As a deadly virus which infects people who have loveless sex sweeps Paris, a lonely pariah attempts to steal a potent antidote, only to fall for the mistress of his partner-in-crime. Is the infectious young love the cure to the bad blood?

The theatrical life of a beautiful courtesan in 1830s Paris and the four men who love her.

Salem 1692. The young Abigail, seduced and abandoned by John Proctor, accuses John's wife of being a witch in revenge. It will be the beginning of a series of witchcraft trials and a dark moment in American history.

This movie tells the story of a group of right-wing cops have begun carrying out vigilante justice on drug dealers and other crime figures who might otherwise avoid punishment for their misdeeds. Police inspector Grindel (Delon) understands the feelings which motivate these deeds, but does not approve. However, he is not highly motivated to put an end to the group's activities until it begins to appear that they are now attacking fellow cops for reasons which are unclear. Grindel sets to work to uncover the culprits, and in a climactic scene, confronts his colleague Scatti

Rodolfe, Crown Prince of Austria, is fettered on all sides. He's bored; his father, the emperor, is domineering; his politics are more liberal than his father's, but he knows his views carry no weight. He agrees to marry a princess to sire an heir, then spends his nights as a playboy. In 1888, he meets Marie Vetsera, 17, a baroness' daughter. She is resolute, smitten, and wants nothing in return for her love. The Prime Minister is alarmed; he contrives to have her sent away. Rodolfe sinks into dissipation. When she returns, how will the lovers handle the opposition of society and their families? Can he find a way for them to be together?

D'Artagnan and his musketeer comrades must thwart the plans of Cardinal Richelieu to usurp King Louis XIII's power.

Philippe Clarence, a famous Parisian dressmaker, seduces his friend's fiancee. But, for the first time in his life, this is for real. The film is also a sharp picture of the fashion world.

French essay film focusing on global political turmoil in the 1960s and '70s, particularly the rise of the New Left in France and the development of socialist movements in Latin America.

Edmond Dantès, who was active in the resistance against the Nazis, is accused for being a Nazi collaborator and is imprisoned in the fortress of Sisteron.

Let Guitry take you down cause he's going to...Elysées Fields .

A philosophizing uninvited hitchhiker terrorizes a writer, who's selling dictionaries while he's struggling with writer's block.

The battle of the sexes as drawing room social satire. Philippe, a middle-aged newspaper editor, has lived for six years with Paulette, a successful stage actress. He tells her friend Claudine, a realistic and enterprising reporter, that he's thinking of proposing. Into the mix steps Carl Erickson, a charming Hollywood matinée idol in Paris briefly. He meets Paulette, sees her act (his box seat compliments of Philippe), and sets out to seduce her. The next two days bring talk, tears, separation, despair, surprises, and, perhaps, reconciliation as characters speak "exactly half the truth." It's a quadrille of changing partners.

Benjamin Déboisé, a hatter, his salesman and a young man want to kidnap an American millionaire, put him in a bag and hold him to ransom. But they make a mistake: the fellow they find in the bag is not the millionaire himself, but his son...!

The life of disorderly soldiers in the barracks dealing with daily routines.

Town trollop Safia, much against her better judgment, falls in love with Matteo, a beggar and mystic in the native quarter of Sirocco. She flees to France, first as the mistress and then wife of a wealthy archaeologist, and bears him Matteo's child, whom he believes to be his own. Complications arise years later when Matteo finds Safia, and a ring of blackmailers uncover her past and exposes her to her husband.

The "elusive Frederic",an imaginary thief, comes alive .

Making of the cinematographic shooting of "Premier de Cordée" directed by Louis Daquin in the Mont-Blanc massif. In 1943, Alain Pol accompanied a team of seventy people (directors, technicians, interpreters, guides and porters) who reached the high mountains. Leaving from Chamonix, they take the Montenvers train, cross the Mer de Glace and reach the Requin refuge. He films a risky adventure of cinema and mountaineering which is organized through the reliefs of the glaciers, the corridors and the highest points of the mountain. The images of the making-of reveal some of the adventures of the actors and technicians: rock falls in the corridors, crossing glaciers and long approach walks at altitude to the filming locations. On the images shot by Alain Pol, we also see the various members of the film crew (70 people in total) try their hand at abseiling with more or less confidence. Six actors and technicians will also be injured and the main role - that of Pierre - will be reassigned to André Le Gall (at ease rope in hand) following a bad fall by Roger Pigaut.