Discover millions of ebooks, audiobooks, and so much more with a free trial

From $11.99/month after trial. Cancel anytime.

Don't Tell Anybody the Secrets I Told You: A Memoir
Don't Tell Anybody the Secrets I Told You: A Memoir
Don't Tell Anybody the Secrets I Told You: A Memoir
Ebook240 pages3 hours

Don't Tell Anybody the Secrets I Told You: A Memoir

Rating: 4 out of 5 stars

4/5

()

Read preview

About this ebook

NEW YORK TIMES BESTSELLER • The iconic singer-songwriter and three-time Grammy winner opens up about her traumatic childhood in the Deep South, her years of being overlooked in the music industry, and the stories that inspired her enduring songs in this “bracingly candid chronicle” (The Wall Street Journal).
 
“[Williams’s] memoir transmutes the wisdom, pain, and hard-won joy of her life into stories that stick with you.”—Vogue

A WASHINGTON POST AND ROLLING STONE BEST BOOK OF THE YEAR

Lucinda Williams’s rise to fame was anything but easy. Raised in a working-class family in the Deep South, she moved from town to town each time her father—a poet, a textbook salesman, a professor, a lover of parties—got a new job, totaling twelve different places by the time she was eighteen. Her mother suffered from severe mental illness and was in and out of hospitals. And when Williams was about a year old, she had to have an emergency tracheotomy—an inauspicious start for a singing career. But she was also born a fighter, and she would develop a voice that has captivated millions.

In Don’t Tell Anybody the Secrets I Told You, Williams takes readers through the events that shaped her music—from performing for family friends in her living room to singing at local high schools and colleges in Mexico City, to recording her first album with Folkway Records and headlining a sold-out show at Radio City Music Hall. She reveals the inspirations for her unforgettable lyrics, including the doomed love affairs with “poets on motorcycles” and the gothic southern landscapes of the many different towns of her youth, including Macon, Lake Charles, Baton Rouge, and New Orleans. Williams spent years working at health food stores and record stores during the day so she could play her music at night, and faced record companies who told her that her music was not “finished,” that it was “too country for rock and too rock for country.”  But her fighting spirit persevered, leading to a hard-won success that spans seventeen Grammy nominations and a legacy as one of the greatest and most influential songwriters of our time.

Raw, intimate, and honest, Don’t Tell Anybody the Secrets I Told You is an evocative reflection on an extraordinary woman’s life journey.
LanguageEnglish
PublisherCrown
Release dateApr 25, 2023
ISBN9780593136508
Author

Lucinda Williams

Lucinda Williams is an iconic rock, folk and country music singer, songwriter and musician. She is a three-time Grammy Award winner and 17-time nominee. She has also won two Americana Awards and been nominated twelve times. Williams was named ‘America’s best songwriter’ by Time magazine and one of the ‘100 Greatest Songwriters of All Time’ by Rolling Stone.

Related to Don't Tell Anybody the Secrets I Told You

Related ebooks

Personal Memoirs For You

View More

Related articles

Reviews for Don't Tell Anybody the Secrets I Told You

Rating: 3.7941176470588234 out of 5 stars
4/5

34 ratings4 reviews

What did you think?

Tap to rate

Review must be at least 10 words

  • Rating: 5 out of 5 stars
    5/5
    Good, Maybe This Can Help You,
    Download Full Ebook Very Detail Here :
    https://amzn.to/3XOf46C
    - You Can See Full Book/ebook Offline Any Time
    - You Can Read All Important Knowledge Here
    - You Can Become A Master In Your Business
  • Rating: 4 out of 5 stars
    4/5
    I hadn't heard of this singer/songwriter, but my husband had. I wanted to read this memoir as it had great reviews. Her story is interesting, how she bucked the norm and fought for her artistry. She makes no excuses for leading the life of a rock and roll star, the sex, drugs, and drinking. She discusses how she wanted control over her music and the sound produced. Her gamble eventually paid off, although in the male dominated world of the record industry, it was quite a struggle.
    She also overcame childhood trauma due to her mother's mental illness and the need for acceptance from her father. I am glad she has finally found true love with her husband and is honored for her unique work.
    Interesting life, quick read.
  • Rating: 4 out of 5 stars
    4/5
    This is not your typical autobiography mainly because Lucinda Williams is one of a kind and lived a tumultuous life. Raised having two ministers as grandfathers, (one liberal and one the opposite) a mentally ill alcoholic mother and a very liberal and tolerant father, she learns to be a survivor with a rebellious streak which she brings to her music. Then there are the men - dozens of flings mainly with bad boy types she mostly regrets later.Ultimately she powers through and writes this memoir from a stable space,
  • Rating: 5 out of 5 stars
    5/5
    This memoir is as honest and no-frills as the songwriter herself. Her background, with a mother with mental illness and a neglectful father, sends Lucinda into the arms of many "poets on motorcycles", the good bad boys or bad good boys, who fill her songbook. She loves to travel, feels comfortable commuting between LA, Nashville, and New Orleans. She didn't come into her fame until her forties. The song lyrics she includes in the book are lyrical poems, and to hear them sung in her gravel hard voice is to feel how her heart beats along with yours.

