Everand Logo

Welcome to Everand!

  • Discover millions of ebooks, audiobooks, and so much more with a free trial

    From $11.99/month after trial. Cancel anytime.

    Always Coming Home: A Novel
    Always Coming Home: A Novel
    Always Coming Home: A Novel
    Ebook972 pages11 hours

    Always Coming Home: A Novel

    By Ursula K. Le Guin and Shruti Swamy

    ()

    Switch to audiobook
    Read preview

    About this ebook

    “One of [Le Guin's] most radical novels. . . . A study in what a complete and utter rejection of capitalism and patriarchy might look like—for society and for the art of storytelling."—The Millions

    Reissued for a new generation of readers, Always Coming Home is Ursula K. Le Guin’s magnificent work of imagination, a visionary, genre-crossing story about a future utopian community on the Northern California coast, hailed as “masterly” (Newsweek), “hypnotic” (People) and “[her] most consistently lyric and luminous book” (New York Times). This new edition features an introduction by Shruti Swamy, author of A House is a Body, as well as illuminating extra material that includes interviews and liner notes to the book's musical soundtrack.

    Midway through her career, Le Guin embarked on one of her most detailed, impressive literary projects, a novel that took more than five years to complete. Blending story and fable, poetry, artwork, and song, Always Coming Home is this legendary writer’s fictional ethnography of the Kesh, a people of the far future living in a post-apocalyptic Napa Valley.

    Having survived ecological catastrophe brought on by relentless industrialization, the Kesh are a peaceful people who reject governance and the constriction of genders, limit population growth to prevent overcrowding and preserve resources, and maintain a healthy community in which everyone works to contribute to its well-being. This richly imagined story unfolds through a series of narrated “translations” that illuminate individual lives, including a woman named Stone Telling, who travels beyond the Valley and comes to reside with another tribe, the patriarchal Condor people. With sharp poignancy, Le Guin explores the complexities of the Kesh’s unified society and presents to us—in exquisite detail—their lives, histories, adventures, customs, language, and art. 

    In addition to poems and folk tales, Le Guin created verse dramas, records of oral performances, recipes, and even an alphabet and glossary of the Kesh language. The novel is illustrated throughout with drawings by artist Margaret Chodos and includes a musical component—original recordings of Kesh songs that Le Guin collaborated on with composer Todd Barton—bringing this utterly original and compelling world to life.

    LanguageEnglish
    PublisherHarperCollins
    Release dateJun 27, 2023
    ISBN9780063274716
    Author

    Ursula K. Le Guin

    Ursula K. Le Guin (1929–2018) was a celebrated author whose body of work includes twenty-three novels, twelve volumes of short stories, eleven volumes of poetry, thirteen children’s books, five essay collections, and four works of translation. The breadth and imagination of her work earned her six Nebula Awards, seven Hugo Awards, and SFWA’s Grand Master, along with a PEN/Malamud Award and many others. In 2014, she was awarded the National Book Foundation's Medal for Distinguished Contribution to American Letters, and in 2016, she joined the short list of authors to be published in their lifetimes by the Library of America.

    Read more from Ursula K. Le Guin

    Related to Always Coming Home

    Related ebooks

    Science Fiction For You

    View More
    View More

    Related podcast episodes

    Related articles

    • UNLIMITED

      'Provenance': A Cozy Mystery Set In Ann Leckie's 'Ancillary' Universe

      Sep 27, 2017

      In this standalone novel, Ann Leckie returns to the world of her award-winning Ancillary trilogy with a different mission — a cozy mystery about the theft of some politically sensitive antiques.

      2 min read

    • UNLIMITED

      THE WD INTERVIEW N.K.Jemisin

      Mar 20, 2019

      THE WD INTERVIEW N.K.Jemisin
      8 min read

    • UNLIMITED

      The Future Is Coming, That’s a Fact: Mattilda Bernstein Sycamore and Sarah Schulman in Conversation

      Jan 2, 2019

      What happened to the dream of the city as the place where you meet everyone you never imagined? Of queerness as ending borders rather than creating them. The post The Future Is Coming, That’s a Fact: Mattilda Bernstein Sycamore and Sarah Schulman in

      8 min read

    • UNLIMITED

      Solarpunk Magazine

      Jul 9, 2022

      THE WORD “SOLARPUNK” REFERS TO a genre of speculative fiction informed by equity, community, optimism, and – frequently – the natural world; think Frank Herbert’s Dune and Octavia Butler’s Parable of the Sower. Solarpunk Magazine is a bimonthly publi

      3 min read

    • UNLIMITED

      Books

      Feb 6, 2023

      Dorothy Tse’s debut novel, Owlish, is a fantastic if discomforting work of art. In scintillant prose (as translated by Natascha Bruce from the original Chinese), Tse conjures up the figure of Professor Q , a middle-aged man wearied by his dreary life

      3 min read

    • UNLIMITED

      The City Of Dusk

      Mar 23, 2022

      RELEASED OUT NOW! 576 pages | Hardback/ebook/audiobook Author Tara Sim Publisher Hodder & Stoughton City Of Dusk is deceptive; it starts off relatively fluffy and ends elbows-deep in blood. It’s told from the perspectives of a number of characters, t

      1 min read

    • UNLIMITED

      So Many Different Worlds

      Jun 8, 2021

      On the evening of the accident Ganesan was on a bus from the office in Fort, heading in the direction of the National Cancer Institute in Maharagama. The bus was making its way in starts and stops, accelerating and braking as the driver tried, ruthle

      19 min read

    • UNLIMITED

      Lover of Cars

      Sep 12, 2023

      all those Stingers Jaguars Tiguans Fiat 500sand San Remo Green Beemer i4s I love allthose model numbers numb-sexy like cashmerethrown over a dinosaur skeleton like a robot’skiss I fell asleep watching an Audi documentaryand dreamt of a low low R8 sco

      1 min read

    • UNLIMITED

      A Poet’s Craft

      Jan 1, 2020

      To begin with a definition: A poem is a text structurally constrained by the repetition of any language element(s). The continuum of poetic constraint is extensive, stretching from operations that a reader will find completely imperceptible to overwh

      9 min read

    • UNLIMITED

      The Poetry Of Perseverance

      Aug 15, 2018

      The Poetry Of Perseverance
      11 min read

    • UNLIMITED

      The Art of Poetry No. 115

      Dec 5, 2023

      The Art of Poetry No. 115
      27 min read

    • UNLIMITED

      Getting Stuck In

      Mar 3, 2022

      Getting Stuck In
      4 min read

    • UNLIMITED

      Our Moment of Collective Rupture: The Millions Interviews Edie Meidav

      Jun 13, 2022

      "I wanted the story to behave as a kind of Aeolian harp, a moment being played as if wind on strings." The post Our Moment of Collective Rupture: The Millions Interviews Edie Meidav appeared first on The Millions.

