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2022
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6 pages
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What kind of politics would be appropriate for the Anthropocene? Is it possible to engage in political practices without automatically reinforcing a modernist understanding of progress? Drawing on recent diagnoses of the present (see, for example, Latour's Facing Gaia, Stengers' In Catastrophic Times and Tsing et al.'s Arts of Living on a Damaged Planet), this MA seminar aims to articulate an alternative vocabulary of politics centred around the notion of 'melancholy'. More specifically, it aims to 'reclaim melancholy' as a collective form of resistance by re-engaging with three central works in the social sciences (Sigmund Freud's Mourning and Melancholia, Walter Benjamin's The Origins of German Tragic Drama, and Claud Lévi-Strauss' Tristes Tropiques) and foregrounding three empirical cases of politics that point beyond hope and despair.
Faculty of Social Sciences, Goethe University, Frankfurt am Main, 2022
The aim of this cumulative Habilitation is to explore the political-sociological implications of the assertion, that we're confronted not so much with a ‘climate crisis’ as the latest episode of the overall breakdown of modernity and the notion of progress. In the introduction I first review a small but highly significant literature on ‘the end of progress’. I then associate key tropes of this literature with melancholy as the quintessential end-of-progress sentiment and suggest that attending to it is exceptionally useful for the re-examination of democratic politics in the era of environmental deterioration. For such re-examination to work, however, I argue that melancholy needs to be reclaimed as a collective, non-Eurocentric form of resistance. In the third part of the introduction, I offer a summary of the individual papers of the Habilitation and through a series of empirical cases spell out how a reclaimed version of melancholy may help us articulate political sensitivities that I collectively refer to as melancholy democracy. Finally, I briefly discuss how this ‘turn to melancholy’ resonates with ongoing discussions about affect and the status of critique in the social sciences.
Starting from the concept of psychopolitics, the role of affects in politics and the classic book on melancholy (the Anatomy of Melancholy of Burton), political melancholy is, in a short overview of the history of the concept, identified as bipolarity. This bipolarity is topical today. After the euphoria of the Arab Spring and the indignado and occupy movement, came the political depression. In a long excursion the political role of (utopian) nostalgia is highlighted. But underneath these ups and downs of political moods, there is an even bigger form of new melancholy: the posthistorical awareness that as we are hitting the limits of the ecosystem we are heading for major disaster (even extinction as possibility, emblematic in the film MELANCOLIA of Lars von Trier). Therefore this meditation on political melancholy hopes to be a lesson in urgency.
2018
According to several prominent social scientists, we live in catastrophic times. Bruno Latour suggests Donald Trump's election may be seen as an apocalyptic moment; Anna Tsing contemplates possible lives among industrial ruins; Isabelle Stengers calls for new strategies for resisting the coming barbarism. Drawing on these and other authors, this block seminar aims to explore the possibilities of doing politics in the face of looming catastrophes. Based ethnographic material on the European refugee crisis, the 'war on drugs', and Indigenous initiatives in Northern Australia, the course offers insights into political practices that may be considered as elements of a 'melancholy democracy' – a mode of engagement that is reluctant to offer idealised visions of a better future, but that insists on the practical difference between bad and worse presents.
Cultural Values, 1998
Heidegger claims in Being and Time that time is the horizon upon which we are to come to encounter and understand the meaning of beings: the horizon on which beings have meaning for us. Time is the horizon on which that very specific being, Dasein-or our singularity as human beings-comes to have meaning for us. Heidegger was, of course, a philosopher and philosophers tend to think in terms of the transcendental. In this chapter I suggest that much can be gained in grasping Heidegger's thesis, not in terms of transcendentals, but rather in terms of socio-cultural change. I suggest that we think our identification of beings and the self on the horizon of time as something specific to modernity. I suggest that we ask on what temporal horizon did we constitute the meaning of beings and ourselves before we did so on the modern horizon of time. I want especially to consider whether we still are encountering beings and ourselves on the horizon of time. I want to think about the possibility of an epoch of temporal experience prior to that of time, which can be understood as tradition or better yet 'history'. And I want to speculate about an epoch posterior to that of time, what might be called a temporal experience, not of time, but of 'speed'. In other words, I suggest that we might think about what being may be like after time. I propose to interrogate how we might encounter beings and the self in this new epoch of temporal experience. I want to raise the question of where we might locate the political, or politics, in not only the temporal experience of time but also in the era before that of time and the one after the time-era. I want to examine what sort of politics are possible in an era of speed, in an era of 'being after time'. I want finally to argue that in an era of being after time there should be a politics, not of difference, but of melancholy. Some words of warning before I begin. 1 First let me underscore that I am using the locution 'time' in a very restricted sense: i.e. to understand a mode of temporality that is characteristically modern. May I ask the reader to bear with me and suspend his/her propensity to think about the notion of time generically? The term that I am using to cover all the generic modes of time in this essay is 'temporality'. I want to use 'time' only in the sense of time in modernity, because it is in modernity that the idea of time has been lifted out and abstracted from ongoing social
It is Christmas 2006, Time Magazine proclaims me person of the year. I look at the cover and raise my eyebrows. What? Me? 'Yes, you. You control the Information Age. Welcome to your world.' My world. From this Time-issue I may conclude that this is the earthly heaven of the sovereign individual in an intimate embrace with information communication technology. The fruit of this love affair, according to Time, is a world-wide 'social experiment' of energetic, productive, innovative, creative, in short of free spirits. At long last: we are free, we are equals and we are interactive. Adhortations such as those in the Christmas issue of Time, are frequently let loose upon us these days. They are characteristic of a time in which drive and entrepreneurial spirit are considered to be among the highest values. It seems a paradox that encouragement appears to be all the more necessary in this Realm of Freedom. As a consequence this incitement turns into something obsessive, it becomes a somewhat frenetic summons. What is being pursued here and what is it that is being avoided? I hope to address these questions in the following article by allotting a central place to an experience which, in the course of European history, has been understood in various ways and, therefore, has been undergone in various ways, namely: melancholy. A glance at the vicissitudes of this experience may afford a view of the (changing) condition of our culture.
