpenters Wharf, a new residential development in Hackney Wick
Helvetica Now
Monotype has created a new version of Helvetica – the ubiquitous typeface used by everyone from Apple to Nestlé and Lufthansa. The new typeface is called Helvetica Now.
Monotype redesigns Helvetica
After 35 years, Monotype has finally released a new version of Helvetica fit for the 21st century. Helvetica Now is not a revival, says Monotype, but an entirely new typeface, with every letterform and character revised and redrawn for optimum legibility.
London’s Bankside celebrates its “otherness” with an array of new flag designs
A typographic flag designed by Alan Kitching, celebrating London's diversity. This is one among a set of flags that will hang above Borough Market throughout London Design Festival 2018
Monotype has created a new version of Helvetica
Helvetica Now is not a revival, says Monotype, but an entirely new typeface, with every letterform and character revised and redrawn for optimum legibility. The typeface includes 48 fonts in three optical sizes – micro, text and display. It also comes with a range of new additions, including new weights (hairline and extra black), special characters (including numbers in circles and a suite of arrows for information design), and a host of alternate letterforms
WORK: Triantafyllou's identity for TEDx Thessaloniki 2017
Art Director Filimonas Triantafyllou designed the visual language and identity for TEDx Thessaloniki 2017. The identity uses typography to convey idea of being confused and disoriented in information – a state of mind that would call for the recalibration of one’s inner compass.
Helvetica redesigned
Few typefaces – if any – have had as big an impact on visual culture as Helvetica. Created by Max Miedinger and Eduard Hoffman in 1957, it has become one of the best known and most popular type designs in the world. After 35 years, Monotype has finally released a new version of Helvetica fit for the 21st century.
Pentagram dazzles LDF visitors with war poem inspired installation
Created by Pentagram partner Domenic Lippa, this installation titled Dazzle is a nod to the camouflage pattern used on Allied ships during the First World War – but with a suitably disorientating, typographic twist