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The review critically evaluates Patel's "Origins of the Shia," emphasizing its challenge to traditional views of the Arab nahda as a simplistic awakening influenced by European modernity. Instead, it presents a complex interplay of local and global factors that contributed to the cultural renaissance in the Arab world during the 18th and 19th centuries. The review appreciates Patel's effort to incorporate diverse perspectives and historical contexts, while also noting the need for further exploration of certain socio-political dynamics and individual narratives that shaped the historical landscape.
Arab Studies Journal, 2017
This articles is an initial theoretical foray into what has become a dynamic burgeoning field-"Nahḍ ah Studies"-by proposing that literary and intellectual production of the era should not be understood as generative or productive of cultural discourses, social practices or identities. Rather, al-Nahḍ ah al-ʿarabīyyah is the mark of a violent epistemological wrenching that was instigated by the introduction of capitalist means of production and surplus accumulation during the Ottoman Tanzimat. Using a handful of examples such as Ahmad Fāris al-Shidyāq, But ̣ rus al-Bustānī, Ibrāhīm al-Yāzijī and Ḥ usayn Marṣ afī, the article suggests that literary and intellectual production of al-Nahḍ ah, like the subjectivities they imagine, are an effect of these transformations, which is first imprinted on language that is charged to organize new systems of signification to make modernity legible and logical. Literary, intellectual and cultural productions, therefore, are an effect of the ideology of modernity that has naturalized the reform movement as a necessary project for social, cultural and political success. The cultural and thought production of al-Nahḍ ah was not productive of "new" concepts of identity, civil society, economic production and gender as much as it was reproductive of nascent, native capitalist ideology, serving to mediate and make sense of the tensions, contradictions and violence inherent to the reorganization of the society, culture and economy of the Ottoman Arab provinces.
2012
The dissertation examines the foundations of modern Arab national thought in nineteenth-century works of Butrus al Bustani (1819-1883) and Ahmad Faris al Shidyaq (1804-1887) in which occurred an intersection of language-making practices and a national pedagogic project. It interrogates the centrality of language for Arab identity formation by deconstructing the metaphor "language is the mirror of the nation," an overarching slogan of the nineteenth century, as well as engaging with twentieth-century discussions of the Arab nation and its Nahda. The study seeks to challenge the conventional historiography of Arab thought by proposing a re-theorisation of the Arab Nahda as an Enlightenment-Modernity construct that constitutes the problematic of the Arab nation. The study investigates through literature and literary tropes the makings and interstices of the historical Arab Nation: the topography of its making. It covers a series of primary understudied sources: Bustani's ...
This analysis addresses the subject of nahda, or renaissance, in Jordanian history, civics, religion, and literature textbooks from the 1970s to 2009. "Nahda" is a keyword in the textbooks signifying both the historical period of Arab modernist thought and nationalism in the late nineteenth and early twentieth centuries and the Jordanian state's present-day national development. The textbooks use the language of nahda to portray the Hashemite king as Jordan's historically qualified and legitimate leader. Nahda operates in nuanced ways across the genres. History and civics textbooks reflect "nahda as national development" in which the Hashemite kings are the primary actors in history and leaders of a comprehensive societal renaissance. Religion and literature textbooks, meanwhile, rely on "nahda as intellectual ideal" in which the state is hesitant to co-opt the ideals of pan-Arab and pan-Islamic unity because they exceed the territorially bounded Jordanian nation-state. These portrayals of nahda in the textbooks are coercive in the sense that they seek to preserve monarchic power by reducing Jordanian citizens to the loyal subjects of a progress-oriented king who not only raises their material well-being, but serves as the model for their civic virtue, tolerance, pluralism, and piety.
Middle East Journal of Culture and Communication
Middle Eastern Literatures
This article compares the modern Hebrew and Arabic 'renaissance' movements (the haskala and the nahḍ a) to argue that the nahḍ a can and should be studied comparatively, and to illustrate some of the insights gained through a comparative reading of non-Western cultural modernity. Much as the nahḍ a is often read as the formative moment of modern Arab identity, the haskala is viewed as the originary moment of Jewish modernity. Comparative analysis sheds light on the ideas and psychology of the two movements as well their progenitors' similar historical experiences. In particular, the contribution of Arab Jewish intellectuals to the haskala and the nahḍ a opens new vistas into intersections of modern Arabic and Hebrew thought, further eroding long-standing assumptions about the boundaries between Arab and Jewish cultures. The textual output of Arab Jews in Arabic and in Hebrew illuminates the cross-cultural circulation of ideas and tropes of 'modernity' and 'enlightenment' underlying both the nahḍ a and the haskala. I use the comparison to underscore that the nahḍ a was at one and the same time an Arab movement, part of a multilingual regional discourse, and one of many global 'enlightenment' discourses that emerged contemporaneously in the colonial and post-colonial world.
Introduction to special issue, "Authoring the Nahda"
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