      5 min read

    • UNLIMITED

      A Year in Reading: Mamta Chaudhry

      Dec 23, 2020

      At a time when I’m housebound and only my imagination is free to roam, it is head-spinning to read the phrase, “if our life is vagabond our memory is sedentary” and wonder if in our ceaseless rush forward, these are days, too, that will be indelibly

      4 min read

    • UNLIMITED

      Art’s Reflection

      Jul 1, 2021

      Art’s Reflection
      4 min read

    • UNLIMITED

      Love Is Not a Destination: The Millions Interviews Kaveh Akbar

      Jul 21, 2021

      Without some physiological sublimation of the inert font into a living poem—whether via breath or the movement of ocular muscles along a line, fingers across Braille—the poem remains ink on a page. If a poem augurs any holiness, it begins in the body

      6 min read

    • UNLIMITED

      What Form Can Hold

      Jan 1, 2024

      If poetry is, at least in part, a quest for form, then form is a poem’s architecture. The words of a poem may be its raw materials—the wood, the stone, the glass—but form is the magic that makes it possible to enter inside those word shelters, to fin

      13 min read

    • UNLIMITED

      Lingering Memories

      Aug 5, 2021

      Lingering Memories
      4 min read

    • UNLIMITED

      Regarding the Em Dash

      Jan 4, 2018

      Punctuation, largely invisible and insignificant for normal people, as it should be, is a highly personal matter for writers.  Periods, commas, colons, semi-colons:  in their use or non-use and in their order and placement, can represent elaboration,

      6 min read

    • UNLIMITED

      A Year in Reading: Marie-Helene Bertino

      Dec 10, 2020

      Both books imagine then endanger tender, delicate bodies and listen only to their own strange pulses against the universe. The post A Year in Reading: Marie-Helene Bertino appeared first on The Millions.

      4 min read

    • UNLIMITED

      Alive In The Ice And Fire

      Nov 1, 2018

      A Conversation August, 2018 SUSAN STEWART As I read your books, including If You Have to Go, I am struck, as I’m sure any reader would be, by their existential immediacy. You write in time as you undergo time, taking up especially the unfolding of ev

      17 min read

    • UNLIMITED

      On Memory and Literature

      Jun 30, 2021

      Now we're all possessors of personal supercomputers that can instantly connect us to whole libraries — there can seem little sense to make iambs and trochees part of one's soul. The post On Memory and Literature appeared first on The Millions.

      18 min read

    • UNLIMITED

      Wide Open Brief

      May 4, 2023

      Wide Open Brief
      5 min read

    • UNLIMITED

      Clued Up

      Mar 4, 2021

      To mark the centenary of Agatha Christie’s The Mysterious Affair at Styles, which was published in America in 1920, Writing Magazine poets took up the challenge to write about her life and works, and what her books have meant to the reading and viewi

      4 min read

    • UNLIMITED

      Then Who Am I? The Millions Interviews Kathleen Hill

      Oct 19, 2017

      It’s sometimes when we’re most at sea, even desperate, that novels speak to us most strongly, as if our lives depend on learning something from them essential to our own survival. The post Then Who Am I? The Millions Interviews Kathleen Hill appeared

      6 min read

    Related categories

    Reviews for Always Coming Home

    0 ratings

    0 ratings0 reviews

    What did you think?

    Tap to rate

    Review must be at least 10 words

      Book preview

      Always Coming Home - Ursula K. Le Guin

      Stone Telling

      Part One

      STONE TELLING IS my last name. It has come to me of my own choosing, because I have a story to tell of where I went when I was young; but now I go nowhere, sitting like a stone in this place, in this ground, in this Valley. I have come where I was going.

      My House is the Blue Clay, my household the High Porch of Sinshan.

      My mother was named Towhee, Willow, and Ashes. My father’s name, Abhao, in the Valley means Kills.

      In Sinshan babies’ names often come from birds, since they are messengers. In the month before my mother bore me, an owl came every night to the oak trees called Gairga outside the windows of High Porch House, on the north side, and sang the owl’s song there; so my first name was North Owl.

      High Porch is an old house, well-built, with large rooms; the beams and frame are redwood, the walls of adobe brick and plaster, the flooring oak, the windows of clear glass in small square panes. The balconies of High Porch are deep and beautiful. The great-grandmother of my grandmother was the first to live in our rooms, on the first floor, under the roof; when the family was big they needed the whole floor, but my grandmother was the only one of her generation, and so we lived in the two west rooms only. We could not give much. We had the use of ten wild olives and several other gathering trees on Sinshan Ridge and a seed-clearing on the east side of Wakyahum, and planted potatoes and corn and vegetables in one of the plots on the creek southeast of Adobe Hill, but we took much more corn and beans from the storehouses than we gave. My grandmother Valiant was a weaver. When I was a small child she had no sheep in the family, and so gave most of what she wove for wool to weave more. The first thing I remember of being alive is that my grandmother’s fingers moved across the warp of the loom, forth and back, a silver crescent bracelet shining on her wrist below the red sleeve.

      The second thing I remember is that I went up to the spring of our creek in the fog in early morning in the winter. It was my first time as a Blue Clay child to dip up water for the new-moon wakwa. I was so cold I cried. The older children laughed at me and said I had spoiled the water by crying into it. I believed them, and began to bawl because I had spoiled the water. My grandmother was officiating, and she told me the water was all right, and let me carry the moon-jar all the way back to town; but I bawled and snivelled all the way, because I was cold and ashamed and the jar of spring water was cold and heavy. I can feel that cold and wet and weight now in old age, and see the dead arms of manzanita black in fog, and hear the voices laughing and talking before me and behind me on the steep path beside the creek.

      I go there, I go there.

      I go where I went

      Crying beside the water.

      It goes there, it goes there,

      The fog along the water.