Book preview

Don't Tell Anybody the Secrets I Told You - Lucinda Williams

1

In the summer my father would drink gin and tonics. When I was a kid, he would say, Honey, can you go make me a drink? I knew how to pour gin into a shot glass and into the cocktail glass with ice and then pour in the tonic, add a piece of lime. Nobody back then thought there was anything bad about that. I remember reading an article about Eudora Welty describing how she would have one small glass of whiskey in the late afternoons before dinner. It was her little treat, a way of relaxing at the end of the day, having a cocktail. In the same manner, my dad and my stepmother, Jordan, who I called Momma Jordan or Momma J, would partake of a glass of wine or a cocktail at the end of the day, and my dad would open the day’s mail and we’d talk about current events or anything else. We’d sit in the sunroom off the living room. It was all glass and it felt like you were sitting outside. You could enjoy that room all year round because you didn’t have to worry about bugs but you could enjoy the natural light. In the winter it would be delightful because there was a potbelly heater out there to warm the room.

I had different experiences with my mother and her drinking. She was not a social drinker. She drank in private, a closet drinker. I didn’t realize this until I was around age eighteen when I was visiting my mother at her apartment in New Orleans and she came to the door slurring her words. For years she had always said it was her medications. I was used to seeing her like that. She had spent a lot of time in mental health hospitals and various therapy clinics and she was on medications. But it suddenly occurred to me on this visit with her in New Orleans that on top of that she was drinking heavily. I didn’t know she was an alcoholic until then.

Her maternal instincts or maternal abilities were taken from her by her mental illness. We were close until she passed away in 2004, but after a certain point I didn’t depend on her for anything. I learned at a very early age that I wouldn’t be getting from my mother what most kids get from their mothers, the stability and warmth and reliability and support. I never felt any pressure from her, either. I mean, she didn’t have that capacity.

Looking back on it, many of my traits that might be considered good traits came from her. She read everything. She played piano and she listened to good music. She loved Judy Garland and Erroll Garner and Ray Charles. She also introduced me to Joan Baez and Leonard Cohen. As I grew older and more aware of her mental illness, I began to compare her situation to that of Sylvia Plath and in many ways to Anne Sexton. Both Plath and Sexton committed suicide. My mother didn’t commit suicide, but she did check out in other ways, at least from the point of view of her children.

My mother was obsessed with psychotherapy and read every book about it that she could get her hands on. She was in therapy all the time and in and out of psychiatric hospitals. She had electroshock treatment back when they didn’t have the drugs for depression that we have now. She was on lithium and she hated it. Lithium had horrible side effects, like nausea and diarrhea and skin problems and weight gain and fatigue. Because of that she’d stop taking the pills. Then she would act out in a very hostile manner and my father would say, Oh, she’s not taking her medication. That’s a lot for a kid to deal with. Early in my life everything involving my mother revolved around hospitals and therapists and drugs.

I was always hearing comments from my father like Your mother’s not well, it’s not her fault, your mother’s not well, don’t be mad at your mother. I understood that. It was actually a sort of generous thing for him to say about her. But I was left without very much to grasp on to. I would think, Okay, my mother isn’t here for me. I understood that. It wasn’t easy. I had to pick my spots and pick my times when it was okay to engage her.


My mother’s name was Lucille Fern Day and she was born on December 31, 1930. Her parents were the Reverend Ernest Wyman Day and Alva Bernice Coon Day. She went by Lucy. Her father was a Methodist minister, so conservative you’d think he might have been Baptist. He was a hellfire-and-brimstone type of evangelical preacher. The Methodist Church moved him from town to town in Louisiana every two or three years. Both of my grandfathers were Methodist ministers, but my mother’s family was much more closed-minded. She had four brothers, three older and one younger. Her younger brother, Robert, died on his motorcycle coming home from World War II. That was before I was born. I always heard from my mother that he was the sensitive one in the family. He was a poet and, along with my mother, a musician. My little brother, Robert, was named after him.

