3
Democracy in Ruins: The Case of
the Hungarian Parliament
Endre Dányi
Democracy in Central Europe is said to have begun in 1989. This statement is relatively easy to maintain if one defines democracy as the presence of a particular set of abstract institutions and procedures, such as
independent legislatures and regularly held elections, but the picture
becomes more complicated when one looks at the actual places where
democracy happens. Consider the case of the Hungarian Parliament. By
today’s standards, the first freely and fairly elected National Assembly
was set up only in 1990, but the neo-Gothic building in the center of
Budapest, on the east bank of the Danube, which serves as the home of the
Hungarian legislature, was commissioned a little more than a hundred
years before the collapse of communism. When opened in 1902, it was
the largest (and arguably the most impressive) parliament building in
the world (Figure 3.1). How could one account for its existence?
One possible answer is given by the UNESCO World Heritage
Committee, which in 1987 decided to add Buda Castle and the banks
of the Danube in Budapest to the World Heritage List. The site consists
of several bridges and buildings, including the Hungarian Academy
of Sciences, the Redoute, and the Hungarian Parliament. In its official
recommendation, the International Council on Monuments and Sites
(ICOMOS) called the latter ‘an outstanding example of a great official
building on a par with those of London, Munich, Vienna, and Athens,
exemplifying the eclectic architecture of the nineteenth century, while
at the same time symbolizing the political function of the second capital
of the Austro-Hungarian monarchy’ (ICOMOS 1987).
By locating the Hungarian Parliament building in the AustroHungarian monarchy, the ICOMOS report suggests that its cultural
heritage status is associated with the political regime of the second half
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The Inhabited Ruins of Central Europe
Figure 3.1 A cultural heritage site or an inhabited ruin? Photo by Endre Dányi,
7 October 2009
of the nineteenth century, which was markedly different both from the
feudalist and enlightened absolutisms of the eighteenth century and
the authoritarian dictatorships of the twentieth century. But what about
today? What kind of a political regime is the Hungarian Parliament
building supposed to hold together in the early twenty-first century, and
how does that regime relate to the ones that occupied the same building
between the dualist period and the collapse of communism?
Implicitly present in this question is the realization that the past
and the present cannot be neatly separated from each other – that to
a large extent the past is the effect of what Geoffrey Bowker calls ‘the
canonical archival forms of the present’ (2005: 32). On the one hand,
this realization is not very new: the blurring of the boundary between
the past and the present (and the political potential thereof) has fascinated many social theorists since at least the early twentieth century
(Benjamin 1986; Halbwachs 1992; Warburg 2008). On the other hand,
the discovery of archives, museums, libraries, and other such institutions as explicitly political places dates back only two or three decades.
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Democracy in Ruins: The Case of the Hungarian Parliament 57
Perhaps the most often cited work in this regard is Pierre Nora and his
colleagues’ multi-volume study on lieux de mémoire, the appearance of
which coincided not only with the end of the Cold War and the alleged
end of (a certain kind of) history but also with the radical transformation of the technical conditions of remembering (Nora 1989: 13–4).
Bowker’s study of memory practices in the natural sciences (which often
claim to have a perfect recollection) pushes Nora’s argument further
by examining how archives, computers, electronic databases, and their
material infrastructures contribute to the production of particular pasts,
and how, in turn, these pasts are used to explain and/or justify the
present (Bowker 2005: 34).
Following Bowker’s approach, in this chapter I focus on three sets of
memory practices associated with publicly accessible lieux de mémoire
inside and around the Hungarian Parliament, namely the Cupola Hall,
the Library of the National Assembly, and Kossuth Square. My aim is
to examine the parliament building not as a cultural heritage, frozen
in time, but as an ‘inhabited ruin,’ which continuously shapes, and is
shaped by, various attempts to define a political community.
1
The museum of the Holy Crown
In Hungary the year 2000 marked not only the beginning of the new
millennium but also the thousandth anniversary of the foundation of
the state by St Stephen, Hungary’s first Christian king. Just as in 1896,
when Hungarians celebrated the thousandth anniversary of the conquest
of the Carpathian Basin, the highlight of the millennium festivities
was the transfer of the Holy Crown and other regalia to the parliament
building. This time, however, they were there to stay.
According to contemporary news reports, on 1 January 2000, the
crown, the orb, the scepter, and the royal sword were carried from the
National Museum to the square in front of the Parliament in an armored
vehicle, accompanied by a police motorcade.1 It took about a quarter
of an hour for the bulletproof car to reach the parliament building,
where it was received by a joyous crowd and the Corporation of the
Holy Crown – a special committee that consisted of the President of the
Republic, the Prime Minister, the Speaker of the National Assembly, the
President of the Constitutional Court, and the President of the Hungarian
Academy of Sciences. After saluting the National Flag and listening to
the National Anthem, four members of the Republican Guard carried
the special earthquake-proof glass cabinet containing the regalia up the
main stairs and put it on display in the center of the Cupola Hall.