2014
In this essay, I explore the political significance of depression, particularly as a prominent form of resistance to conditions of life under contemporary global capitalism. After noting the political context of the second beatitude, which suggests a form of mourning that bears witness to public suffering, I assert that under the current dominance of the disease model, depression has lost its political voice. This loss is of grave concern given evidence that the culture of late capitalism (neoliberalism) has initiated a global epidemic of depression. I reframe depression as the final cry of souls diminished under these conditions. Finally, I denote the qualities of such souls, illustrating with a pastoral psychotherapy case summary. A dream presented during the termination phase not only provides a clinical presentation of the attributes of souls under neoliberal governance, but suggests how voice may ultimately be restored even when depression has become unconscious. Keywords: Depression, Melancholy, Neoliberalism, Capitalism, Political resistance, Soul
Melancholy and Politics, ed. by Vassilis Noulas, Adam Czirak, Natascha Siouzouli, Magazine for Live Arts Research, Athen, November 2013, p. 16–21., 2013
Social Sciences
The Anthropocene thesis makes it necessary for the social sciences to engage with temporality in novel ways. The Anthropocene highlights interconnections between ‘natural’ and ‘social’ non-linear temporal processes. However, accounts of humanity’s Anthropocene history often reproduce linear, progressive narratives of human development. This forecloses the possibilities that thinking with non-linear temporalities would offer to the political sciences. Engaging with the temporal complexity of the Anthropocene as a moment of rupture that highlights non-linearity allows to acknowledge more fully the affective impact of living on a disrupted planet. As a discourse about temporal rupture, the Anthropocene is a stocktaking of the already vast insecurities and losses brought about by exploitative relationships with earth and its inhabitants. In this form, the Anthropocene thesis highlights how material and social legacies of inequality and exploitation shape our present and delimit our imag...
Transtext(e)s Transcultures 跨文本跨文化, 2008
Melancholy seems always to have had a bad press. In this essay I explore the ways in which the expression of negativity, ambivalence and dissonance in melancholy influenced and shaped my writing. Much of this melancholia stemmed from transplantation and dissonance and from the need to make oneself heard in a host country whose blindness to alterity ran parallel to an identitarian politics framed by exclusion. When a nation is unable to mourn its history, writers tend to be paralysed, being unable to detach themselves from a nation-building canon. I investigate melancholia as a productive agent in employing critique to produce countertraditions and to offer resistance to dominant ideologies. I focus on writing in order to explore distinctive moments when melancholia, expressed in forms ranging from dissimulation to irony, played a decisive role in my writing career.
HAL (Le Centre pour la Communication Scientifique Directe), 2012
Revista de Filología Española, 2012
Revista de Trabajo y Seguridad Social. CEF
Estudios Políticos, 2018
The Handbook of Labour Unions, 2024
Creditio et Usura fra Teologia, Diritto e Amministrazione, ed. Diego Quaglione, Giacomo Todeschini, and Gian Maria Varanini (Ecole Francaise de Rome, 2005), 25-55, 2005
Conversaciones con...., 2021
Social compass, 2005
Journal of Cereal Science, 2016
Journal of lifestyle medicine, 2024
Disability, CBR & Inclusive Development, 2018
International Journal for Numerical Methods in Engineering, 1993
Biology of Blood and Marrow Transplantation, 2008
Journal of medicinal chemistry, 2017
Communications Faculty Of Science University of Ankara Series A1Mathematics and Statistics, 2017
Lecture Notes in Computer Science, 2008