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The Proud Boys enjoyed support from some Chinese Americans and the broader Chinese diaspora, attracted by the group's claim to be fighting communism.'You have to understand how we feel' »
"It's incredibly freeing to stop worrying about what others think of you," Ireland Baldwin wrote in the caption of her latest impromptu bikini shoot
"It's incredibly freeing to stop worrying about what others think of you," Ireland Baldwin wrote in the caption of her latest impromptu bikini shoot
Have you noticed the appearance of grooves in your nails since having coronavirus?
Have you noticed the appearance of grooves in your nails since having coronavirus?
Billie Eilish’s uncharacteristically sultry, cleavage-bearing photoshoot for this month’s British Vogue, timed to introduce her new, blonder look to the world for the release of forthcoming album Happier Than Ever, has inspired a rash of internet opinion. Some say she has betrayed her young female fans by abandoning her baggy-jumpered, green-haired two-fingers to normative patriarchal beauty standards; others say it’s her body, her choice, and no one’s business but her own; while still others accuse Vogue of pressuring her into the look. (Although in the interview, Eilish stresses that the shoot was entirely her idea.) At heart, this is a debate about the female body and who derives power from it: is the woman with the confidence to show it off and enjoy the sensation of being alive in her own skin, or is it the men who see it, salivate over it, and treat women more like objects and less like people because of it? The career of Betty Brosmer, Californian pin-up and supermodel of the Fifties who Eilish cites as an inspiration for her new look, might provide one answer. Known for her exaggerated hourglass figure (she was nicknamed “the impossible waist”), photographs of Brosmer papered the walls of bedrooms and offices across America when Marilyn Monroe was still chorus dancing in small-budget studio comedies. She was born in Pasadena but got her first modelling gig in New York, for the department stores Sears & Roebuck, at the age of 13. Soon, she caught the attention of celebrated pin-up photographers Alberto Vargas and Earl Moran, and, two years later in 1950, she moved permanently to New York with her aunt to spend her teenage years modelling for men’s magazines, including Modern Man, Photo, and People Today. Her image appeared in advertisements everywhere from milk cartons to billboards, and on the covers of popular pulp romance novels; she won numerous beauty contests, including Miss Television, for which she was photographed on top of the Empire State building for the cover of TV Guide.
Billie Eilish’s uncharacteristically sultry, cleavage-bearing photoshoot for this month’s British Vogue, timed to introduce her new, blonder look to the world for the release of forthcoming album Happier Than Ever, has inspired a rash of internet opinion. Some say she has betrayed her young female fans by abandoning her baggy-jumpered, green-haired two-fingers to normative patriarchal beauty standards; others say it’s her body, her choice, and no one’s business but her own; while still others accuse Vogue of pressuring her into the look. (Although in the interview, Eilish stresses that the shoot was entirely her idea.) At heart, this is a debate about the female body and who derives power from it: is the woman with the confidence to show it off and enjoy the sensation of being alive in her own skin, or is it the men who see it, salivate over it, and treat women more like objects and less like people because of it? The career of Betty Brosmer, Californian pin-up and supermodel of the Fifties who Eilish cites as an inspiration for her new look, might provide one answer. Known for her exaggerated hourglass figure (she was nicknamed “the impossible waist”), photographs of Brosmer papered the walls of bedrooms and offices across America when Marilyn Monroe was still chorus dancing in small-budget studio comedies. She was born in Pasadena but got her first modelling gig in New York, for the department stores Sears & Roebuck, at the age of 13. Soon, she caught the attention of celebrated pin-up photographers Alberto Vargas and Earl Moran, and, two years later in 1950, she moved permanently to New York with her aunt to spend her teenage years modelling for men’s magazines, including Modern Man, Photo, and People Today. Her image appeared in advertisements everywhere from milk cartons to billboards, and on the covers of popular pulp romance novels; she won numerous beauty contests, including Miss Television, for which she was photographed on top of the Empire State building for the cover of TV Guide.
A woman who repeatedly injected her six-year-old son with insulin in a bid to give him a peaceful death was jailed five years on Wednesday (5 May).
A woman who repeatedly injected her six-year-old son with insulin in a bid to give him a peaceful death was jailed five years on Wednesday (5 May).
Fans can't get enough of the country singer's yellow bikini! ☀️
Fans can't get enough of the country singer's yellow bikini! ☀️
"It is time for the public to see" the memo, Judge Amy Berman Jackson wrote in a searing opinion issued Tuesday.
"It is time for the public to see" the memo, Judge Amy Berman Jackson wrote in a searing opinion issued Tuesday.
Coco Austin says she "put a smile on my face for Chanel" after mourning the loss of a close friend recently
Coco Austin says she "put a smile on my face for Chanel" after mourning the loss of a close friend recently
The star will collab with YouTube to document his journey from flab to swole.
The star will collab with YouTube to document his journey from flab to swole.
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Many publishers are focused on converting visitors to subscribers, but there’s another important bracket
The tech-heavy Nasdaq fell by more than 2%. Cloud stocks endured twice the damage. What happened? The U.S.
Earlier today recent dog-parent Alex Konrad and fellow Forbes staffer Eliza Haverstock broke the news that
A new study shows that MDMA, known as Ecstasy or Molly, can bring relief when paired with talk therapy to
Widely circulating coronavirus variants and persistent hesitancy about vaccines will keep the goal out of
But there is a lot to apologize for — from Reconstruction to today.