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The idea of the crown’s transfer came up in 1999, when the government proposed a bill to commemorate the coronation of St Stephen as
the symbolic act of the foundation of the state. Just before the end of the
year, the bill was passed by the National Assembly and signed into Act
I of 2000 by the President of the Republic. The preamble of the first law
of the new millennium acknowledged St Stephen’s role in integrating
the Hungarian people into Europe and recounted the development of
his realm in the Carpathian Basin. It emphasized the importance of the
Christian faith during times of occupation and dictatorship and without
any further explanation declared the Holy Crown the relic that in the
consciousness of the nation ‘lives as the embodiment of the continuity
and independence of the Hungarian state.’ Finally it announced that:
[o]n the occasion of the thousandth anniversary of the foundation of
the state, Hungary elevates the Holy Crown to its appropriate place,
and from the museum of the nation lays it under the protection of
the representative of the nation, the National Assembly.2
The text of the law does not clarify how St Stephen and the Holy Crown
relate to each other, but the preamble reiterates a well-known myth,
popularized by Bishop Hartvic in the twelfth century, according to
which the crown that is currently on display in the Cupola Hall of the
Parliament is the same object used at St Stephen’s coronation in 1000. In
Hartvic’s account, the crown was given by Pope Sylvester II as a formal
acknowledgement of Hungary’s becoming a Christian country and as a
guarantee of her independence from the Holy Roman Empire and the
Byzantine Empire (Bertényi 1978). In the period of growing tension
between Rome and Constantinople, this account was clearly an important reference point and greatly strengthened the cult of St Stephen,
whom Hartvic portrayed not only as the founder of the Hungarian state
but also as a strong defender of the Christian faith. He ruled, ‘by the
grace of God,’ for almost 40 years and was canonized by Pope Gregory
VII on 20 August 1083 (Engel 2001; Klaniczay 2002).
Despite the fact that most statues and paintings of St Stephen show
him with the Holy Crown on his head, archaeologists nowadays think
that the crown is somewhat younger than Bishop Hartvic had claimed.
According to scientific examinations, it was made from two separate
parts about a hundred years after St Stephen’s coronation (Lovag 1986).
The corona graeca is the lower diadem, decorated with four golden chains
on both sides and two rows of pearls in the bottom and the top. Around
the golden rim, precious stones and enamel images alternate: the central
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Democracy in Ruins: The Case of the Hungarian Parliament 59
piece shows Christ Pantokrator on his throne, surrounded by angels and
saints, while the image in the back depicts Byzantine Emperor Michael
VII. The diadem itself might have been a gift from the Emperor to
Hungarian King Géza I or his wife, Synadene, prepared in the Byzantine
court in the 1070s. The corona latina, the cupola-shaped part of the crown,
consists of two intersecting bands, and its main purpose seems to be to
hold the golden cross on the top. The enamel pictures on the two bands
show Christ and eight of the twelve apostles, which suggests the piece
is incomplete and was originally part of another object, possibly a Bible
holder. The two parts were attached together in the twelfth century, but
the present cross appears to be a later addition. Some experts believe it
is a replacement of a reliquary that used to contain a piece of the True
Cross and became crooked in the seventeenth century (see Figure 3.2).
The first written document that refers to the crown as St Stephen’s
Crown dates back to 1292, by which time it was considered to be more
than a royal trinket. Ernst Kantorowicz observes that it was ‘at once
the visible holy relic of St. Stephen, Hungary’s first Christian king, and
Figure 3.2 Continuity since 1000 – the Holy Crown and the regalia in the
Parliament’s Cupola Hall. Photo by Endre Dányi, 13 October 2009
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AQ1
The Inhabited Ruins of Central Europe
the invisible symbol and lord paramount of the Hungarian monarchy’
(1957: 339). As Kantorowicz’s classical work on political theology
demonstrates, the conceptual separation of the king as a human being
from kingship in general was common in medieval Europe – in fact,
for centuries it was the main guarantee of the continuity of royal
power from Sicily to Scotland. What made Hungary different in this
regard was that sometime between the attachment of the corona graeca
and the corona latina in the twelfth century and its attribution to St.
Stephen in the thirteenth century, the physical object came to be seen
as the sole sovereign of the country (Péter 2003). This unusual form of
fetishism implied not only that anyone who wanted to be recognized
as a legitimate King of Hungary had to be crowned with the same
crown but also that he had to share his power with his noblemen, who
(referring to the Golden Bull issued in 1222) retained the exclusive
right to elect a king.
This, at least, is what one of Hungary’s most influential legal scholars,
Stephen Werbőczy, stated in his Tripartitum opus iuris consuetudinarii
inclyti regni Hungariæ – the first systematic collection of customary law
in Hungary, published in 1517. According to Werbőczy (2006), kingship
and nobility in the realm of St Stephen existed as ‘reciprocal and
reflexive and as always mutually dependent,’ which meant the ruler and
his noblemen were all members of the Holy Crown (Rady 2000: 2). Had
Hungary had a strong king in the period, this theorem, also known as
the Holy Crown doctrine, would have remained little more than wishful
thinking, but less than ten years after the publication of Werbőczy’s
Tripartitum, the Hungarian army was defeated by the Ottoman Empire
at the Battle of Mohács, and the country was divided into three parts.
