Italian Neorealism

10 Pins

Melis Yılmaz

a black and white photo of a person walking in the rain with a clock on their back

Henri Cartier Bresson

the poor dancing girl she won't dance again

Federico Fellini and Marcello Mastroianni

black and white photo of man and woman looking at each other's eyes together

Giulietta Masina - TriworldCinema

Giulietta Masina e Federico Fellini #GiuliettaMasina #actress #italian…

black and white photograph of birds flying in the sky above tall grass with long, thin leaves

Good Earth

Iconic Images

Black And White Photograph

MARIO GIACOMELLI OFFICIAL WEB SITE

Poeta y pintor, Giacomelli utiliza la cámara “como un lienzo” sobre el que se puede hacer todo aquello que se quiera. Bastante alejado de los protocolos de la estética fotográfica, sus imágenes destilan los signos característicos de lo borroso, del movimiento: son deliberadamente imprecisas. Para ello, interviene sobre las fotografías utilizando técnicas de quemado y enmascarado que dotan a su obra de un léxico absolutamente personal y poderosamente expresionista.

black and white photograph of a man leaning against a brick wall with his finger in his mouth

Vittorio De Sica - Quintessential Neorealism - Il blog di Triworld Cinema

Vittorio De Sica

black and white photograph of a man looking off to the side with his head tilted

T for tout

Pier Paolo Pasolini (1922-1975) - Italian film director, poet, writer and intellectual. Photo by Anatole Saderman

a black and white photo of people on a boat

Il blog di Triworld Cinema - Un nuovo sito targato WordPress

Mort à Venise. Chef d'œuvre + bande son Adagietto Gustav Mahler (5e symphonie)…

a man in a top hat and sunglasses is hugging a woman's shoulder on the street

Rocco And His Brothers

Luchino Visconti & Romy Schneider (1964)

a woman sitting on top of a log in front of a tent

Hogpodge

Giulietta Masina on the set of La Strada (1954, dir. Federico Fellini) (via) “Mr. Fellini says that his wife sometime resists his view of her talents, which he summarizes as ‘a mingling of youngish and clownish.’ But make no mistake: in suggesting that his wife is a clown, Mr. Fellini means no insult. ‘The clown is the aristocracy of acting,’ he says. ‘To be a clown means to have the possibility of making people cry and laugh.’”