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Strike/Slip
Strike/Slip
Strike/Slip
Ebook70 pages

Strike/Slip

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About this ebook

In this extraordinary collection from one of our most celebrated poets, Don McKay walks the strike-slip fault between poetry and landscape, sticks its strange nose into the cold silence of geologic time, meditates on marble, quartz and gneiss, and attends to the songs of ravens and thrushes and to the clamour of the industrialized bush. Behind these poems lies the urge to engage the tectonics of planetary dwelling with the rickety contraption of language, and to register the stress, sheer and strain — but also the astonishment — engendered by that necessary failure.
LanguageEnglish
Release dateAug 20, 2013
ISBN9781551994062
Strike/Slip
Author

Don McKay

Don McKay has published eight books of poetry. Among his many awards are the Governor General’s Award in 1991 (for Night Fields) and in 2000 (for Another Gravity). He was shortlisted for the 2005 Griffin Poetry Prize for Camber and was the Canadian winner in 2007 for Strike/Slip. Born in Owen Sound, Ontario, Don McKay has been active as an editor, creative writing teacher, and university instructor, as well as a poet. He lives in Newfoundland.

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  • Rating: 4 out of 5 stars
    4/5
    Nature lovers and geology geeks will love this collection of poems.

Book preview

Strike/Slip - Don McKay

PETRIFIED –

your heart’s tongue seized

mid-syllable, caught by the lava flow

you fled. Fixed,

you stiffen in the arms of wonder’s dark

undomesticated sister. Can’t you name her

and escape? You are the statue

that has lost the entrance into art,

wild and incompetent,

you have no house. Who are you?

You are the crystal that picks up

its many deaths.

You are the momentary mind of rock.

LOSS CREEK

He went there to have it

exact. The broken prose of the bush roads.

The piles of half-burnt slash. Stumps

high on the valley wall like sconces

on a medieval ruin. To have it tangible.

To carry it as load rather than as mood

or mist. To heft it – earth measure,

rock measure – and feel its raw drag without phrase

for the voice or handle for the hand.

He went there to hear the rapids curl around

the big basaltic boulders saying

husserl husserl, saying I’ll

do the crying for you, licking the schists

into flat skippable discs. That uninhabited laughter

sluicing the methodically shorn valley.

He went there to finger the strike/slip

fissure between rock and stone between Vivaldi’s

waterfall and the wavering note a varied thrush

sets on a shelf of air. Recognizing the

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