Because When God Is Too Busy: Haiti, me & THE WORLD
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About this ebook
Gina Athena Ulysse's Because When God Is Too Busy: Haïti, me & THE WORLD is a lyrically vivid meditative journey that is unapologetic in its determination to name, embrace and reclaim a revolutionary Blackness that has been historically stigmatized and denied. Crafting experiments with "ethnographic collectibles" of word, performative sounds, and imagery to blur genres and the lines between the geopolitical and the personal, this collection is a testament to postcolonial inheritances. Ulysse's work remixes samples from a range of references as it beckons readers to bear witness to a coming of age as she shifts between time and place and plays with languages to stretch the margins of aesthetics in the academic. These poems, performance texts, and photographs gather fractured memories—longings laced with Vodou chants confronting a past that looms too largely in the present. Because When God Is Too Busy searches for humility while honoring sacred and ancestral imperatives to recognize and salute power beyond Western attachments to reason.
Kevin Brownlow
Gina Athena Ulysse is an artist-academic-activist originally from Pétion-Ville, Haïti. Her creative works include spokenword, performance art, and installation pieces. Her poetry has appeared in several journals and collections. She is the author of Downtown Ladies: Informal Commercial Importers, a Haitian Anthropologist and Self-Making in Jamaica and Why Haiti Needs New Narratives: A Post-Quake Chronicle. Her first book of poetry, "Because When God Is Too Busy: Haïti, me & THE WORLD is based on her one-woman spoken-word performance, which she has presented throughout the US and abroad.
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Because When God Is Too Busy - Kevin Brownlow
There was dirt. Heaping piles rested alongside rectangular holes deeply dug into the ground in a faraway room adjacent to a temple with a long entryway barricaded with overlapping rows of barbed wire and cacti. We had come from the city
When I was young, I took part in a ritual that I can barely recall. I was never meant to speak of it. Part of its protective potency was in the silence that shrouded a too sickly, gangly body too often under siege.
Decades later, I participated in a reinvention of this ritual with a new priest in a different town. I didn’t need healing. He wanted me there in the room so I could observe and learn. I was much older, healthier, an anthropologist.
It took a while for me to sew the handmade cotton vest. Did I have one all those years ago? Red on one side and black on the other. Thick strips of white juxtaposed over each other to make slightly crooked crosses. I did not have to pay, but he had specific directives:
You need to do the digging. Learn other languages. Do more research. Read. Keep doing the work that will take you back to see where this will lead you. No one likes to speak of this. Just keep reading and then tell them everything.
According to an old tale, A woman who had become barren came to Judas the Pious for counsel; the mystic should succeed where medicine was powerless! He told her that nothing would help except that she be forgotten like a corpse moldering in the earth. To carry out his prescription he had her children place her in a grave; and then armed men, hired for this purpose, make a sudden attack upon them so that they were frightened and ran away, completely forgetting their mother. She arose of the grave, newborn, and in short order proved the efficacy of the remedy. The symbolic internment and rebirth freed her from the misfortune that was her lot in what had now become her previous existence.
I grew up under a dictatorship. I have a complicated relationship with silence.
Sleeping Temple
Peristil an Dòmi
l’ap kraze
pa kite li kraze pitit
pa kite li tonbe
ranje li epi kite peristil la dòmi
Peristil an Dòmi
(Sleeping Temple)
l’ap kraze
pa kite li kraze pitit
pa kite li tonbe
ranje li epi kite peristil la dòmi
(It’s breaking down
don’t let it break child
don’t let it fall
fix it and let the temple sleep)
Because When God Is Too Busy
The Hair Poem
When are you going to go natural, girlfriend?
Dreads
to her
they were the essence of being cool
the essence of being black
the essence of being woman
to her they were the essence of being a cool blakk woman
Revolutionary Commodity
what exactly constitutes one’s blackness
i’ve always wanted to ask
a black woman struggling
to carve out herself, myself, a sense of self, a me
with straightened, permed, colonized hair
what exactly constitutes one’s blackness
i want to ask
i