      I did not spend much time crying; maybe not enough. My mother’s father said, Laugh first, cry later; cry first, laugh later. He was a Serpentine man from Chumo, and had gone back to that town to live with his mother’s people. That was all right with my grandmother. She said once, Living with my husband is like eating unleached acorns. But she went down to visit him from time to time in Chumo, and he would come and stay with us in the hills in summer, when Chumo was baking like a biscuit down on the Valley floor. His sister Green Drum was a famous Summer dancer, but his family never gave anything. He said they were poor because his mother and grandmother had given everything in past years putting on the Summer dances at Chumo. My grandmother said they were poor because they didn’t like working. They may both have been right.

      The only other human people directly in my family lived in Madidinou. My grandmother’s sister had gone there to live, and her son had married a Red Adobe woman there. We often visited, and I played with my second cousins, a girl and boy called Pelican and Hops.

      Our family animals when I was a small child were himpi, poultry, and a cat. Our cat was black without a white hair, handsome, mannerly, and a great hunter. We traded her kittens for himpi, so that for a while we had a big pen of himpi. I looked after them and the chickens, and kept cats out of the runs and pens down under the lower balconies. When I began staying with the animals I was still so small that the green-tailed cock frightened me. He knew it, and would come at me jerking his neck and swearing, and I would scramble over the divider into the himpi run to escape him. The himpi would come out and sit up and whistle at me. They were a comfort to me, even more than kittens. I learned not to name them, and not to trade them alive for eating, but to kill quickly those I traded, since some people kill animals without care or skill, causing fear and pain. I cried enough to suit even my grandfather, after the night a sheepdog went amok and got into the run and slaughtered every himpi but a few nestlings. I could not speak to a dog for months after that. But it turned out well for my family, since the sheepdog’s people gave us a ewe in lamb to make up for the loss of our himpi. The ewe bore twin ewe lambs, and so my mother was a shepherd again, and my grandmother had family wool to spin and weave.

      I do not remember learning to read and dance; my grandmother was teaching me from before the time I began to speak and walk. When I was five I began going to the heyimas with the other Blue Clay children, mornings, and later I studied with teachers in the heyimas and in the Blood, Oak, and Mole Lodges; I learned the Salt Journey; I studied a little with the poet Ire, and a long time with the potter Clay Sun. I was not quick to learn, and never considered going to a school in one of the great towns, though several children of Sinshan did so. I liked learning in the heyimas, taking part in a structure larger than my own knowledge, in which I could find relief from feelings of fear and anger which unaided I could not understand or get past. Yet I did not learn as much as I might have done, but always hung back, and said, I can’t do that.

      Some of the children, illmeaning or ignorant, called me Hwikmas, half-House. I had also heard people say of me, She is half a person. I understood this in my own way, badly, since it was not explained to me at home. I had not the courage to ask questions at the heyimas, or to go where I might have learned about matters outside the little town of Sinshan, and begun to see the Valley as a part of a whole as well as a whole. Since neither my mother nor her mother spoke of him, in the first years of my life all I knew of my father was that he had come from outside the Valley and had gone away again. This meant to me only that I had no father’s mother, no father’s House, and therefore was a half-person. I had not even heard of the Condor people. I had lived eight years before we went to the hot springs in Kastoha-na to treat my grandmother’s rheumatism, and in the common place there saw men of the Condor.

      I will tell that journey. It was a small journey many years ago. It is a journey of the still air.

      We got up in the darkness of a morning about a month past the World Dance. I gave some meat I had saved to the black cat Sidi, who was growing old. I had thought she would be hungry while we were away, and the thought had worried me for days. My mother told me, You eat that. The cat will catch what she needs! My mother was stern and reasoning. My grandmother said, The child is feeding her soul. Let be.

      We put out the hearthfire and left the door open a little for the cat and the wind. We went down the stairs under the last stars; the houses looked like hills in the darkness, dark. Out on the common place it seemed lighter. We crossed the Hinge and went to the Blue Clay heyimas. Shell was waiting for us there; she was a member of the Doctors Lodge and had treated my grandmother’s pain, and they were old friends. They filled the water basin and sang the Return together. When we came up into the dancing place the light was beginning. Shell came back across the Hinge with us and through town, and after we crossed the bridge over Sinshan Creek we all squatted there under the live oaks and pissed, and said, Go well! Stay well! laughing. That was how Lower Valley people used to do when they left on a journey, but only old people remember it now. Then Shell went back and we went on past the barns, between the creeks, across Sinshan Fields. The sky above the hills across the Valley began to be yellow and red; where we were in the middle the woods and hills were green; behind us Sinshan Mountain was blue and dark. So we walked in the arm of life.* Birds were singing their different songs in the air, in the trees, and in the fields. As we came to Amiou path and turned northwest to face Grandmother Mountain, the southeast mountains let go the sun’s edge, white. Now I walk that way in that light.

      My grandmother Valiant felt well and walked easily that morning, and she said, Let’s go and see our family in Madidinou. So we went that way, towards the sun, and came there along Sinshan Creek, where the wild and domestic geese and ducks were feeding and talking in great numbers in the cattail marshes. I had been to Madidinou many times, of course, but this time the town looked altogether different, since I was on a journey beyond it. I felt serious and important, and did not want to play with my Red Adobe cousins, though they were the children I loved best. My grandmother visited awhile with her daughter-in-law—her son died before my birth—and her grandchildren’s stepfather, and then we went on our way, crossing the plum and apricot orchards to the Old Straight Road.

      I had been past and across the Old Straight Road with my Madidinou cousins, but now I was going to walk on it. I felt important but awed, and whispered heya for the first nine steps. People said it was the oldest work of hands in all the Valley, that nobody knew how long there had been a road there. Parts of it were indeed straight, but other parts went curving off towards the River and then came back to the straight. In the dust were marks of feet, sheep’s hooves, donkeys’ hooves, dogs’ paws, people’s feet shod, people’s feet bare, so many tracks of feet that I thought they must be all the tracks of all the people that had ever walked on the road for fifty thousand years. Great Valley oaks stood along the sides of the road to give windbreak and shade, and in places elms, or poplars, or huge white eucalyptus so vast and twisted that they looked older than the Road; but it was so wide that even the morning shadows did not reach across it. I thought that because it was so old, it had to be wide; but my mother explained that it was wide because the big flocks of the Upper Valley went along it to the saltgrass prairies at the Mouths of the Na after the World, and came back up-valley after the Grass, and some of those flocks were of a thousand sheep or more. They had all gone by, and we met only a couple of dungcarts following after the last of them, with a group of shitty and raucous adolescents from Telina shovelling up dung for the fields. They called all sorts of jokes at us, and my mothers replied laughing, but I hid my face. There were some other travellers on the road, and when they greeted us, again I hid my face each time; but once they were past I stared after them and asked so many questions, who are they? where are they coming from? where are they going?, that Valiant began to laugh at me and answer me with jokes.

