Routine Art Co Series
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About this series
NB New colour paper edition! See new ISBN 978-1-870736-12-1 eBook still available as listed here.
This practical core of this book is a collection of about 200 exercises to experience basic human ability.
The senses pick up information in various media from outside and inside the body. They monitor what is
Titles in the series (1)
- Sense - Think - Act: 200 exercises about basic human ability
1
NB New colour paper edition! See new ISBN 978-1-870736-12-1 eBook still available as listed here. This practical core of this book is a collection of about 200 exercises to experience basic human ability. The senses pick up information in various media from outside and inside the body. They monitor what is
Stefan Szczelkun
Born in London post WW2 of displaced working class parents I grew up in the suburb of Shepperton. I studied architecture at Portsmouth before joining the Scratch Orchestra. I had some success as an author in the UK and USA with three books on basic life supports: Survival Scrapbooks: Shelter, Food and Energy. Whilst at college I ran the Portsmouth Arts Workshop after being inspired by the Drury Lane Arts Lab and came in contact with leading experimental artists of the day. I then researched the elements of human ability whilst working with New Dance Collective and wrote for their magazine 'New Dance'. During the Eighties I became a conventional artist moving from Mail art to drawing, printmaking and performance art. I was a founder member of the Brixton Artists Collective and gallery from 1983 -1987. Towards the end of the Eighties my work took a literary and theoretical turn in relation to identity politics. This resulted in: organising 'Working Press: books by and about working class artists' with Graham Harwood and writing three books on class and art; and co-curating a series of exhibitions with 'Bigos: artists of Polish Origin' that were supported by the Arts Council. At the beginning of the Nineties I had the chance to build my own house in Kennington, London, as part of a self-build co-op. I took an MA in Time-based Media to train in digital media skills. This was followed by a doctorate at the RCA 1997 - 2002 in which I attempted to evaluate my experience of artists collectives with a participant study of Exploding Cinema. At the same time I produced a series of DVD video collections on culture and democracy publishing them post 2002. I got a job teaching on an MA Visual Culture at Westminster University and then joined the Mute Magazine editorial team. This led to a variety of articles and blogs including the collaborative Agit Disco project, which became a book in 2012, and is ongoing as a performance. Since my doctoral research I have been activating the archives of my past collective activities. These have now been acquired by major public archives including: BFI Special Collections, National Art Library at the V&A, Tate Archive, University of the Creative Arts in Farnham, MayDay Rooms and the Museum of London. I currently live on the outskirts of South London and am married with a young daughter.
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