The Lost Letters
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About this ebook
Don McKay's description of The Pearl King and Other Poems, Catherine Greenwood's wonderful first book, also apply to The Lost Letters: 'With discerning wit and a large range of styles and voices, she holds up each subject for contemplation as though it were a pearl. . . .'
At the centre of The Lost Letters is a sequence of radically diverse poems based on the story of Heloise and Abelard, truly lovers in a dangerous time, the twelfth century. The raw material is heavy, tension between flesh and spirit being the serious issue carried forward from the twelfth century into the twenty-first. But Greenwood's deft and delicate handling of scenarios of love requited but balked becomes a perceptive reading – extraordinarily inventive and constantly surprising – of contemporary secular society.
The Lost Letters creates a world of wonder tinged with sadness on behalf of so much that goes unnoticed, whether it's a bin of severed sows' ears, a lizard tethered by its tail who severs it by self-amputation, or a down-and-out old schoolmate.
Catherine Greenwood
Catherine Greenwood's poetry has been widely published in journals and anthologies; her first book, The Pearl King and Others (Brick Books, 2004),was a Kiriyama Prize notable book. She works for British Columbia's Ministry of Justice in Victoria, where she lives with her husband, the writer Steve Noyes.
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Book preview
The Lost Letters - Catherine Greenwood
THE LOST LETTERS
The Lost Letters
Brick Books
Library and Archives Canada Cataloguing in Publication
Greenwood, Catherine, 1960–, author
The lost letters / Catherine Greenwood.
Poems.
ISBN 978-1-77131-360-5
1. Héloïse, 1101–1164--Poetry. 2. Abelard, Peter, 1079–1142--Poetry. I. Title.
PS8613.R445L68 2013 C811'6 C2013-904021-8
We acknowledge the Canada Council for the Arts, the Government of Canada through the Canada Book Fund, and the Ontario Arts Council for their support of our publishing program.
The author photo was taken by Jennifer Conklin.
The print edition of the book is set in Minion Pro, designed by Robert Slimbach and released in 1990 by Adobe Systems.
Print design and layout by Cheryl Dipede.
Printed and bound by Sunville Printco Inc.
Brick Books
431 Boler Road, Box 20081
London, Ontario N6K 4G6
www.brickbooks.ca
ABOUT THIS BOOK
Nominated for the 2014 Dorothy Livesay Poetry Prize (BC Book Prizes)
Atmospherically light and stylistically expansive – poems that regard our givens as a gift.
Don McKay’s description of The Pearl King and Other Poems, Catherine Greenwood’s wonderful first book, also applies to The Lost Letters: With discerning wit and a large range of styles and voices, she holds up each subject for contemplation as though it were a pearl. . . .
At the centre of The Lost Letters is a sequence of radically diverse poems based on the story of Heloise and Abelard, truly lovers in a dangerous time, the twelfth century. The raw material is heavy, tension between flesh and spirit being the serious issue carried forward from the twelfth century into the twenty-first. But Greenwood’s deft and delicate handling of scenarios of love requited but balked becomes a perceptive reading – extraordinarily inventive and constantly surprising – of contemporary secular society.
The Lost Letters creates a world of wonder tinged with sadness on behalf of so much that goes unnoticed, whether it’s a bin of severed sows’ ears, a lizard tethered by its tail who severs it by self-amputation, or a down-and-out old schoolmate.
At Last
. . .
CONTENTS
I
FROM THE HYMNAL
Monk Love Blues
II
TURTLE SOUP
Two Blue Elephants
The Natural History of the Hamster
Lizard
Mule (Black-Tailed) Deer
Silver-Haired Bat Caught in a Ceiling Fan
Faith
Mermaid Appeal
If Life Hands You Turtles, Make Turtle Soup
Bushtit’s Nest
Web
Ring-Necked Pheasant
Wasp’s Nest
Sows’ Ears
III
DEAR PETER
Riddle for Two Voices Staged in a Confessional Stall
Prequel
Fragment 19
Singalong Sound of Music
Dusk
Fragment 52
Same Story, Different Day
Olive Branch
Fragment 73
Yes and No
Fragment 91
Astrolabe
Detail
Fragment 147
Another Day in the Scriptorium
Epitaph for the Last of the RedHot Lovers
IV
THE LOST LETTERS
Ivory
Rotary Dial Telephone
Company Town
Blue Pumps
Charity
The Texada Queen
The Jar
NOTES
ACKNOWLEDGEMENTS
BIOGRAPHICAL NOTE
I
FROM THE HYMNAL
And as most of these songs told of our love, they soon
made me widely known and roused the envy of many
women against me.
—Heloise to Abelard, Letter 1
MONK LOVE BLUES
Got a little thing
I call the Monk Love Blues.
Heloise and Abelard –
this kinda thing ain’t new.
See, when I say monk
I ain’t talkin Thelonius.
The monk love