The Ottomans occupied the central region; the eastern region became
the Principality of Transylvania; and the north-western region, known
as Royal Hungary, was annexed to the Habsburg Empire. During the
150 years of Ottoman occupation, the Holy Crown doctrine played a
crucial role in maintaining the abstract unity of Hungary by treating the
three regions as the Lands of the Holy Crown; while under Habsburg rule
in the seventeenth and eighteenth centuries, the Hungarian nobility saw
it as the main assurance of the country’s sovereignty.3 The only Emperor
who completely disregarded the Holy Crown doctrine was Joseph II, the
‘hatted king,’ who as a demonstration of his reform-mindedness refused
to be crowned. In 1784, he ordered the royal jewels to be transferred to
the Imperial Treasury in Vienna. They were returned to the Buda Castle
only after Joseph’s death, where they remained until the outbreak of the
1848 revolution.
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Regarding the Holy Crown as an object associated more with royal
power than with the country’s independence, some radical participants
of the 1848 revolution demanded that it be destroyed while others
wanted to send it to the National Museum. However when Austria
launched an attack on Hungary, Governor Lajos Kossuth thought it was
better to hide the crown in an unmarked chest in the eastern part of
the country. The revolution was subsequently suppressed in 1849, but
the Holy Crown was recovered only in 1853 (Bertényi 1978). Emperor
Francis Joseph had already been in power for five years then, but his
official coronation could only take place in 1867, after the signing of the
Austro-Hungarian Compromise. It was Prime Minister Gyula Andrássy
who placed the Holy Crown on Francis Joseph’s head, declaring him the
Apostolic King of Hungary and the Lands of the Holy Crown, which at
the time included Croatia, Dalmatia, Fiume, Slavonia, and Transylvania.
The last addition was Bosnia and Herzegovina, which Austria-Hungary
occupied after the Congress of Berlin in 1878. It was a diplomatic victory
that also marked the fate of the monarchy: after decades of unrest in the
Balkans, on 28 June 1914, Gavrilo Princip, a Yugoslav nationalist, assassinated Archduke Franz Ferdinand and his wife, Sophie, which led to the
Austro-Hungarian invasion of Serbia and the outbreak of World War I.
In 1916 Francis Joseph died and two years later Germany and the
Austro-Hungarian Monarchy lost the Great War. Between 28 and 31
October 1918, five states announced their secession from the Empire,
including Hungary. In a few days, a new government was set up and the
First Republic was proclaimed in front of the Parliament (Romsics 1999).
In the course of less than 12 months, however, Hungary witnessed a
Bolshevik Revolution and a Christian-nationalist counterrevolution,
led by Admiral Miklós Horthy, which brought an end to the republic.
Horthy’s authoritarian regime was from the beginning defined in opposition to the Trianon peace treaty signed in Versailles in 1920, as a result
of which Hungary lost two-thirds of its prewar territory and more than
half of its multiethnic population. The Horthy regime considered the
Trianon treaty as provisional and saw the Holy Crown doctrine as the
justification for pursuing a revisionist politics. It claimed that the state
lived on in the Holy Crown. When between 1938 and 1940 parts of
Czechoslovakia and Romania were reattached to Hungary, it announced
that those territories ‘returned to the body of the Holy Crown.’ The
writer Ferenc Donászy articulated the dominant sentiment in 1941:
[t]he mysterious body of the Holy Crown ... welds together the realm
of St. Stephen, from the forests of the Carpathian slopes all the way
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to the blue Adriatic Sea. The uniting force of the Holy Crown doctrine
has proven to be stronger than the one and a half century-long rule
of the Turkish crescent, stronger than the suffocating claws of the
German imperial eagle, and stronger than the prison chains forged in
Trianon. These are all disappearing in the distant past; the crown of
St. Stephen continues to glow with its nine hundred-year-old glory.
(Bertényi 1978: 148, my translation)
Needless to say, the reattachment of parts of the lost territories to
Hungary would not have been possible without the external support
of Nazi Germany. In exchange, Hungary joined the tripartite pact of
Germany, Italy, and Japan, and in 1941 actively participated in the invasion of Yugoslavia and the Soviet Union. In the first years of World War
II, Hitler regarded Horthy as a strategic ally, but when he learned that the
Hungarian government began to negotiate armistice with the Western
Allies, he ordered the invasion of the country. On 19 March 1944, German
troops occupied Hungary. Edmund Veesenmeyer became responsible
for the state administration, while together with the local authorities,
Adolf Eichmann began the organization of the deportation of more than
440,000 Hungarian Jews to Auschwitz (Ránki 1978). Although for a couple
of months Horthy remained in office, in October 1944 Veesenmeyer
appointed Ferenc Szálasi, leader of the national-socialist Arrow-Cross
Party, to form a government. Szálasi took his oath on the Holy Crown
in Buda Castle, but within a few weeks the Soviet Army got so close to
Budapest that the government thought it better to hide the royal jewels in
an unmarked chest in the western part of the country (Bertényi 1978). As
the German forces were losing ground the regalia were taken to Austria,
where they were eventually captured by the US Army.