      Himpí

      Because she was lame we went slowly, and because it was all new to me the way seemed immensely long to me, but by midmorning we came through the vineyards to Telina-na. I saw that town rise beside the Na, the great barns, the walls and windows of its houses among the oaks, the roofs of the heyimas, high-stepped, red and yellow around the bannered dancing place, a town like a bunch of grapes, like a cock pheasant, rich, elaborate, amazing, beautiful.

      My grandmother’s half-sister’s son was living in Telina-na in a Red Adobe household, and that family had sent word to us to stay with them on our way. Telina was so much bigger than Sinshan that I thought there was no end to it, and that household was so much bigger than ours that I thought there was no end to them. Actually there were only seven or eight, living in the ground floor of Hardcinder House, but other relatives and friends kept coming and going, and there was so much working and talking and cooking and bringing and taking that I thought this household must be the wealthiest in the world. They heard me whisper to my grandmother, Look! There are seven cooking-pots! They all laughed at that. I was ashamed at first, but they kept repeating what I had said and laughing with so much good nature that I began saying things to make them laugh more. After I said, This household is huge, like a mountain! my half-uncle’s wife Vine said, Come and live with us awhile in this mountain, then, you North Owl. We have seven pots but no daughter. We need one! She meant that; she was the center of all that giving and taking and flowing, a generous person. But my mother did not let the words come to her, and my grandmother smiled but said nothing.

      That evening my Red Adobe cousins, Vine’s two sons and some other children of the household, took me all around Telina. Hardcinder House is one of the inner houses of the left-hand common place. In the center place a horse race was going on, a wonder to me who had never dreamed of a common place big enough to hold a horse race on. I had not seen many horses, for that matter; in Sinshan it was donkey races in a cow pasture. The course was around the place leftwards, reverse, and back around rightwards to make the heyiya-if. People were up in the balconies and out on the roofs with oil and battery lamps, betting and drinking and shouting, and the horses ran through shadow and flashing lights, turning as fast as swallows, the riders yipping and yelling. Over in some balconies of the right-hand place people were singing, getting ready for the Summer dancing,

      "Two quail run,

      Two quail rise . . ."

      Over in the dancing place they were singing down in the Serpentine heyimas, too, but we only went by there on the way to the River. Down among the willows there where the lights from the town made a little gleaming among the shadows, couples had come away to enjoy privacy. We children sneaked around looking for them in the willow thickets, and when we found a couple my cousins would yell, Holy mole, there’s sand in the hole! or make rude noises, and the couple would get up swearing and come after us, and we would scatter and run. If those cousins of mine did that every warm night, there wasn’t much need for contraceptives in Telina. When we got tired we went back to the house and ate some cold beans and went to sleep on the balconies and porches. All night we heard them singing the Quail Song over the way.

      Next morning we three left early, though not before daybreak and a good breakfast. As we crossed the Na on the arched stone bridge, my mother held my hand. She did not do that often. I thought she did it because it was sacred to cross the River. I think now she was afraid to lose me. She thought she should let me stay in the rich town with those rich relatives.

      When we were away from Telina-na her mother said to her, For the winter, perhaps, Willow?

      My mother said nothing.

      I did not think anything about it. I was happy, and talked the whole way to Chumo about the wonderful things I had seen and heard and done in Telina-na. All the time I talked my mother held my hand.

      We came into Chumo hardly knowing we had come into it, the houses are so scattered out and hidden among trees. We were to spend the night at our heyimas there, but first we went to visit my grandmother’s husband, my mother’s father. He had a room of his own with some of his Yellow Adobe relatives in a single-story house under oaks in sight of the creek, a pretty place. His room, which was his workroom, was large and dank. Up till then I had always known my grandfather by his middle name, Potter, but he had changed his name: he told us to call him Corruption.

      I thought that was a crazy name, and being puffed up by the laughter of the family in Telina when I made jokes, I said to my mother, pretty loudly, Does he stink? My grandmother heard and said, Be quiet. It’s nothing to joke about. I felt bad and foolish, but my grandmother didn’t seem to be cross with me. When the other people of the house had gone back to their rooms, leaving us with my grandfather in his room, she said to him, What kind of name have you let come to you?

      He said, A true name.

      He looked different from the way he had looked the summer before in Sinshan. He had always been gloomy and complaining. Nothing was ever right, and nobody ever did things right except himself, although he never did anything much, because the time wasn’t right. Now he still looked grim and sour, but he behaved with importance. He said to Valiant, There’s no use going to the hot springs for a cure. You’d do better staying home and learning how to think.

      How do you learn that? she asked.

      He said, You have to learn that your pains and aches are merely an error in thinking. Your body is not real.

      I think it’s real, Valiant said, and she laughed and slapped her hips.

      Like this? Corruption said. He was holding the wooden paddle he used to smooth the outside of the big clay storage jars he made. The paddle was carved of olive wood, as long as my arm and a handspan wide. He held it up in his right hand, brought his left hand up towards it, and passed it through his left hand. It went through muscle and bone like a knife through water.

      Valiant and Willow stared at the paddle and the hand. He motioned to them to let him do the same thing to them. They did not put up their hands; but I was curious, and wanted to go on having attention paid to me, so I held up my right arm. Corruption reached out the paddle and passed it through my arm between wrist and elbow. I felt the soft motion of it; it felt as a candle flame feels when you pass a finger through it. It made me laugh with surprise. My grandfather looked at me and said, This North Owl might come to the Warriors.

      It was the first time I had heard that word.

      Valiant said, and I could tell she was angry, No chance of that. Your Warriors are all men.

      She can marry one, said my grandfather. When the time comes she can marry Dead Sheep’s son.

      You can go do such-and-such with your dead sheep! Valiant said, which made me laugh again, but Willow touched her arm to quieten her. I don’t know whether my mother was frightened by the power her father had shown, or by the quarrelling between her father and mother; anyhow, she restored quiet behavior between them. We drank a glass of wine with my grandfather, and then we walked with him to the dancing place of Chumo and to the Blue Clay heyimas. We spent the night there in their guest room, the first night I had slept underground. I liked the silence and stillness of the air, but was not used to it, and kept waking in the night and listening, and only when I heard my mothers’ breathing could I sleep again.

