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    The Babylonian Legends of Creation
    The Babylonian Legends of Creation
    The Babylonian Legends of Creation
    Ebook125 pages2 hours

    The Babylonian Legends of Creation

    By E.A. Wallis Budge

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    Babylonian religion is the religious practice of Babylonia. Babylonia's mythology was greatly influenced by its Sumerian counterparts and was written on clay tablets inscribed with the cuneiform script derived from Sumerian cuneiform. The myths were usually either written in Sumerian or Akkadian. Some Babylonian texts were translations into Akkadian from Sumerian of earlier texts, but the names of some deities were changed.

    Sir Ernest Alfred Thompson Wallis Budge (27 July 1857 – 23 November 1934) was an English Egyptologist, Orientalist, and philologist who worked for the British Museum and published numerous works on the ancient Near East. He made numerous trips to Egypt and the Sudan on behalf of the British Museum to buy antiquities, and helped it build its collection of cuneiform tablets, manuscripts, and papyri. He published many books on Egyptology, helping to bring the findings to larger audiences. In 1920, he was knighted for his service to Egyptology and the British Museum.
    LanguageEnglish
    PublisherPasserino
    Release dateOct 4, 2023
    ISBN9791222456386
    The Babylonian Legends of Creation

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      Book preview

      The Babylonian Legends of Creation - E.A. Wallis Budge

      Discovery Of The Tablets

      The baked clay tablets and portions of tablets which describe the views and beliefs of the Babylonians and Assyrians about the Creation were discovered by Mr. (later Sir) A.H. Layard, Mormuzd Rassam and George Smith, Assistant in the Department of Oriental Antiquities in the British Museum.

      They were found among the ruins of the Palace and Library of Ashur-bani-pal (B.C. 668-626) at Ḳuyûnjiḳ (Nineveh), between the years 1848 and 1876. Between 1866 and 1870, the great find of tablets and fragments, some 20,000 in number, which Rassam made in 1852, was worked through by George Smith, who identified many of the historical inscriptions of Shalmaneser II, Tiglath-Pileser III, Sargon II, Sennacherib, Esarhaddon, and other kings mentioned in the Bible, and several literary compositions of a legendary character, fables, etc.

      In the course of this work he discovered fragments of various versions of the Babylonian Legend of the Deluge, and portions of several texts belonging to a work which treated of the beginning of things, and of the Creation. In 1870, Rawlinson and Smith noted allusions to the Creation in the important tablet K.63, but the texts of portions of tablets of the Creation Series at that time available for study were so fragmentary that it was impossible for these scholars to find their correct sequence. During the excavations which Smith carried out at Ḳuyûnjiḳ in 1873 and 1874 for the proprietors of the Daily Telegraph and the Trustees of the British Museum, he was, he tells us, fortunate enough to discover several fragments of the Genesis Legends.

      In January, 1875, he made an exhaustive search among the tablets in the British Museum, and in the following March he published, in the Daily Telegraph (March 4th), a summary of the contents of about twenty fragments of the series of tablets describing the creation of the heavens and the earth. In November of the same year he communicated to the Society of Biblical Archaeology 1 copies of:--(1) the texts on fragments of the First and Fifth Tablets of Creation; (2) a text describing the fight between the Gods and Chaos; and (3) a fragmentary text which, he believed, described the Fall of Man. In the following year he published translations of all the known fragments of the Babylonian Creation Legends in his Chaldean Account of Genesis (London, 1876, 8vo, with photographs). In this volume were included translations of the Exploits of Gizdubar (Gilgamish), and some early Babylonian fables and legends of the gods.

      Publication Of The Creation Tablets

      The publication of the above-mentioned texts and translations proved beyond all doubt the correctness of Rawlinson’s assertion made in 1865, that certain portions of the Babylonian and Assyrian Legends of the Creation resembled passages in the early chapters of the Book of Genesis. During the next twenty years, the Creation texts were copied and recopied by many Assyriologists, but no publication appeared in which all the material available for reconstructing the Legend was given in a collected form. In 1898, the Trustees of the British Museum ordered the publication of all the Creation texts contained in the Babylonian and Assyrian Collections, and the late Mr. L. W. King, Assistant in the Department of Egyptian and Assyrian Antiquities, was directed to prepare an edition.

      The exhaustive preparatory search which he made through the collections of tablets in the British Museum resulted in the discovery of many unpublished fragments of the Creation Legends, and in the identification of a fragment which, although used by George Smith, had been lost sight of for about twenty-five years. He ascertained also that, according to the Ninevite scribes, the Tablets of the Creation Series were seven in number, and what several versions of the Legend of the Creation, the works of Babylonian and Assyrian editors of different periods, must have existed in early Mesopotamian Libraries.

      King’s edition of the Creation Texts appeared in Cuneiform Texts from Babylonian Tablets in the British Museum, Part XIII, London, 1901. As the scope of this work did not permit the inclusion of his translations, and commentary and notes, he published these in a private work entitled, The Seven Tablets of Creation, or the Babylonian and Assyrian Legends concerning the creation of the world and of mankind, London, 1902, 8vo. A supplementary volume contained much new material which had been found by him since the appearance of the official edition of the texts, and in fact doubled the number of Creation Texts known hitherto.

      The Object Of The Babylonian Legend Of The Creation

      A perusal of the texts of the Seven Tablets of Creation, which King was enabled, through the information contained in them, to arrange for the first time in their proper sequence, shows that the main object of the Legend was the glorification of the god Marduk, the son of Ea (Enki), as the conqueror of the dragon Tiâmat, and not the narration of the story of the creation of the heavens, and earth and man.

      The Creation properly speaking, is only mentioned as an exploit of Marduk in the Sixth Tablet, and the Seventh Tablet is devoted wholly to the enumeration of the honorific titles of Marduk.

      It is probable that every great city in Babylonia, whilst accepting the general form of the Creation Legend, made the greatest of its local gods the hero of it. It has long been surmised that the prominence of Marduk in the Legend

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