After the end of World War II, the Holy Crown was taken to the United
States Bullion Depository at Fort Knox, where it was held as a ‘property
of special status’ for more than three decades. It was only in 1977 that
President Jimmy Carter announced that the United States would return
it to Hungary, with the only stipulation that it had to be accessible to
the public. The decision caused a furor in America – several senators
opposed the move, claiming it would unnecessarily strengthen the legitimacy of a communist country. Nevertheless, on 5 January 1978, the
regalia arrived at Budapest, and after a brief stopover in the Parliament’s
Cupola Hall they were put on display in the National Museum as objects
devoid of any political significance.
Many Hungarians, especially those who were born after World War II,
might have thought the National Museum was the natural place for the
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Democracy in Ruins: The Case of the Hungarian Parliament 63
royal jewels, but after the collapse of communism in 1989, some politicians and constitutional lawyers began to argue that the Holy Crown
represented the independence and continuity of the Hungarian state and
should under no circumstances remain in a museum. When in 1999 the
government announced that as part of the millennium celebrations it
would transfer the crown to the Parliament, the opposition and various
groups of intellectuals were outraged. Some argued that the symbols of
royal power had no place in the legislature of a republic, while others
objected that the new location would not be appropriate for such a
significant object (Radnóti 2002; Scheppele 2000). Be that as it may,
Act I of 2000 turned the Cupola Hall of the Hungarian Parliament into
a museum, open to visitors seven days a week. There are guided tours
in eight languages – entry is free to all EU citizens. According to the
Office of the National Assembly’s Department of Tourism, on average
one million people come each year to see the home of the legislature
and the symbol of the thousand-year-old state.4
2
The Parliamentary Collection
Ironically, in its capacity as a museum, the Hungarian Parliament has
very little to offer to those interested in the parliamentary history of
Hungary. The closest thing it has to such an exhibition is the Library of
the National Assembly, located south of the Cupola Hall on the Danube
front of the building. The library itself was established soon after the
signing of the Austro-Hungarian Compromise, but the temporary House
of Representatives, where it was initially housed, did not have a dedicated space for it, so for nearly three decades the collection of 20,000
books was scattered around on various bookshelves along its corridors
(Jónás and Veredy 1995). The only reason why the librarians accepted
the impossible arrangement was the promise of a proper location in
the new parliament building. The Library Committee of the House of
Representatives followed the design competition and the negotiation
with the architect Imre Steindl with great interest and paid several visits
to the construction site in the second half of the 1890s. The library’s
collection, which in the meantime had more than doubled in size, was
transferred to its current location in 1902.
At the time of its opening, the Library of the National Assembly
occupied one large reading hall on the ground floor and eight smaller
rooms in the mezzanine. In the middle of the reading hall were several
rows of well-lit desks, surrounded by wooden bookshelves on all sides.
Despite the large size of the room, the library was meant to be a private
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place: its main purpose in the Austro-Hungarian monarchy and the
interwar period was to provide Members of Parliament and their close
colleagues access to academic literature, reference books, statistics, and
other forms of information required for the legislative work (Jónás et al
2003). The service went on uninterrupted until World War II, but as
the air raids over Budapest intensified, the Library Committee moved
parts of the collection to the Parliament’s basement, where they were
stored behind bricked-up windows for three years.
Had the committee not been so careful, the library’s 200,000 books
would have certainly been destroyed in the siege of Budapest. Soon after
Ferenc Szálasi took power in October 1944, the Soviet Army surrounded
the Hungarian capital, and when the national-socialist government
refused to surrender, it began one of the most devastating sieges of the
war. Nearly 40,000 civilians lost their lives, the city’s infrastructure,
including all bridges over the Danube, was destroyed and most public
institutions were heavily damaged. The Parliament was no exception:
in January 1945, a Soviet incendiary bomb set the roof alight, ‘with
flames tinted an unearthly shade of blue and green by the melting lead
covering’ (Ungváry 2003: 231).
The liberation of Budapest ended in February 1945, around the same
time President Franklin D. Roosevelt, Prime Minister Winston Churchill,
and General Secretary Joseph Stalin met in the White Palace in Yalta
to arrange the postwar order. In the so-called Crimean Conference
it became clear that after the end of World War II Hungary, together
with seven other countries in the region, would remain in the Soviet
sphere of influence. This, however, did not automatically mean the loss
of political autonomy. Following a democratic election in November,
in which the communists received only 17 percent of the vote, a new
National Assembly was set up. In its first act the government abolished
the Holy Crown as a political institution and to the great satisfaction of
hundreds of thousands of people in front of the Parliament declared the
Second Republic of Hungary (Gati 1990).
Before the new National Assembly could begin its work, the safety
hazards of the parliament building had to be fixed. The debating
chamber of the House of Representatives was relatively quickly restored,
but the library collection could not return to its original location until
the end of 1947.5 By that time the political situation in the country
had completely changed. With the backing of the Soviet Union, the
Hungarian Communist Party had gradually assumed power and,
according to Stalin’s instructions, had begun ‘laying the foundations of
socialism.’ In 1948 it absorbed the Social Democratic Party and renamed
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Democracy in Ruins: The Case of the Hungarian Parliament 65
itself Hungarian Workers’ Party, and on 20 August 1949, St Stephen’s
Day, it adopted Hungary’s first written constitution.
