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    The Fantasy Artroom
    The Fantasy Artroom
    The Fantasy Artroom
    Ebook420 pages2 hours

    The Fantasy Artroom

    By Aaron Pocock

    4.5/5

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    About this ebook

    "A wonderful addition to any beginning or intermediate artist's library, not only those interested in fantasy. It's thoughtful, detailed, and filled with explanations of vocabulary terms and drawing materials, both in describing what they are and how they’re used." — BECL Book Reviews
    Do you love to create imaginative artwork? Would you like to add depth and richness to your creations? Could you use fresh inspiration? Here is the book that will help you brush up on your skills and add new tricks and techniques to your repertoire. Sketching, line art, watercolors, mixed media, composition, rendering methods ― The Fantasy Artroom is your all-in-one traveling companion into the world of fantasy art.
    These step-by-step demonstrations offer easy-to-follow methods for drawing trees and landscapes; forming dwarves, witches, mermaids, centaurs, and other characters; and putting them all together into enchanting compositions. Introduce a new dimension to your drawing, line art, and watercolor images with this richly illustrated guide and its helpful exercises, tips, and suggestions.
    "This book is magical!" — The Sheepish Reader 'n' Writer
    "A well organized, beautiful, and instructional book. Readers that are interested in expanding their art skill, particularly in dealing with fantasy worlds and creatures, will find much of interest here." — Sharon the Librarian

    LanguageEnglish
    PublisherDover Publications
    Release dateMay 17, 2016
    ISBN9780486812052
    The Fantasy Artroom

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      Book preview

      The Fantasy Artroom - Aaron Pocock

      BOOK ONE

      Detail and Whimsy

      An all-in-one travelling companion into the world of fantasy art

      AARON POCOCK

      DOVER PUBLICATIONS, INC.

      Mineola, New York

      CREDITS

      Firstly, to my long suffering wife Katrina and our beautiful children, Niall and Finn— For putting up with me, my ‘Arty’ temperament, my music blaring and the irregular hours.

      For Mum, Dad, Nan, and Ricky.

      Thanks also to all the followers, backers and well-wishers for helping this book come to life, especially to: Erin Clark, Thorun Ledger, Travis, Mathieu, Justin, Sonja, Ian, Sam, Julia, and Juan for your sage advice.

      To David Wyatt, for helping me back onto the path...

      To Charles Vess, for allowing me the use of ‘that’ letter.

      To Alexandra, Ida, Lindsey, Freyia, Elandria, and Janna for being such beautiful and generous models, you make my job a lot easier.

      To Phish and Marillion, I played you endlessly whilst working on this...

      And finally, to Mother Nature, for the endless inspiration; some of us still love you...

      Copyright

      Text and illustrations copyright © 2014 by Aaron Pocock

      All rights reserved.

      Bibliographical Note

      The Fantasy Artroom: Book One, Detail & Whimsy, first published by Dover Publications, Inc., in 2016, is a republication of the work published by The Fantasy Artroom in 2014.

      Library of Congress Cataloging-in-Publication Data

      Pocock, Aaron, author, illustrator.

      The fantasy artroom. Book one, Detail and whimsy / Aaron Pocock. p. cm.

      ISBN-13: 978-0-486-80124-7 (pbk.)

      ISBN-10: 0-486-80124-1 (pbk.)

      1. Fantasy in art. 2. Art—Technique. I. Title. II. Title: Detail and whimsy.

      N8217.F28P63 2015

      743'87—dc23

      2015029885

      Manufactured in the United States by RR Donnelley

      80124101 2016

      www.doverpublications.com

      TABLE OF CONTENTS

      About the Author

      Author’s Note

      Sketching and Drawing

      Inking

      Watercolours

      From One Artist to Another

      Links

      ABOUT THE AUTHOR

      Aaron Pocock was born in a large town in the south of England and has been living in Brisbane, Australia, since November 2000.

      Art (particularly Fantasy Art) has been a lifelong passion, and it eventually became his day job in 2007. Having freelanced semi-professionally since 1991, Aaron has never looked back.

      In 2011, Aaron was delighted to be chosen to illustrate the Australia Post Commemorative Stamp Set ‘Mythical Creatures’ for Australia’s Children’s Book Week, a career highlight so far; the set was also produced in a 3D capacity (a first for Australia).

      Aaron has illustrated and continues to illustrate children’s books, book covers, and CD sleeves. He works in a fine art capacity as time allows.