Mom studied music but didn’t pursue a career in it. My understanding is that she started playing piano at the age of four. She fell in love with it. But music became her albatross, the piano was her albatross, because she wasn’t allowed or able to pursue it as a career. It became a symbol for what she could not do. Nobody in her family encouraged her to take it seriously. I’m not going to say that her inability to pursue a career in music caused her mental illness, or influenced it, because I think most of it was biochemical. But she struggled so much with not having a career in music. It affected her confidence or lack thereof.

My mother, Lucille Fern Day.

We had a piano in the house when I was growing up. After my parents divorced, Mama still had a piano with her wherever she lived. But the piano would come and go. It was a joy and a burden at the same time, a love-hate relationship. She would long for a piano and then get rid of it after a while. She never explained why and I didn’t ask. When those feelings overwhelmed her, she would get rid of the piano. Then a short time later she’d go out and get another one. It was back and forth; she couldn’t live with a piano or without a piano. She wasn’t like Bette Davis in one of those old movies, running around with smeared lipstick. Her mental illness was more understated and subtle and at the same time monumental.

My mother told me that when she was a kid, her family didn’t have plumbing and they used newspapers for wallpaper and insulation. They were all working-class and didn’t care about school or going to college. I don’t know how one sibling can be born into the same family as other siblings, and grow up the same way, and come out so different. She had an intellectual mind, read good books. It was a testament to her capabilities that she broke out and went to college and became a well-read person because none of her relatives were like that at all.

My mother met my father when she was studying music at LSU. My mother’s family hated my father. He was the literary poet guy. Although they were both church families, his family was liberal and open-minded. My mother wanted to be in a more progressive world and my father offered a way into it.

Later in my life my father told me certain things about my mother being sexually molested in horrifying ways by her father and one or more of her older brothers, repeatedly, when she was a youth. This was confirmed to me later by my sister, Karyn, who attended therapy sessions with my mother when she was older. Karyn didn’t tell me this for years and years and I don’t think she made the wrong decision to withhold it. Learning about this was unthinkably horrifying and upsetting, and I’m still trying to process it.

I have memories of my mother being happy, and of us being happy together. She had a great sense of humor. We would laugh at all sorts of things. But she would drift in and out of her illness like Sylvia Plath did. My father told me that she was once diagnosed as having manic depression with paranoid schizophrenic tendencies. Back then they didn’t have the medication we have now.

Mom talked about her psychiatric care and would quote passages from her psychology books and jot notes in the margins. She read Jung and she read that popular book from the 1960s I’m OK—You’re OK. She was very aware of her mental illness. After I moved away, we would talk on the phone for hours about psychology and the latest therapies. I learned so much from her.

She was sent into mental hospitals from time to time after she had nervous breakdowns. My father used to say that everything with her seemed fine when they were dating and before they got married. Then they got married and they didn’t have much money. My father was a struggling itinerant professor moving around and working at various colleges. This was in the early 1950s and my mother wasn’t working, because most women did all their work at home.

I was born on January 26, 1953, in Lake Charles, Louisiana. You could say that I was a born fighter. Like most people I don’t have a clear memory of my earliest years, but my father always told me that right from the beginning I had to fight. I was born with spina bifida, which is obviously not the best malady for someone who would go on to spend a couple of hours every night standing on a stage, but I’ve managed to overcome that just fine. As a young child I was often sick. When I was about one year old, my windpipe became blocked and I had an emergency tracheotomy. My father said it was touch and go, but I made it. I still have a visible scar from that procedure, and every time I look in a mirror, it’s a reminder of my difficult beginning and that it’s possible to grow stronger. My struggles continued for another couple of years. At one point I developed croup and had to be put in the hospital in one of those oxygen humidity tents, and then I was quarantined at home in another oxygen tent in my bedroom.

Things grew more difficult between my parents after I was born, and my father always said I got the worst of it. I was their first baby and the responsibilities caused all sorts of new stresses and new tensions. When I was very young, my mother would get in these hostile moods and nobody ever knew what caused it or triggered it. My brother, Robert, was born two years later and my sister, Karyn, two years after him.