      There were some other people Valiant wanted to see in Chumo, where she had lived when she learned tapestry weaving, and we did not leave that town till near noon. As we went along the northeast side of the River the Valley narrowed in, and the road went among orchards of olive, plum, and nectarine, among hills terraced with vines. I had never been so close to the Mountain, and it filled my eyes. When I looked back, I could not see Sinshan Mountain: its shape had changed, or other mountains of the southwest side had hidden it. That alarmed me. I finally spoke of it to my mother, who understood my fear, and reassured me that when we returned to Sinshan our mountain would be where it belonged.

      After we crossed the Wether Creek we could see the town of Chukulmas up in the hills across the Valley, its Fire Tower standing up by itself, built of colored stones, red, orange, and yellowish-white, patterned as finely as a basket or a snake. Cattle grazed in the yellow pasture-bays on the foothills, between the arms of the woods. On the narrowed, flat floor of the Valley were many wineries and fruit-drying sheds, and the orcharders from Chukulmas were putting up summerhouses. Beside the Na the dark mills loomed among the oaks, their wheels making a sound you could hear for a long way. Quail were calling the three-note call and larks went up from the fields and the buzzards turned very high up. The sunlight was clear, the air was still.

      My mother said, This is a day of the Ninth House.

      My grandmother said only, I’ll be glad to get to Kastoha. Since we left Chumo she had been silent and walked lame.

      There was a feather on the way before my mother’s feet, a grey-barred, blue wing-feather of a jay. It was the answer to what she had said. She picked it up and held it as she walked. She was a small woman, round-faced, with fine hands and feet, barefoot that day, wearing old buckskin trousers and a sleeveless shirt, carrying a little backpack, her hair braided and coiled, a blue feather in her hand. So she walks in the sunlight in the still air.

      Shadows were coming across the Valley from the western hills when we came to Kastoha-na. Valiant saw the roofs above the orchards and said, Aha, there’s Granny’s Twat! Old people used to call Kastoha that, because it is between the spread legs of the Mountain. Hearing it called that, I had imagined the town to be set among fir and redwood trees and to be a cave, dark and mysterious, with the River running out of it. When we came across the Na Bridge and I saw it was a big town like Telina only bigger yet, with hundreds of houses, and more people than I knew were in the world, I began crying. Maybe it was shame that made me cry, because I saw how silly I had been to think that a town could be a cave; maybe I was frightened or tired from all I had seen in the days and nights of our journey. Valiant took my right arm in her hands and felt it and looked at it. She had not done that after Corruption had put the paddle through it; nothing at all had been said about that. He’s an old fool, she said now, and so am I. She took off the silver crescent bracelet which she always wore, and slipped it over my hand onto my right arm. There, she said. It won’t fall off, North Owl.

      She was so thin that the crescent was only a little large for my small arm; but that was not what she meant. I stopped crying. In the lodging house by the hot springs that night I slept, but while I slept I knew all night that the moon was on my arm, under my head.

      On the next day I saw the Condor for the first time. Everything in Kastoha-na was strange to me, everything was new, everything was different from home; but as soon as I saw those men I knew that Sinshan and Kastoha were all one thing, the same thing, and this was a different thing.

      I was like a cat that scents a rattlesnake or a dog that sees a ghost. My legs got stiff, and I could feel the air on my head because my hair was trying to stand up. I stopped short and said in a whisper, What are they?

      My grandmother said, Men of the Condor. Men of no House.

      My mother was beside me. She went forward very suddenly and spoke to the four tall men. They turned to her, beaked and winged, looking down at her. My legs went weak then and I wanted to piss. I saw black vultures stooping on my mother, stretching out their red necks, their pointed beaks, staring with eyes ringed with white. They pulled things out of her mouth and belly.

      She came back to us and we walked on towards the hot springs. She said, He’s been in the north, in the volcano country. Those men say the Condor are coming back. They knew his name when I said it, they said he is an important person. Did you see how they listened when I said his name? My mother laughed. I had never heard her laugh that way.

      Valiant said, Whose name?

      Willow said, My husband’s name.

      They had stopped again, facing each other.

      My grandmother shrugged and turned away.

      I tell you he’s coming back, my mother said.

      I saw white sparkles crowding all around her face, like flies of light. I cried out, and then I began to vomit, and crouched down. I don’t want it to eat you! I kept saying.

      My mother carried me back to the lodging house in her arms. I slept awhile, and in the afternoon I went with Valiant to the hot springs. We lay a long time in the hot water. It was brownish-blue and full of mud and smelled of sulphur, very disagreeable at first, but once you were in it you began to feel like floating in it forever. The pool was shallow, wide, and long, lined with blue-green glazed tiles. There were no walls, but a high roof of timbers; screens could be set against the wind. It was a lovely place. All the people there had come there for healing, and talked only quietly, or lay alone in the water singing soft healing songs. The blue-brown water hid their bodies, so looking down the long pool you could only see heads resting on the water, leaning back against the tiles, some with eyes closed, some singing, in the mist that hung above the hot springs.

      I lie there, I lie there,

      I lie where I lay

      Floating in the shallow water.

      It floats there, it floats there,

      The mist above the water.

      The lodging house of the hot springs of Kastoha-na was our household for a month. Valiant bathed in the waters and went daily to the Doctors Lodge to learn the Copper Snake. My mother went alone up onto the Mountain, to the Springs of the River, to Wakwaha, and on to the summit in the tracks of the mountain lion*. A child could not spend all day in the hot pool and the Doctors Lodge, but I was afraid of the crowded common places of the big town, and we had no relatives in the houses, so I stayed mostly at the hot springs and helped with the work. When I learned where the Geyser was I went there often. An old man who lived there and guided visitors about the heya place and sang the story of the Rivers Underground used to talk to me and let me help him. He taught me a Mud Wakwa, the first song I received for myself. Not many people even then knew that song, which must be very old. It is in an old form, sung alone with a two-note wooden drum, and most of the words are matrix, so it is no good for writing. The old man said, Maybe the people of the Sky Houses sing this one when they come to bathe at the mud-baths here. Inside the matrix at one place in the song the other words come out and say:

      From the edges inward to the middle,

      Downward, upward to the middle,

      All these have come in here,

      They are all coming in here.

      I think the old man was right, and it is an Earth song. It was my first gift and I have given it to many.

