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Frederick (2021) offers a critique of my writing tips aimed at undergraduate students in philosophy, arguing that my tips will lead to papers that say “next-to-nothing.” Here, I offer some thoughts in reply.
Teaching Philosophy 46:4, 2023
Think, 2020
I wrote up the following tips a couple of years ago when I was teaching assistant for an introductory philosophy class at Yale led by Daniel Greco called “Problems in Philosophy.” The tips were intended, then, for college students, many of them right out of high school, and most of whom had never written a philosophy paper before. So the focus is on clarity and mastering the basics. With that in mind, I hope you will find these tips helpful for teaching or writing in philosophy (or any other relevant field or discipline).
I wrote this "tip sheet" for philosophical writing a la other tip sheets passed around in creative writing workshops. I invite feedback on what has worked for your students and how you might modify my suggestions.
SEM Student News, 2021
My article is p. 9-11.
Analytic Teaching and Philosophical Praxis, 2020
“Dialogue” combines the Greek dia (“across”) with logos (“word” or “speech”) to mean a mutual exchange of meaning across space and time. A dialogue involves two or more entities in communication with each other, taking turns in some physical or conceptual space that separates and distinguishes these entities. The discipline of philosophy is no stranger to the dialogue form. Philosophers certainly read many dialogues in their training and still assign them for students to read. However, philosophers today rarely write dialogues themselves or ask students to write them. Philosophy, along with most other academic disciplines, has moved away from the form. Straight, expository prose is now the standard for academic writing in and out of the classroom. Except in creative and play writing classes, the dialogue form is rarely used. Here I argue for its return, especially when it comes to student papers in philosophy.
Diid. Disegno industriale industrial design, 2022
This article starts with a question: how is your interest in "writing" influencing the perspective on scientific production and publication? With an overview of key concepts arising from a conversation with the guest editor of this issue of diid journal, Eleonora Lupo, and presented in a non-linear reading layout, Derrick De Kerckhove explains his vision of the possible futures of writing, highlighting trajectories, but also risks and threats.
South African Journal of Philosophy, 2020
This article aims at presenting the argument for the modification of Dennis Earl’s “four-sentence paper” template into the “six-line essay” writing intervention. The underlying reason for this research is a relative paucity of literature covering the topic of philosophy writing interventions at a beginner’s level. In order to fill this gap, the article takes the following course. For general background, it presents the general views on teaching essay writing and the relative unavailability of philosophydirected methods and techniques. It then describes Earl’s template in relative detail. Further, it refers to my experience teaching philosophical writing to University of Zululand students. Next, it describes the specific group of students with whom I first tried the method in 2019 and whose needs prompted the modifications. I then explain the “six-line essay” model step by step, commenting on the rationale behind each step and the way in which it is presented to students. True to form, the article also presents objections and the relevant counterarguments. Finally, the article points to the possibility of further, more structured research, with formal questionnaires/ structured interviews and their subsequent analysis.
A rough draft of the introduction (and confessional) for Stephen King and Philosophy
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