      AUTHOR’S NOTE

      I often have people asking me how I manage to stay so productive . . . . The answer might surprise you. I see each and every piece of art I produce, from a sketch to a full-blown finished painting, as a story that wants to be told; I’m simply the way it makes itself into the world. I don’t become overly attached to them, unless I have a sentimental reason for doing so. Putting a little distance between you and the work might just help your productivity. Being overly precious about what you do can put unnecessary barriers in your way. Step aside, let it flow . . .

      SKETCHING AND DRAWING

      This is probably the most important chapter of all. This is where it all starts, where your art stands or falls.

      Good drawing is the foundation upon which ALL of your art is built.

      So, what is the difference between a sketch and a drawing? Essentially they’re both the same thing, but they both have different reasons for being:

      SKETCHING

      is most often a quick gestural drawing used to warm up the hand and mind, work out a composition, mp or to hone elements within the composition.

      THE FINISHED DRAWING

      is far more than a sketch. It’s taking everything you’ve worked out and creating an end product for a particular purpose. It usually involves more concentration and precision when it comes to the actual rendering.

      WHAT YOU’LL NEED

      PENCILS

      A good selection of pencils for different applications is a must. I find solid graphite pencils are lovely for filling large areas, and they’re capable of making thin strokes when sharpened.

      Standard wood encased pencils. My favourite grades are HB, 2B and 4B (HB being the hardest and 4B being the softest).

      Mechanical Pencils with a 0.5 lead. Fabulous for making tiny, feathery lines in detailed work. I also use them for precise sketching. I’ve been using these for years and thoroughly recommend them.

      It’s also worth trying Carpenter’s pencils. The wide lead is fabulous for making thick marks and great for rapidly shading large areas; also brilliant for quick sketching, when details aren’t necessary.

      PAPER

      Here’s what I use. Try them all out and have a play; see what works for you.

      Photocopy paper is great for general sketching work and for finished line art. It’s inexpensive, too. Go for the good quality stuff, though.

      Illustration board is very smooth—not so great for sketching but ideal for detailed pen and ink work. It’s more expensive than cartridge paper.

      Rough watercolour paper is fabulous for quick, loose sketches.

      Hot pressed watercolour paper is ideal for gallery-quality drawings, and takes ink well, too.

      TOP TIPS

      (And/Or, Things I wish I’d known Sooner)

      * It’s important to spend time ‘looking.’ Keep your eyes well and truly open; you’ll be surprised what the mind takes in.

      * Visualise! Before you begin a new piece of work, spend a minute or so ‘seeing’ the image in your mind in as much detail as you can muster.

      * If you want to be an artist, a musician, or a brain surgeon, you have to want to be one. It’s all down to the effort you put in. Half-hearted attempts do not guarantee results.

      * Strive to put ‘soul’ into your work, dig deeper, don’t rely solely upon technique; find YOUR unique voice, what makes you, you.

      * Artist blocks are imaginary, plain and simple. If you find yourself ‘down-in-the-dumps,’ the root cause is sure to be something other than your art. If you go around saying, ‘I have a block,’ as sure as eggs is eggs, you’ll create one. The masterpiece you’re working on isn’t happening? That‘s OK, go off and sketch something! Loosen up and come back when you’re feeling more refreshed.

      * Nobody, understand... NOBODY is a) ‘Blessed’ or b) ‘Gifted’ when it comes to art. Sure, people may have been born a certain type of person, more inclined to lean a certain way maybe. Finding ways to express yourself is a skill you have to learn, and being an artist is something you need to spend time working at. It doesn’t just happen, Sit and learn, study all you can, then study some more— you can never learn too much.

      * Practice! Practice! It’s important to keep at it. There are no shortcuts to be had, it’s all about mental dexterity, soul AND technique.

      * Not happening with that medium you’re using? Try another one!

      * Sketch!!! In front of the telly, on that train, out in nature. It can only strengthen your work.

      * Be confident. Can’t do it yet? You will. Know this.

      * Inject ‘life’ into your work. This can come from many sources, but it ultimately comes from your mind. Want to make that scene more interesting? More exciting? Vary the strokes, ‘be’ your character, add props that help the movement around the image, play with camera angles—Anything that’ll put across what you’re really trying to say.

      * That blank sheet, there, in front of you.... is YOUR playground, anything goes!

      * To keep your mind from stagnating or wandering whilst you work, I thoroughly recommend playing a selection of your favourite music. Music is a ‘mood’ thing. Choose appropriately, i.e.: meditative music for dreamy images, or

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