In the new regime of the People’s Republic of Hungary, the Parliament
became a weightless political institution. The unicameral National
Assembly consisted almost entirely of MPs affiliated with the Hungarian
Workers’ Party and held only two or three sessions a year, mainly to give
formal approval to decrees issued by the Presidential Council (Mezey
2000). Soon after the adoption of the constitution, the Council as collective head of state moved into the parliament building and took over most
of the offices and storage rooms – including those that used to belong
to the Library of the National Assembly. While its collection already
consisted of more than 300,000 books, the library had to confine its
operations to five rooms (Jónás and Veredy 1995). That must have been
difficult enough, but the most radical change came in 1952, when the
Ministry of Culture took over the management and turned the library
into a public institution. One part of it became an academic library
specializing in jurisprudence, political science, and modern history,
while the other part was divided into special collections.
The first special collection was dedicated entirely to the short-lived
Hungarian Soviet Republic, which lasted only from March until August
1919 but served as an important source of legitimacy for the communist
regime. It contained official documents, brochures, posters, and other
materials that had been classified in the Horthy era (Villám and Redl,
2003). The second special collection, set up by the United Nations in
1960, five years after Hungary joined the organization, consisted mainly
of annual reports, statistics, and other official publications. But the most
impressive special collection of the library was established in 1962 ‘with
the aim of gathering together the nearly three thousand volumes of
parliamentary material from the storage rooms, and finding an appropriate environment for them in a modern, practical, chronological
open-shelf system’ (Vértes quoted in Villám and Redl 2003: 334, my
translation).
According to the library’s official brochure, the ‘Parliamentary
Collection,’ set up in a room above the reading hall, is currently the most
complete collection of parliamentary documents in Hungary available
to the general public (Jónás et al. 2003: 31). Among its oldest treasures
are Stephen Werbőczy’s Tripartitum from 1517 and several handwritten
reports of parliamentary sittings dating back to the 1580s. The most
unique part of the collection comprises 67 volumes of rare manuscripts
related to Hungary’s parliamentary life in the seventeenth and eighteenth centuries, and unofficial journals of the National Assembly in the
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Figure 3.3 Continuity since the 1848 revolution – the Parliamentary Collection of the Library of the National Assembly. Photos by Endre Dányi, 28 October
2008
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Figure 3.4 Continuity since the 1848 revolution – the Parliamentary Collection of the Library of the National Assembly. Photos by Endre Dányi, 28 October
2008
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first half of the nineteenth century. What makes them different from
the rest of the collection is not only that they were written in Latin and
in German but also that they were circulated as private letters in order
to avoid the censors’ attention. This awkward practice changed only in
1848: one of the demands of the revolutionaries ‘in the name of the
nation’ was the freedom of the press and the abolishment of censorship.
Later that year the first democratically elected Parliament decided that
its sittings should be held in Hungarian, and the transcripts of those
sessions should be made as widely accessible to the public as possible.
Although the revolution failed, the production and the format
of the official journals of the legislature remained the same. Since
1848, the Parliamentary Collection contains the verbatim transcripts
of all the plenary sessions held in the House of Lords and House of
Representatives and then in the unicameral National Assembly. They
are nicely bound and placed in chronological order on the shelves,
waiting for the official records of the latest parliamentary term to be
added to the stock (Figures 3.3 and 3.4). Their physical availability
and linguistic accessibility makes the parliamentary events of the past
160 years much easier to remember than those of earlier periods.
3 The central square of politics
Compared to the Cupola Hall and the Library of the National Assembly,
the square in front of the Parliament received relatively little attention
in Imre Steindl’s original design. From the beginning of the planning
process, it was clear that the new home of the legislature would be built
in Tömő Square, the former landfill site on the eastern bank of the
Danube, but how exactly it would relate to other streets and buildings in
the area was specified only after the competition (Csepely-Knorr 2007).
In 1884 the Municipal Board of Works suggested that the Parliament
move a bit further to the north, so that its main entrance could be seen
as the extension of Alkotmány utca – a wide street perpendicular to
the Danube. In the same year, Steindl reworked his design, as a result
of which the proposed building became more accessible but also more
isolated from the rest of the city. To counterbalance this effect, Steindl
envisioned Tömő Square as a tripartite park with plants and fountains
on both sides of the main entrance (Steindl, reprinted in Gábor and
Verő 2000).
The construction of the park was supposed to start in 1897 but in
1890 Gyula Andrássy died, and it was immediately clear he had to have
a statue in the capital. After long deliberations, the relevant committee
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decided to place it at the southern entrance of the Parliament, turning
that part of Tömő Square into an open forum (Nádori 2008). The statue,
which showed the former Prime Minister on horseback, was unveiled in
1906 amid great pomp – even the Emperor showed up to give a speech.
The plinth was almost as important as the statue itself: one side of it
commemorated Francis Joseph’s coronation on 8 June 1867, and the
other the Congress of Berlin in 1878 as the two most significant episodes
of Andrássy’s political career.