      Keeping out of the town, I saw no more men of the Condor, and I forgot them. After a month we went home to Sinshan in time to dance the Summer dances; Valiant was feeling well, and we walked down the Valley to Telina-na in one morning and then on to Sinshan in the evening. When we got to the bridge across Sinshan Creek I was seeing everything backwards. The hills in the north were where the south hills should be, the houses on the right hand were where the houses on the left should be. Even inside our house it was like that. I went around all the places I knew finding everything turned around. It was strange, but I enjoyed the strangeness, though I hoped it would not remain. In the morning when I woke up with Sidi purring in my ear, everything was where it belonged, north in the north and left to the left, and I have never seen the world backwards again, or only for a moment.

      After the last of the Summer was danced we went up to our summerhouse, and there Valiant said to me, North Owl, in a few years you will begin to be a woman, bleeding woman’s blood, and last year you were only a grasshopper, but here you are now in the middle, a good place, your clearwater years. What do you want to do in this place?

      I thought about it for a day and told her, I want to go up in the tracks of the lion.

      She said, Good.

      My mother did not ask or answer. Since we came back from Kastohana she was always as if listening for a word, listening far away, holding still.

      So my grandmother made me ready to go. For nine days I ate no meat, and for the last four of the nine I ate only raw food, once a day at midday, and drank water four times a day in four drafts. Then I woke up early, before light, and got up, and took the pouch with gifts in it. Valiant was sleeping but I thought my mother was lying awake. I whispered heya to them and to the house and went out.

      Our summerhouse was in a meadow up in the hills over Hard Canyon Creek, a mile or so upstream from Sinshan. We had gone there for the summers of all my life with a family of Obsidian people of Chimbam House, mingling our sheep; there was good pasture for them up the hills, and the creek ran right through to the rains, most years. The name of the meadow was Gahheya, for the big blue serpentine heyiya rock in the northwest part of it. As I left I went past that rock Gahheya. I was going to stop and speak to it, but it was speaking to me; it said, Don’t stop, go on, go high, before the sun. So I went on up across the high hills, walking while it was still dark, running when it began to be light, and I was on the high ridge of Sinshan Mountain when the earth’s curve and the sun’s curve parted. I saw light fall on the southeast side of all things, and the darkness turn away across the sea.

      After singing heya there I walked along the ridge of the mountain from northwest to southeast, following deer paths through the chaparral and making my own way where the underbrush was thinner under the fir and pine forests, not going quickly but very slowly, stopping all the time and listening and looking for directions and signs. The whole day long I kept worrying about where I would sleep the night. I crossed and recrossed the ridges of the mountain, always thinking, I must find a good place, I must come to a good place. No place seemed to be good. I said to myself, It should be a heya place. You’ll know it when you come to it. But what I was really holding in my mind without thinking about it was the puma and the bear, wild dogs, men from the coast, strangers from the beach country. What I was looking for was a hiding place. So I walked all day long, and every time I stopped anywhere, I was trembling.

      Having gone above the springs, I was thirsty when it got dark. I ate four seed-pollen balls from my gift pouch, but after eating I felt thirstier and a little sick. Dusk had come up onto the mountain before I had found the place I couldn’t find, so I had stayed where I was, in a hollow under some manzanita trees. The hollow seemed to shelter me, and manzanitas are pure heyiya. I sat a long time there. I tried to sing heya but did not like the sound of my voice alone there. I lay down at last. Whenever I moved at all, the dry manzanita leaves shouted, Listen! She’s moving! I tried to lie still, but the cold kept making me curl up; it was cold up there, with the wind bringing a sea fog in over the mountain. Fog and night did not allow me to see, though I kept staring into the dark. All I could see was that I had wanted to come up on the mountain and had expected to do everything right, to walk in the tracks of the lion, but instead I had come to nothing and had spent all day running away from lions. That was because I had not come up here to be the lion but to show the children who called me a half-person that I was a better person than they were, that I was a brave and holy eight-year-old. I began to cry. I pushed my face into the dirt among the leaves and cried into the dirt, the mother of my mothers. So with my tears I made a small salt mud place up on that cold mountain. That made me think of the song that had come to me from the old man at the Geysers, the Mud Wakwa, and I sang it in my mind. It helped me some. So the night went on being. Thirst and cold did not let me sleep and weariness did not let me wake.

      As soon as light began to come, I went down from the ridge to find water, going down through thick brush in one of the canyonheads. It was a long way I went before a spring let me find it. It was in a maze of canyons, and I got turned around, and when I came up onto the ridges again I was in between Sinshan Mountain and She Watches. I went on up till I came to a big bald foothill, from which I could look back and see Sinshan Mountain facing me from the wrong side, the outside. I was outside the Valley.

      I kept going all that day as I had the day before, walking slowly and stopping, but my mind was changed. It was not thinking, yet it was clear. All I said to myself was, Try to be on a way that goes around this mountain She Watches without going down or up much, and so come back to this bald place on this hill. There was a good feeling on that hill, where the wild oats were bright pale yellow in the sunlight. I thought I would find it again. So I went on. Everything that came to me I spoke to by name or by saying heya, the trees, fir and digger pine and buckeye and redwood and manzanita and madrone and oak, the birds, blue jay and bushtit and woodpecker and phoebe and hawk, the leaves of chamise and scrub oak and poison oak and flowering thorn, the grasses, a deer’s skull, a rabbit’s droppings, the wind blowing from the sea.

      Over there on the hunting side there were not many deer willing to come close to a human being. Deer came to my eyes five times, and once the coyote came. To the deer I said, I give you what blessing I can, Silent Ones, give me what blessing you can! The coyote I called Singer. I had seen the coyote skulking at lambing time, and stealing from the summerhouse, and dead, a bit of dirty fur, all my life, but I had not seen her in her House.

      She was standing between two digger pines about twenty feet from me, and she walked forward to see me better. She sat down, with her tail around her feet, and gazed. I think she could not figure out what I was. Maybe she had never seen a child. Maybe she was a young coyote and had never seen a human person. I liked the look of her, lean and neat, the color of wild oats in winter, with light eyes. I said, Singer! I will go your way! She sat there gazing and seeming to smile, because the coyote’s mouth goes in a smile; then she stood up, stretched a little, and was gone—like a shadow. I could not see her go, so I could not go her way. But that night she and her family sang coyote wakwa near me half the night. The fog did not come in that night; the darkness stayed mild and clear, and all the stars revealed themselves. I felt light, lying at the side of a small clearing under old bay laurel trees, looking up at the star patterns; I began to float, to belong to the sky. So Coyote let me come into her House.

