India's Love Lyrics
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India's Love Lyrics - Laurence Hope
The Project Gutenberg EBook of India's Love Lyrics, by
Adela Florence Cory Nicolson (AKA Laurence Hope), et al.
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org
Title: India's Love Lyrics
Author: Adela Florence Cory Nicolson (AKA Laurence Hope), et al.
Release Date: July 29, 2009 [EBook #8197]
Last Updated: February 4, 2013
Language: English
*** START OF THIS PROJECT GUTENBERG EBOOK INDIA'S LOVE LYRICS ***
Produced by Gordon Keener, and David Widger
INDIA'S LOVE LYRICS
By Laurence Hope, et al.
Editorial note: Laurence Hope was the pen name of Adela Florence Cory Nicolson. Born in 1865, she was educated in England. At age 16 she joined her father in India, where she spent most of her adult life. In 1889 she married Col. Malcolm H. Nicolson, a man twice her age. She committed suicide two months after his death in 1904.
CONTENTS
Less than the Dust
To the Unattainable
In the Early, Pearly Morning
:
Reverie of Mahomed Akram at the Tamarind Tank
Verses
Song of Khan Zada
The Teak Forest
Valgovind's Boat Song
Kashmiri Song by Juma
Zira: in Captivity
Marriage Thoughts: by Morsellin Khan
To the Unattainable:
Mahomed Akram's Appeal to the Stars
Reminiscence of Mahomed Akram
Story by Lalla-ji, the Priest
Request
Story of Udaipore:
Valgovind's Song in the Spring
Youth
When Love is Over
Golden Eyes
Kotri, by the River
Farewell
Afridi Love
Yasmini
Ojira, to Her Lover
Thoughts: Mahomed Akram
Prayer
The Aloe
Memory
The First Lover
Khan Zada's Song on the Hillside
Deserted Gipsy's Song: Hillside Camp
The Plains
Lost Delight
Unforgotten
Song of Faiz Ulla
Story of Lilavanti
The Garden by the Bridge
Fate Knows no Tears
Verses: Faiz Ulla
Two Songs by Sitara, of Kashmir
Palm Trees by the Sea
Song by Gulbaz
Kashmiri Song
Reverie of Ormuz the Persian
Sunstroke
Adoration
Three Songs of Zahir-u-Din
The Regret of the Ranee in the Hall of Peacocks
Protest: By Zahir-u-Din
Famine Song
The Window Overlooking the Harbour
Back to the Border
Reverie: Zahir-u-Din
Sea Song
To the Hills!
Till I Wake
His Rubies: Told by Valgovind
Song of Taj Mahomed
The Garden of Kama:
Camp Follower's Song, Gomal River
Song of the Colours: by Taj Mahomed
Lalila, to the Ferengi Lover
On the City Wall
Love Lightly
No Rival Like the Past
Verse by Taj Mahomed
Lines by Taj Mahomed
There is no Breeze to Cool the Heat of Love
Malay Song
The Temple Dancing Girl
Hira-Singh's Farewell to Burmah
Starlight
Sampan Song
Song of the Devoted Slave
The Singer
Malaria
Fancy
Feroza
This Month the Almonds Bloom at Kandahar
Less than the Dust
Less than the dust, beneath thy Chariot wheel,
Less than the rust, that never stained thy Sword,
Less than the trust thou hast in me, O Lord,
Even less than these!
Less than the weed, that grows beside thy door,
Less than the speed of hours spent far from thee,
Less than the need thou hast in life of me.
Even less am I.
Since I, O Lord, am nothing unto thee,
See here thy Sword, I make it keen and bright,
Love's last reward, Death, comes to me to-night,
Farewell, Zahir-u-din.
To the Unattainable
Oh, that my blood were water, thou athirst,
And thou and I in some far Desert land,
How would I shed it gladly, if but first
It touched thy lips, before it reached the sand.
Once,—Ah, the Gods were good to me,—I threw
Myself upon a poison snake, that crept
Where my Beloved—a lesser love we knew
Than this which now consumes me wholly—slept.
But thou; Alas, what can I do for thee?
By Fate, and thine own beauty, set above
The need of all or any aid from me,
Too high for service, as too far for love.
In the Early, Pearly Morning
:
Song by Valgovind
The fields are full of Poppies, and the skies are very blue,
By the Temple in the coppice, I wait, Beloved, for you.
The level land is sunny, and the errant air is gay,
With scent of rose and honey; will you come to me to-day?
From carven walls above me, smile lovers; many a pair.
Oh, take this rose and love me!
she has twined it in her hair.
He advances, she retreating, pursues and holds her fast,
The sculptor left them meeting, in a close embrace at last.
Through centuries together, in the carven stone they lie,
In the glow of golden weather, and endless azure sky.
Oh, that we, who have for pleasure so short and scant a stay,
Should waste our summer leisure; will you come to me to-day?
The Temple bells are ringing, for the marriage month has come.
I hear the women singing, and the throbbing of the drum.
And when the song is failing, or the drums a moment mute,
The weirdly wistful wailing of the melancholy flute.
Little life has got to offer, and little man to lose,
Since to-day Fate deigns to proffer, Oh wherefore, then, refuse
To take this transient hour, in the dusky Temple gloom
While the poppies are in flower, and the mangoe trees abloom.
And if Fate remember later, and come to claim her due,
What sorrow will be greater than the Joy I had with you?
For to-day, lit by your laughter, between the crushing years,
I will chance, in the hereafter, eternities of tears.
Reverie of Mahomed Akram at the Tamarind Tank
The Desert is parched in the burning sun
And the grass is scorched and white.
But the sand is passed, and the march is done,
We are camping here to-night.
I sit in the shade of the Temple walls,
While the cadenced water evenly falls,
And a peacock out of the Jungle calls
To another, on yonder tomb.
Above, half seen, in the lofty gloom,
Strange works of a long dead people loom,
Obscene and savage and half effaced—
An elephant hunt, a musicians' feast—
And curious matings of man and beast;
What did they mean to the men who are long since dust?
Whose fingers traced,
In this arid waste,
These rioting, twisted, figures of love and lust.
Strange, weird things that no man may say,
Things Humanity hides away;—
Secretly done,—
Catch the light of the living day,
Smile in the sun.
Cruel things that man may not name,
Naked here, without fear or shame,
Laughed in the carven stone.
Deep in the Temple's innermost Shrine is set,
Where the bats and shadows dwell,
The worn and ancient Symbol of Life, at rest
In its oval shell,
By which the men, who, of old, the land possessed,
Represented their Great Destroying Power.
I cannot forget
That, just as my life was touching its fullest flower,
Love came and destroyed it all in a single hour,
Therefore the dual Mystery suits me well.
Sitting alone,
The tank's deep water is cool and sweet,
Soothing and fresh to the wayworn feet,
Dreaming, under the Tamarind shade,
One silently thanks the men who made
So green a place in this bitter land
Of sunburnt sand.
The peacocks scream and the grey Doves coo,
Little green, talkative Parrots woo,
And small grey Squirrels, with fear askance,
At alien me, in their furtive glance,
Come shyly, with quivering fur, to see
The stranger under their Tamarind tree.
Daylight dies,
The Camp fires redden like angry eyes,
The Tents show white,
In the glimmering light,
Spirals of tremulous smoke arise, to the purple skies,
And the hum of the Camp sounds like the sea,
Drifting over the sand to me.
Afar, in the Desert some wild voice sings
To a jangling zither with minor strings,