In 1894 former Governor Lajos Kossuth, Gyula Andrássy’s main
political rival, also died, and without any delay the municipal council
of Budapest decided to commission a statue of him, too. A preliminary
survey identified 12 suitable locations in the capital, but the council
regarded the area near the northern entrance of the Parliament the
most appropriate place for the ‘father of democracy’ (Nádori 2008).
The design competition, however, took an unusually long time,
and because of World War I and the turbulent years that followed
the collapse of the Austro-Hungarian Monarchy, the statue was only
unveiled in 1927. According to contemporary reviews, the white marble
figure of Kossuth, surrounded by eight members of the 1848 government, looked rather lethargic, but that did not stop Miklós Horthy’s
administration from renaming the Tömő Square as Kossuth Square,
and in Act XXXI of 1927 declaring 15 March, the outbreak of the
1848 revolution, a National Day (Gerő 1995). In the interwar period,
two more statues were set up in the square: one of them commemorated former Prime Minister István Tisza, assassinated in his home
during the 1918 revolution, and the other Francis II Rákóczi, Prince
of Transylvania and leader of the anti-Habsburg war for independence
in 1703–711. As historian András Gerő argues, with these additions
the area in front of the Parliament was full; the symbolic places on
both sides of the main entrance and near the two side entrances were
occupied (Gerő 2009).
The unity of the square did not last for long: in the siege of Budapest
all the statues around the Parliament were badly damaged. In 1945
Andrássy’s and Tisza’s figures had to be permanently removed, while
Kossuth’s had to be taken away for complete repair. Before the latter
could be returned to its original position, however, Hungary was transformed into a communist country. The Hungarian Workers’ Party,
which had assumed power with the support of the Soviet Union, was
eager to demonstrate its place in Hungarian history. It wanted to portray
itself as the true heir of the 1848 revolution – a political event that in
the postwar context was no longer a national uprising against Habsburg
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rule, but the first episode of a century-long class struggle. For this reason
the government decided to celebrate the one hundred and fifieth anniversary of the birth of Lajos Kossuth by replacing his old statue with one
that better fit the ideology of the People’s Republic. The new statue was
unveiled in 1952 – around the same time the Library of the National
Assembly became a public institution – by Minister of Culture József
Révai. In his opening speech, Révai said that although Kossuth never
was a socialist,
he was a patriot, who fought for social progress, which confers on
us, communists, the representatives of the working class, the right to
consider ourselves the heirs of his progressive ideas. We, only we have
the right to continue his work, no one else! Our government of the
people’s republic is proud to call itself the successor of Lajos Kossuth’s
revolutionary government. (Révai, quoted by Gerő 2009)
The new statue showed Kossuth not as a calm statesman, surrounded
by a few members of his government, but as a true leader of a nationwide revolution. With his right arm he pointed towards the parliament,
mobilizing all segments of the people – workers, peasants, students, and
soldiers – to fight the common enemy. In response, the armed people
gathered around him, ready to sacrifice their lives if necessary. The revolutionary composition might have looked anachronistic in 1952, but it
became quite appropriate four years later, when workers, peasants, and
students gathered together in front of the Parliament, ready to fight the
common enemy. Only this time, the common enemy was the communist government.
On 23 October 1956, a group of students at the Budapest Technical
University organized a demonstration to express their solidarity with
a series of strikes in Poland and demanded comprehensive political
reforms in Hungary. In a few hours, several groups of workers joined the
march along the Buda wharf. They crossed Margaret Bridge and walked
straight on to Kossuth Square, where about 200,000 people demanded
free and democratic elections, the withdrawal of Soviet troops, and the
secession of Hungary from the Warsaw Pact (Litván et al. 1996; Lomax
1976). They wanted to hear Imre Nagy, a reform communist considered by many to be the most viable alternative to the hardliners of the
Hungarian Workers’ Party. After some hesitation, in the evening Nagy
appeared in one of the balconies on the right side of the main entrance
of the parliament building and made an attempt to calm people down.
‘Comrades!’ – he began his speech, but he could not continue because
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Democracy in Ruins: The Case of the Hungarian Parliament 71
of the booing that followed the inappropriate address. Nagy was visibly
confused. As his biographer, János M. Rainer, put it,
the people at Kossuth Square wanted change, wanted convincing and
reassuring statements that this would happen. Nagy understood that
much. But he was unable to perceive that the demonstrators had not
been waiting for a party functionary who would promise changes in
the name of the long discredited Central Committee, the government
or the parliament. Rather they awaited the arrival of someone of the
character of Lajos Kossuth who would take an oath to do everything
imaginable to realize their demands. (Rainer 2009, 102)
It took some time for Nagy to realize what role he was assigned in the
revolution. Even when he was asked to set up a new government, he
believed the State Protection Authority and Russian soldiers based in the
capital could keep things under control. Just how wrong he was became
clear on 25 October, when armed officials – most probably members
of the secret police – opened fire on peaceful protesters in front of the
Parliament, instantly killing almost a hundred people and injuring
many more. The worst part of the massacre took place behind the statue
of Rákóczi, where a fence around a construction site blocked the way to
the side streets (Kő and Nagy 2001).