For years, as both a teenager and an adult, whenever I was having my own problems, my dad would say to me, Well, honey, once when you were three years old, before your brother and sister were born, I came home from work and your mother had locked you in a closet because you were being a typical three-year-old and crying and she couldn’t handle it. That was his explanation for my troubles. He was intellectually minded and was really into Freud. So he was always analyzing things, and he would tell me that story as an explanation of how things were for me as a child. Mom wasn’t being mean, he’d say. She just couldn’t deal with it. She probably thought I was safer locked in the closet. When I think about it now, it sounds so horrible. How could a mother do that? But there was always my dad there to say, She can’t help it. It’s not her fault. She’s not well.

My mother used to tell me stories about how poor we were when I was a baby and toddler. She said she had to borrow bread from the neighbors to feed us. Also, they didn’t have a crib for me, so she pulled a drawer from a chest and turned that into my bed. Poverty put even more stress on my parents’ already fragile relationship.

If a child drops something on the floor, a healthy family would say, Oh, that’s okay, honey, we’ll clean it up. My mother would say, Goddamn it! Everybody was walking on eggshells around her. My dad wasn’t Mr. Perfect, either. He would get irritable and I never knew what kind of mood he was going to be in. Sometimes he would say things to me like If you keep doing that, I’m going to knock your teeth down your throat.

But I bonded with my father in a way that I might not have if my mother had been more stable, if she’d been more available to me emotionally. When my mother would be really bad off—yelling, screaming, cussing, throwing things at my dad or at the wall—he would take us out to play Putt-Putt or to see a drive-in movie, anything to get us out of the house. He took on the role of what a mother would do back in those times. Despite this, I didn’t grow up hating her, or feeling any kind of resentment, because of my dad always saying, It’s not her fault. She’s not well.

My father and me.

Recently my sister, Karyn, and I were looking at some old family pictures and out of the blue she brought up a memory of us playing Putt-Putt. I could not believe it. She’s four years younger than me, but she had the exact same memories of playing Putt-Putt with my father. That was a very powerful moment for me.

I’m seventy years old and I’m still working through a lot of this. I’ve held back from talking about my childhood over the decades of my life—I’ve written songs about it instead—because I think I came to think of it as normal. Okay, my mother is freaking out and yelling; my dad is in a bad mood today. I could tell that everybody was trying. And that seemed normal, the trying.

I still remember one of my favorite photographs of my father and me. I’m about two years old. We’re standing on the front steps of our house, and it looks like we were getting ready to go to church, or we had just come back from church, because he’s got his suit on, and I have a little dress and a little jacket on. It just has such a sweetness and innocence to it. The two of us are just on the front steps together. You can see we had this special bond. I had been so sick, and by the time I was born, my mother’s mental illness had started to rear its ugly head, so my father was taking care of me more and more.

Now that I’ve read a lot of psychology books and been through extensive therapy and self-education on mental illness and dysfunctional families, I realize that I didn’t have any way to recognize or deal with this trauma that happened to me. Kids will end up blaming themselves. All of that energy goes somewhere. You’re the little kid sitting in the locked closet, thinking and feeling, What did I do that was wrong? But then my dad was saying, It’s not her fault, she’s not well, you can’t be angry at your mother. What was I going to do with all that sadness and confusion and anger?

With my dad in front of our house.

Not long after we moved to Baton Rouge, when I was eight years old, I was sent to see a child therapist. I vaguely remember just sitting in a room with this woman, playing some kind of board game. My dad told me something like Well, we were concerned that maybe you were, you know…because of your mother’s illness. I don’t think I was acting out or anything. It was just a matter of precaution. We need to make sure everything’s good, he said. Maybe my mother was going through a particularly bad time and he feared I was being traumatized by it.

A couple of years ago, I was in a bar in New York and an older gentleman came up to me and asked me what I was working on. I said this book. He’d had something to do with the music business. He told me, Don’t write about your childhood. Nobody wants to read about that. Just write about your music. Just pick a part of your career to write about. But my childhood informs so many of my songs. Some listeners hear these memories and feelings in my songs. One woman came up to me after a show at the Dakota

Enjoying the preview?
Page 1 of 1
pFad - Phonifier reborn

Pfad - The Proxy pFad of © 2024 Garber Painting. All rights reserved.

Note: This service is not intended for secure transactions such as banking, social media, email, or purchasing. Use at your own risk. We assume no liability whatsoever for broken pages.


Alternative Proxies:

Alternative Proxy

pFad Proxy

pFad v3 Proxy

pFad v4 Proxy