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This essay will explore the significant impact that digital and social media has had on battling stereotypes and expressing counter hegemonic views on the issue of people living with schizophrenia. Whether it's paranoid or dissociative schizophrenia ,mainstream media has misrepresented and created false assumptions of people who suffer from the illness, creating a dominant misinformed view for the audience due to the high use of the violent and criminal schizophrenic camp representation. Thus, this essay will aim to analyse some of the dominant representations and how individuals or groups use social media and participatory culture to counter the misconceptions and hegemonic opinions of those who have schizophrenia. To conduct the following essay, movies and media texts such as " Saving Grace " , " American Horror Story " and " A beautiful mind " will be analysed from a more constructionist approach , of how media texts shape the audience's understanding of the world through their representations. Furthermore, to study the issue of representation in mass media and their role, the books " The matter of images : essays on representation " By Richard Dyer and " Diffusions of Innovation " by Everett M. Rogers with focus on Hypodermic Needle theory Antonio Gramsci and Stuart Hall's theories on Hegemony , were used to analyse the hegemonic ideas of schizophrenia in mass media. Also, in order to study the effect social media has had in expressing counter hegemonic views on the topic , books such as " The Structural information of the Public sphere " by Jürgen Habermas , " The Global Village: transformations in world life and media in the 21st century " By Marshall McLuhan and " Technologies Without Boundaries : on Telecommunications in a Global Age " by Ithiel De Sola Pool to study the utopian perspective of new digital media that give the audiences access to a greater variety of ideas and texts while also empowering individuals ,giving anyone the power to expresses a public opinion on any matter that's of his/her concern and represent themselves the way they wish. People suffering from schizophrenia have been stigmatised by mass media. A misinformed representation of schizophrenics and absent presence of a more realistic character with schizophrenia has led to widely glamorised version and camp representation of this group as violent, " mad " and unable of living normal lives or forming significant relationships without inflicting any arm on themselves or others. Although , those with schizophrenia are far more likely to self harm that hurt others, even on the issue of self harming the media has over exaggerated the situation. In the article Portrayals of Schizophrenia by Entertainment Media: A Content Analysis of Contemporary Movies, Dr Patricia Owen of the university of Texas has found that a high 69% percent of schizophrenic movie characters have been portrayed to
Cutting Edge , 2017
Our research examines the impact of social services on youth homelessness and compares findings from Brazil and Canada, in conjunction with neo-liberal application in these countries. We conducted a qualitative analysis based on literature review and interview data. Our findings suggest that services that directly assist homeless youth should focus on prevention, as well as intervention. We argue that learning about the factors and obstacles that contribute to youths leaving their homes could be more effective in preventing youth homelessness.
Stigmatizing images around Mad_trans positions are a part of everyday re_presentations; they can be found in numerous discourses, including those around medicine, the news media, fictional narratives, and even activism. When looking at discourses around madness, (mental) disability, and trans identity it becomes clear that stigmatizing images around madness in combination with other marginalized categories are not limited to any particular time period or genre. Having said that, however, the long tradition of Mad_trans re_presentations in thriller movies can be used as a magnifying glass to gain awareness of how widespread and routine discourses that establish Mad_trans positions as fearsome and abnormal truly are. For that reason, this article begins by looking at Mad_trans re_presentations in thriller movies; it asks the following questions: How are these images connected to wider psychopathologization, intersectional power relations, and a long tradition of stigmatizing re_presentations around madness? How do they work to create sameness and difference, belonging and Othering, normality and abnormality? I provide an exemplary overview and critical analysis of Mad_trans re_presentations in discourses around thrillers, medicine, the news media, and activism. In dialogue with Ahmed's (2004b) concept of affective politics of fear, I analyze the function of fear here as a significant recipient response to the particular re_presentations mentioned above. Other aspects that are addressed include how hegemonic Mad_trans re_presentations influence counter-discourses and the possibilities and challenges of resistant re_presentations and readings in dialogue with broader discourses around re_presentation, spectatorship, solidarity, and identity.
Media Asia, 2014
Indian cinema has always been fascinated by a variety of psychological disorders such as pervasive developmental disorders, mental retardation, anxiety and mood disorders, personality and identity disorders, etc. This paper is a qualitative research; the objective is to explore any disparity between the cinematic representation and the DSM criteria for diagnosis of the disorders, and the effect of these representations (or misrepresentations, if any) on the layman’s perceptions of them. A review and analysis of certain popular Indian films (made between 1990 and 2010) that thematically explore certain prevalent psychological disorders is attempted here, focusing on four major film industries in India, namely- Hindi from the north, Tamil from the south, Marathi from the west and Bengali from the east. This also includes structured interviews to assess both the knowledge about and attitudes towards the same, as created by such cinema, among general public that is not predisposed to accurate information (in terms of correct clinical picture, causes and treatment). These were conducted on a random sample of 120 subjects in the age range of 15-60, who had no prior or present knowledge of psychology. Results were assessed in percentage and mean values. Observations found disparity between the representation of mental disorders in Indian cinema and their DSM descriptions, which had an influence on its audience. The general perception about mental disorders is that it is curable, maybe controlled with discipline and is largely unacceptable in society. It was concluded that accurate portrayals make for relatively correct impressions on the viewers and leave less scope for misconception.
Queer Archives By the nineteenth century a vast array of ethnographies such as racialization, class, sexuality, gender and criminology had become the cornerstone to the social sciences. The body became a site of social regulation, and the notion of truth and its manifestations on the body became culturally realized through systemic ideologies. The social body was the triumph of Bourgeois order, where the political economy of Industrialism, Capitalism and Imperialism were entwined with the individual and the state, and where sexual conduct was converted to economic and political behavior. The category of homosexuality was a device meant to control and regulate. Foucaultian analysis asserts that nineteenth century prohibitions established far reaching oppressive sexual discourses, however, through systems set out to control sexuality - homosexuality began to speak in its own behalf (Foucault 1980). The queer archive provides a site of memory that historically has been entrenched in erasure, inscribing both the archives and their users with political power. Without knowledge of the past, what can we expect of future queer subjectivities?
The Popular Culture Studies Journal 6, no. 1 (2018): 82-99.
The Asian Yearbook of Human Rights and Humanitarian Law. , 2019
Is it inherently wrong, or inescapably harmful, to make a game of rape? For the activists , politicians and pundits in ''the West'' who learned about the existence of the Japanese video game RapeLay, the answer would be a resounding and self-evident, 'yes!' The controversy the game sparked was relatively unexpected in its native Japan, where the game forms part of a broad erotic cartoon and game culture. Our analysis argues that the reaction in the West is an example of orientalism and yellow peril, wherein the Japanese 'Other' was targeted as immoral, dangerous and sexually deviant , spurring a call to discipline, educate and enlighten Japanese regulators and industry leaders about the perceived harms attached to sexually violent video games. In the second half of our article we problematize the discourse and reaction of the anti-Rape-Lay movement, and challenge the essentialist reading of the game as having a singular, stable and malevolent meaning. We discuss the possibilities of interpreting the video game through catharsis/sublimation theory, rape terror management, anime orientation , age play and a rape fantasy kinky framework.
Espacio y Desarrollo, 2019
Jurnal Analis Kesehatan, 2019
Urban science, 2022
SSRN Electronic Journal, 2017
Na literatura, os espaços, 2019
International Journal of Geomechanics, 2014
Nesta Andy-Philip, PhD
Slavia Centralis, 2014
Pisʹma v Žurnal tehničeskoj fiziki, 2020
Investigative Opthalmology & Visual Science, 2008
Acta Crystallographica Section E Crystallographic Communications, 2020