Following the shooting, the Hungarian Workers’ Party dissolved itself,
its leaders fled to Moscow, and a newly formed party, the Hungarian
Socialist Workers’ Party, took charge. In the last days of October, János
Kádár, the newly appointed General Secretary, and Prime Minister Imre
Nagy were both hopeful that with the hardliners gone Hungary would
be allowed to follow its own path to a democratic socialism, but in the
middle of the Cold War, the Soviet leadership could not afford losing
another European ally and decided to take action. On 1 November, Kádár
was kidnapped from the Party Headquarters, secretly taken to Moscow,
and under unclear circumstances persuaded to become the leader of a
post-revolutionary government supported by the Soviet Union (Gough
2006). Within ten days the revolution was brutally crushed by Russian
tanks, Nagy and several other politicians were arrested, and Kádár began
the restoration of the socialist order in Hungary.
During the first few years of the Kádár regime, thousands of people
were imprisoned for their involvement in what was officially called a
counterrevolution, and more than 400 were executed. After being in
custody for more than a year, Imre Nagy and several members of his
government were put on trial. They were hanged in the backyard of a
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prison on 16 June 1958. Their bodies were buried in unmarked graves –
for three decades not even their closest family members knew where.
In the meantime, enjoying the backing of Khrushchev, Kádár managed
to consolidate his regime and by the 1970s turn Hungary into the
‘happiest barrack’ of the Eastern Bloc. The standard of living was on the
rise and some political gestures (for example, the signing of the Helsinki
Accords, which obliged all participating states to respect human rights
and fundamental freedoms) gradually made him an accepted leader on
both sides of the Iron Curtain. The return of the Holy Crown from the
United States was widely interpreted as a sign that the betrayal of the
1956 revolution and the reprisals that followed its suppression were now
forgotten.
Forgetting outside the borders of Hungary might have been a natural
process, but within the country, it had to be actively promoted. The legitimacy of the Kádár regime depended on a single statement: that 1956
was a counterrevolution, encouraged by the imperialists, and Imre Nagy
was a traitor, who had to be punished for abandoning the international
cause of communism (György 2005). The ‘truth’ of this statement was
initially manufactured through various historical documents, reports,
and memoirs, but after a while, it was mostly the silences of those who
survived the reprisals, and absences of those who did not, that held up
the façade of the People’s Republic. How well this collective forgetting
worked can be illustrated by the fact that for decades no one dared to
mention, let alone commemorate, any event associated with 1956 in
public. The only exceptions were those small groups in the democratic
opposition that from the early 1980s onwards made conscious efforts to
thematize 23 October as the outbreak of an anti-Soviet revolution.
Although these efforts, which consisted mostly of the illegal publishing
of banned books and journals (samizdat) and the organization of underground seminars (flying universities), contributed to the emergence of a
‘secondary public’ (Hankiss 1986), they remained almost entirely invisible to the ‘primary public.’ For a radical re-evaluation of 1956 to occur
many believed the initiative had to come ‘from above,’ that is, from the
inner circles of the Hungarian Socialist Workers’ Party. Until the end of
the 1980s this seemed very unlikely. But as the country’s economic situation began to worsen and the ailing Kádár found it ever more difficult
to keep the dissidents at bay, some reform communists thought it was
time the party confronted its past in order to secure its future in a multiparty democracy. First, a special committee was set up by the Hungarian
Academy of Sciences with the mandate of revising the ‘unfortunate
events’ of 1956, and then, in early 1989, a prominent member of the
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Democracy in Ruins: The Case of the Hungarian Parliament 73
Political Committee wreaked havoc when in a radio broadcast he called
the ‘counter-revolution’ a popular uprising. Given the precarious legitimacy of the Kádár regime, this comment marked the beginning of the
end: the re-evaluation process led to a series of protests and culminated
in the reburial of Imre Nagy and his fellow martyrs on 16 June 1989, on
the thirty-first anniversary of their execution.
According to cultural historian István Rév (2005), in a symbolic sense
16 June is the date of the regime change in Hungary. In a legal sense,
however, it is most probably 23 October, the day when after several
months of tedious negotiations about the peaceful transition of power
between the Hungarian Socialist Workers’ Party, the trade unions,
and nine oppositional parties (Bozóki 2001), a new constitution was
approved by the National Assembly. This was followed by the proclamation of the Third Republic from one of the balconies above the main
entrance of the Parliament. It was the same balcony where Imre Nagy
tried to address the revolutionary crowd on 23 October 1956. Whether
Figure 3.5 Continuity since 1956 and 1989 – commemorative banner above the
main entrance of the Hungarian Parliament, next to ‘Imre Nagy’s balcony’. Photo
by Endre Dányi, 22 October 2009
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this was intentional or a strange coincidence is difficult to tell, but the
result is the same: as the commemorative banner celebrating the twentieth anniversary of the Third Republic showed, in the recent history of
Hungary, 1956 became the antecedent of 1989 (Figure 3.5).
