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The Troublemakers

If you got lucky in the summer of 1947, your hands might have wrapped themselves around a mimeographed collection of typewritten thoughts called Vice Versa. Edited under the nom de plume Lisa Ben, it was among the first of what we now think of as zines. It was almost certainly the first queer one. Small in scale and big in voice, Vice Versa defined itself from page one as “a magazine dedicated, in all seriousness, to those of us who will never quite be able to adapt ourselves to the iron-bound rules of Convention. . .. Please keep in mind that the entire publication was originated and compiled by one person.”

That one person, “Lisa Ben,” was actually Edythe Eyde, an employee of the film production company RKO, presumably living in the Los Angeles area. Given the long history of alienation from mainstream culture queer people have, perhaps Eyde saw the independent science-fiction publications on drugstore racks and found inspiration in their longing for other worlds. But she made more or less on her own, publishing film and theater reviews and thrillingly sentimental, and horny, poetry.

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