      The next day I came back to the wild-oats hill that let me see the wrong side of Sinshan Mountain, and there emptied out my pouch and gave the place my gifts. Without crossing the hill to close the circle, I went back down into the canyons between the mountains, intending to go around Sinshan Mountain from the southeast, and so complete the heyiya-if. In the canyons I got lost again. A creek led me on because the going was easy alongside it, and all the sides of its gully were steep and thick with poison oak. I kept going on down it, and I do not know where I came to. The name of those canyons is Old Fox Hollows, but nobody I asked later, hunters and Bay Lodge people, had ever seen the place I came to on that creek. It was a long, dark pool where the creek seemed to have stopped running. Around the pool grew trees I have not seen anywhere else, with smooth trunks and limbs and triangular, slightly yellow leaves. The water of the pool was speckled and drifted with those leaves. I put my hand into the water and asked it for direction. I felt power in it, and it frightened me. It was dark and still. It was not the water I knew, not the water I wanted. It was heavy, like blood, and black. I did not drink from it. I squatted there in the hot shade under those trees beside the water and looked for a sign or a word, trying to understand. On the water something came towards me: the waterskater. It was a big one, moving quickly on its shining hollows in the skin of the water. I said, I give you what blessing I can, Silent One, give me what blessing you can! The insect stayed still awhile there between air and water, where they meet, its place of being, and then it slid away into the shadow of the banks of the pool. That was all there. I got up, singing heya-na-no, and found a way up past the poison oak to the top of the gully, and then got through Old Fox Hollows to Back Canyon, and so onto my own mountain in the heat of the late afternoon of midsummer, the crickets yammering like a thousand bells and the blue jays and black-crested jays shouting and swearing at me all through the woods. That night I slept sound under live oaks on the side of my mountain. The next day, the fourth, I made feather wands with the feathers that had come to me while I walked and sticks of the live oaks, and at a little seeping spring among rocks and roots at a canyonhead I made as much of the Wakwa of the Springs as I knew. After that I started going home. I got to Gahheya about the time the sun set, and came to the three-walled summerhouse. Willow was not there; Valiant was spinning in front of the house, by the hearth. Well! she said. You’d better go have a bath, maybe?

      I knew she was very glad I was safe home, but she was laughing because I had forgotten to wash after making the wakwa, being in a hurry to get home and eat. I was all sweat and mud.

      Walking down to Hard Canyon Creek I felt old, as if I had been away longer than four days, longer than the month in Kastoha-na, longer than the eight years of my life. I washed in the creek, and came back up the meadow in the twilight. Gahheya Rock was there, and I went to it. It said, Now touch me. So I did, and so came home. I knew something had come to me that I did not understand, and maybe did not want, from that strange place, the pool and the waterskater; but the hinge of my walk had been the golden hill; the coyote had sung to me; and so long as my hand and the rock touched each other I knew that I had not gone wrong, even if I had come to nothing.

      Because I had only one grandmother and grandfather in the Valley, a Blue Clay man called Ninepoint had asked to be side-grandfather to me. As I was about to be nine years old, he came over from their summerhouse in Bear Creek Canyon to teach me the songs of the Fathers. Soon after that we went back with him to Sinshan to make ready to dance the Water, while the Obsidian family at Gahheya looked after the sheep. This was the first time I had gone back to town in summer. Hardly anybody was there except Blue Clay people. Singing and doing heyiya all day long in the town that was empty and open, I began to feel my soul opening out and spreading out with the other souls of the dancers to fill the emptiness. The water poured out from the bowl of blue clay, and the songs were streams and pools in the great heat of summer. The other Houses came in from the summering, and we danced the Water. At Tachas Touchas their creek had gone dry, so they came up from there to dance with us, those that had relatives going to them and the others camping in Sinshan Fields or sleeping on balconies. With so many people there, the dancing never stopped, and the Blue Clay heyimas was so full of singing and power that touching the roof of it was touching a lion. It was a great wakwa. By the third and fourth days of it people in Madidinou and Telina had heard about the Water in Sinshan and came up to join. On the last night the balconies were full of people, and the heyiya-if filled the whole dancing place, and in the sky the heat lightning danced in the southeast and the northwest, and you could not tell the drums from the thunder, and we danced the Rain down to the sea and up to the clouds again.

      A Five-Post Summerhouse

      Between the Water and the Wine one day I met my Red Adobe cousins from Madidinou to pick blackberries at Hatchquail Rock. The patches had all been picked over and not many berries were there for us, so Pelican and I were wild dogs and Hops was the hunter, and we hunted each other through those tight thorny paths between the blackberry brambles. I waited till Hops came past my hiding place, and leapt out at him from behind, barking loudly, and knocked him flat. It knocked the wind out of him and he was cross for a while, until I whined and licked his hand. Then we all three sat and talked a long time. He said, There were some people with bird’s heads came through our town yesterday.

      I said, What do you mean, feather gatherers?

      He said, No, men with heads like birds—buzzards or vultures—black and red.

      Pelican began shouting, "He didn’t see them, I saw them, but I began to feel scared and sick. I said, I have to go home now," and went off. My cousins had to run after me with the basket of berries I had picked. They went back to Madidinou and I went through Sinshan Fields across Hechu Creek; I was near the wineries when I looked up and saw a bird in the sky in the southwest, gyring. I thought it was a buzzard, but saw that it was bigger than a buzzard, that it was the great one. Nine times it turned in the air above my town, and then completing the heyiya-if flew gliding slowly into the northeast, over me. Its wings, each one longer than a person is tall, never moved; only the long feather-fingers of the wing-ends tilted in the wind. When it was gone over Red Cow Hill I went hurrying on to Sinshan. There were a lot of people on the balconies, and in the common place some Obsidian people were drumming up their courage. I went to High Porch House, into our second room, and hid behind the rolled-up beds in the dark corner. I believed I was the one the condor was looking for.

      My mother and grandmother came in, not knowing I was there, and talked. I told you he’s coming! my mother said. He’ll come and find us here! She spoke angrily and joyfully, as I had never heard her speak.

      May it not happen! my grandmother said, angry without joy.

      At that I came out of the dark corner and ran to my grandmother, crying, Don’t let it come! Don’t let it come find us!

      My mother said, Come to me, Condor’s Daughter.

      I went partway, and stopped. I stood between them, and said, That is not my name.

      My mother was still for two breaths, and then said, Don’t be afraid. You’ll see.

      She began setting out food to cook supper, as if nothing had happened or was happening. Valiant took her wood drum and went down to our heyimas. People drummed in all the heyimas, that evening.