4 Democracy in ruins
A closer look at the Hungarian parliament building and related memory
practices clearly shows that the present and the future of a given political
community – in this case the Hungarian people – is largely envisioned as
the extension of the past it creates for itself. This past, however, seems to
consist of several, sometimes conflicting, claims of continuity. The first
claim takes material form in the Holy Crown, located in the Cupola Hall
of the Parliament. There it is treated as the symbol less of a state form
than a thousand-year-old state and defines the political community in
broad ethno-cultural terms: anyone who feels Hungarian is Hungarian,
including those living outside the current borders of Hungary. Given
the fact that there are about three million ethnic Hungarians living
in places that today belong to Slovakia, the Ukraine, Romania, Serbia,
Croatia, Slovenia, and Austria, this understanding is often seen as highly
problematic by those who prefer to define the political community as a
group of individuals within a nation-state.
This, in fact, is the second claim of continuity. As the Parliamentary
Collection of the Library of the National Assembly illustrates, it treats
the 1848 revolution and the formation of the first democratically elected
government as an absolute threshold in the history of Hungary. The
emphasis is on the term ‘democratically elected,’ which denotes a radical
shift in the logic of sovereignty. According to this logic, power stems not
from God or the Holy Crown but from the people – a term that in this
context refers to the collective of those who have the right to vote. But
what if voters want to use their power to exclude certain groups from
the political community, either to ‘purify the nation,’ or to ‘realize the
dictatorship of the proletariat?’ In the middle of the nineteenth century
this question was largely hypothetical, but as the reign of fascist and
communist regimes in the twentieth century made it painfully clear, a
rights-based definition of a political community can hardly guarantee
the stability of a liberal democracy.
The third claim of continuity, therefore, has less to do with the state
or the nation than with a society, held together by a moral commitment to fight all forms of tyranny. In the Hungarian consciousness
this commitment is exemplified by the 1956 revolution, which might
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Democracy in Ruins: The Case of the Hungarian Parliament 75
have been betrayed and crushed by force but from the early 1980s
onwards served as one of the most important sources of inspiration for
the illegal democratic opposition, and then for the National Assembly
set up in 1990.
The first post-communist legislature tried its best to reconcile the
tension between the ethno-cultural, legal-political, and moral definitions of the political community by naming 20 August the day of the
founder of the state, St Stephen; 15 March, the first day of the 1848 revolution and the birthday of modern parliamentarism; and 23 October
the first day of the 1956 revolution and the proclamation of the Third
Republic. Still, the tension between these three definitions has not only
remained present but seems to have gained a new impetus (Wydra
2006). In 2010, for instance, the newly elected government, which at
the time of writing still enjoys a two-thirds majority in the Hungarian
Parliament, decided to draft and adopt a new constitution for the
country, which since 1 January 2012, is called Hungary, and not the
Republic of Hungary. Although the new constitution still acknowledges
15 March and 23 October as national holidays, it identifies 20 August
as the Official National Day and the Holy Crown as the prime symbol of
the continuity of the state and the unity of the nation.
Recent developments, such as the hurried drafting of the new constitution and the passing of a number of controversial laws and regulations, have led several political theorists, constitutional scholars, and
politicians from across the political spectrum to declare that democracy
in Hungary now lies in ruins. The notion of ruins, however, rarely indicates clear turning points in time. Just as democracy in Hungary did not
begin in 1989, it has not ended in 2012. Democracy is, indeed, in ruins,
but what this notion implies is not loss but a necessary lack of coherence. And while in the case of a written constitution any lack of coherence is perceived as a weakness, in the case of a building associated with
democratic politics it is quite possibly its greatest strength.
Acknowledgments
This chapter is based on historical and ethnographic research that
took place in Budapest between 2008 and 2010. I am grateful to The
Leverhulme Trust for its financial support (award reference F/00185/U),
András Gerő, Barna Mezey, and András Mink for their historical advise,
and the employees of the Office of the Hungarian National Assembly –
especially József Lukács, István Soltész, and Judit Villám – for their assistance during my research. I wish to thank John Law, Julien McHardy,
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Christoph Michels, Derek Sayer, Lucy Suchman, András Szigeti, Laura
Watts, Yoke-Sum Wong, and Jennifer Tomomitsu for their insightful
comments on earlier versions of this text, and Manolita Wiehl for her
help with the images.
Notes
1. The description of the transfer is based on an article published on 1 January
2000, on the Hungarian news website origo.hu: http://www.origo.hu/
itthon/20000101atkerult.html (accessed 2 May 2011). For a report on the BBC
website, see http://news.bbc.co.uk/2/hi/europe/587191.stm (accessed on 2
May 2011).
2. Preamble of Act I of 2000, my translation. The original text is available online
at http://www.complex.hu/external.php?url=3 (accessed 1 May 2011).
3. Interview with Barna Mezey, Professor of Constitutional History at the Eötvös
Loránd University, 20 October 2009.
4. Interview with Gábor Karvalics, Head of the Department of Tourism in the
Office of the National Assembly, 21 October 2009.
5. Interview with József Lukács, Deputy Head of the Architecture Department in
the Office of the National Assembly, 17 October 2008.
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