David Delnoÿ
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Papers by David Delnoÿ
Mots clefs Mésolithique européen ; Structure métaphysique ; Individu ; Rôle social ; Productions culturelles
Abstract
The Mesolithic is a fascinating period, where ancient traditions are tilting towards a new paradigm. Many changes can be recognised without being able to establish a real split with the Palaeolithic. Far from being just a bridge towards the Neolithic, the Mesolithic is truly a new and stable metaphysical structure. In our article, we are interested in the structural mechanisms by which Palaeolithic metaphysics slides towards the Mesolithic, where the individual occupies a central role.
Keywords
European Mesolithic ; Metaphysical structure ; Individual ; Social role ; Cultural productions
The article analyzes the current problems of the organization of the individual living space of the customer by the designer, which in addition are an urgent task of the modern theory and methodology of interior design. A detailed description of the organization of the six basic functional zones of housing according to the philosophical system of hedonism is given. Abstract. The signs worn by the shaman during the ritual manifest his or her role. The most important of them express «death» by means of chevron shapes, build up in tectiform silhouettes, or isolated as bird figures. These patterns are obvious on the clothing but also in decorated caves of Western Palaeolithic. Comparisons allow us to establish the cultural unity of the Eurasian steppe, the apparent variety of which lies above all in the choice of medium and its context.
Located in northern Scandinavia, rock art sites from Alta are the silent witness of ancient people. Considering landscape, surfaces and engravings gives the opportunity to understand the relation of pictures to their context. Simultaneous understanding of both rock surface and picture offer to reach a graphical discourse. On the other hand mythology gives a new perspective to engravings and integrates them into a global values’ system. Power over representation and the rise of sacred feeling produce by those engravings create a special space closer to a higher reality. In that more than natural space respect to precise rules is of the first importance. By a metaphysic’s knowledge, the shaman insures good fortune and well-being to the entire group. This paper offers to consider those different aspects and to shed light on their importance.
Mots clefs Mésolithique européen ; Structure métaphysique ; Individu ; Rôle social ; Productions culturelles
Abstract
The Mesolithic is a fascinating period, where ancient traditions are tilting towards a new paradigm. Many changes can be recognised without being able to establish a real split with the Palaeolithic. Far from being just a bridge towards the Neolithic, the Mesolithic is truly a new and stable metaphysical structure. In our article, we are interested in the structural mechanisms by which Palaeolithic metaphysics slides towards the Mesolithic, where the individual occupies a central role.
Keywords
European Mesolithic ; Metaphysical structure ; Individual ; Social role ; Cultural productions
The article analyzes the current problems of the organization of the individual living space of the customer by the designer, which in addition are an urgent task of the modern theory and methodology of interior design. A detailed description of the organization of the six basic functional zones of housing according to the philosophical system of hedonism is given. Abstract. The signs worn by the shaman during the ritual manifest his or her role. The most important of them express «death» by means of chevron shapes, build up in tectiform silhouettes, or isolated as bird figures. These patterns are obvious on the clothing but also in decorated caves of Western Palaeolithic. Comparisons allow us to establish the cultural unity of the Eurasian steppe, the apparent variety of which lies above all in the choice of medium and its context.
Located in northern Scandinavia, rock art sites from Alta are the silent witness of ancient people. Considering landscape, surfaces and engravings gives the opportunity to understand the relation of pictures to their context. Simultaneous understanding of both rock surface and picture offer to reach a graphical discourse. On the other hand mythology gives a new perspective to engravings and integrates them into a global values’ system. Power over representation and the rise of sacred feeling produce by those engravings create a special space closer to a higher reality. In that more than natural space respect to precise rules is of the first importance. By a metaphysic’s knowledge, the shaman insures good fortune and well-being to the entire group. This paper offers to consider those different aspects and to shed light on their importance.