      It was in the last great heat of the year, and people were out on the balconies for the cool after dark. I heard people talking about the condor. Agate, the Librarian of the Madrone, began to say a recital piece called The Flight of the Great One, which he had made from an old written record by a Finder in the library; it told of the Inland Sea and the Range of Light, the Omorn Sea and the Range of Heaven, the deserts of sage and the prairies of grass, the Mountain of the North and the Mountain of the South, all as the condor would see them flying. Agate’s voice was beautiful, and when he read or told one listened and entered into space and quietness. I wished he would speak all night. When the telling was done there was silence for a while; then people began to talk quietly again. Neither Valiant nor Willow was there. People did not notice me, and so they spoke of the Condor as they would not have done in the presence of my family.

      Shell was waiting for my grandmother to come back from the heyimas. She said, If those people are coming back, this time we should not let them stay in the Valley.

      They’re in the Valley already, Hound said. They won’t go. They are here to have a war.

      Nonsense, Shell said, don’t talk like a boy, at your age.

      Hound, like Agate, was an educated person, who often travelled to Kastoha-na and Wakwaha to read and talk with other scholars. He said, Blue Clay Woman, the reason I say that is that I have talked with men of the Warrior Lodge in the Upper Valley, and what are warriors but people who make war? And these are our own people, Five-House people of the Valley of the Na, these Warriors. But they have been talking and lending their minds to Condor people, for ten years now, in those towns.

      Old Cave Woman, whose last name had come to her when she went blind, said, Hound, do you mean these Condor people are sick, that they have their heads on crooked?

      He said, Yes, I mean that.

      Somebody farther down the balcony asked, Are they all men, as people say?

      Hound said, All that come here are men. Armed.

      Shell said, But listen here, they can’t go around smoking tobacco day after day, year after year, that’s nonsense! If some men in those big towns up-Valley want to act like boys of fifteen and run around playing war, what’s that to us here? All we have to do is just tell the foreigners to keep moving on.

      Mouse Dance, who was then speaker of my heyimas, said, They can do us no harm. We walk the gyre.

      Hound said, And they the wheel, and the power builds!

      Keep to the gyre, Mouse Dance said. He was a kind, strong man. I wanted to listen to him, not to Hound. I was sitting back against the wall of the house, because I felt like staying under the eaves, out of sight from the sky. Between my feet something was lying on the floor of the balcony; in the starlight it looked like a bit of stick or string. I picked it up. It was dark, stiff, thin, and long. I knew what it was: it was the word I must learn to speak.

      I got up and took it to Cave Woman and pushed it into her hand, saying, Take this, please, it’s for you, because I wanted to be rid of it, and Cave Woman was very old, wise, and weak.

      She felt it and then held it out towards me. She said, North Owl, keep it. It was spoken to you. Her eyes looked straight through me in the starlight that was the inside of a cave to her. I had to take the feather back.

      She spoke more kindly then. She said, Don’t be afraid. Your hands are a child’s hands, they are running water through the wheel. They don’t hold, they let go, they make clean. Then she began to rock her body, and closed her blind eyes, and she said, Heya, Condor’s Daughter, in the dry land, think of the creeks running! Heya, Condor’s Daughter, in the dark house, think of the blue clay bowl!

      I am not Condor’s Daughter! I said. The old woman just opened her eyes and laughed and said, It seems the condor says you are.

      I turned to go indoors, upset and ashamed, and Cave Woman said, Keep the feather, child, till you can give it back.

      I went into our rooms and put the black feather into the lidded basket Willow had made for me to keep hehole and remembering things in. Seeing it in the lamplight, dead black, longer than an eagle feather, I began to feel proud that it had come to me. If I had to be different from other people, then let my difference be notable, I thought.

      My mother was at the Blood Lodge, my grandmother was at the heyimas. Through the southwest windows I heard the rain-sound of the drums. Through the northeast windows I heard the little owl speak in the oak trees: u-u-u-u-u-u-u. I went to sleep alone, thinking of the condor and listening to the owl.

      On the first day of the Wine, some Madidinou people came saying that a lot of Condor men were coming down into the Valley over the Mountain from Clear Lake. Ninepoint was going down with his family to pick in the Great Shipa vineyards on the Valley floor, and I went to work with them. While we were picking, people came by saying that the Condor men were coming on the Old Straight Road, and we went there to see them pass. The image in my mind must be a memory, but it is like a wall-painting, bright, crowded, and unmoving: black and red condor-heads in rows, legs and hooves of big horses, gunstocks, wheels. In my mind’s image the wheels do not turn.

      When we got back to Sinshan the wakwa was beginning, and by sunset the drinking was well along. Yellow Adobe people were laughing and dancing in the common place, and starting to make whip heyiya-ifs, and people of the other Houses were drinking to catch up. Some children joined in the whips, but they soon became more roughhouse than dance, and most of us with first names went up into the balconies to watch the adults get wild. Dada of Old Red House, who was adult but could not think well, came with us. I had never watched the Wine very long before; it had scared and bored me. Now, being nine, I was ready to see it. What I saw was the Reversal. Everybody I knew had become somebody I did not know. The common place was white with moonlight and bonfires and floodlights and crowded with the dancing and the whips and the people clowning. A lot of the adolescents were playing throw-the-pole, and were up and down ladders and stairs and all over the roofs and balconies and in the trees, like shadows, laughing and calling. An Obsidian doctor, Peak, a shy, solemn man, had gone to his heyimas and got one of the big penises that the Blood Clowns use in the Moon dances, and he had strapped it on and was running around poking it at all the women from behind. He shoved it at Corntassel, and she clapped her legs together on it and jumped forward: the strap broke, Peak fell flat on his face, and she ran off with the big penis yelling, I got the doctor’s medicine! I saw Agate talking very loud, and dignified Shell dusty and stumbling about after falling off the end of a whip, and my grandmother Valiant dancing with a bottle of wine.

      Then the first of the Doumiadu ohwe came out of the Yellow Adobe heyimas and across the Hinge, uncoiling and uncoiling as it came till its winged head was three times a person’s height and swayed above the lights and fires. Everyone held still as

      Enjoying the preview?
      Page 1 of 1
      pFad - Phonifier reborn

      Pfad - The Proxy pFad of © 2024 Garber Painting. All rights reserved.

      Note: This service is not intended for secure transactions such as banking, social media, email, or purchasing. Use at your own risk. We assume no liability whatsoever for broken pages.


      Alternative Proxies:

      Alternative Proxy

      pFad Proxy

      pFad v3 Proxy

      pFad v4 Proxy