Barbara Murray(1929-2014)
- Actress
- Soundtrack
A self-assured and stylish actress, Barbara Murray was born into a showbusiness family, the daughter of actors and granddaughter of professional ballroom dancers. She was first thrust into the limelight as a six-year-old, dancing in the family variety act. Murray and her mother were evacuated to Wales upon the outbreak of World War II.
In the immediate aftermath of the war, she found work on stage scarce and instead made ends meet as a photographic model. However, at seventeen, she successfully auditioned with the Rank Company of Youth (famously dubbed the "Charm School"). She was offered a five-year contract at a salary of £10 a week to be groomed for B-movie stardom at a converted church hall next to Rank's two-stage Highbury Studio, under the tutelage of a formidable martinet named Mollie Terraine. Her fellow Charm School graduates included Christopher Lee and Diana Dors. Murray's theatrical and film debuts eventually coincided in 1949, the former in regional repertory at the Newcastle Playhouse, the latter in a bit part in Alexander Korda's Anna Karenina (1948). Higher-profile roles were soon to follow, first as Stanley Holloway's daughter in Ealing's seminal comedy Passport to Pimlico (1949), next as female lead in the crime drama Mystery Junction (1951).
Most of her professional life in the 1950s and 1960s was spent as a star of the stage, acting with the Royal Shakespeare Company and at the West End in classic plays, comedies and thrillers, opposite the likes of Peter O'Toole and John Mills. Having spurned an offer from Rank to renew her contract in 1952, she appeared less often in films, a noted exception being as Dirk Bogarde's romantic interest in Campbell's Kingdom (1957). Her television career, however, blossomed. Aside from guest roles in such varied popular series as Danger Man (1960), Department S (1969), The Rivals of Sherlock Holmes (1971), The Pallisers (1974) and Doctor Who (1963), she made TV history as the glamorous, fur-clad Lady Pamela Wilder in the high-octane boardroom drama The Power Game (1965).
Her last role of note was as the bitchy matriarch of The Bretts (1987), a dynasty of actors in 1920s London. Murray retired from acting in 2001 and lived the last years of her life in Spain.
In the immediate aftermath of the war, she found work on stage scarce and instead made ends meet as a photographic model. However, at seventeen, she successfully auditioned with the Rank Company of Youth (famously dubbed the "Charm School"). She was offered a five-year contract at a salary of £10 a week to be groomed for B-movie stardom at a converted church hall next to Rank's two-stage Highbury Studio, under the tutelage of a formidable martinet named Mollie Terraine. Her fellow Charm School graduates included Christopher Lee and Diana Dors. Murray's theatrical and film debuts eventually coincided in 1949, the former in regional repertory at the Newcastle Playhouse, the latter in a bit part in Alexander Korda's Anna Karenina (1948). Higher-profile roles were soon to follow, first as Stanley Holloway's daughter in Ealing's seminal comedy Passport to Pimlico (1949), next as female lead in the crime drama Mystery Junction (1951).
Most of her professional life in the 1950s and 1960s was spent as a star of the stage, acting with the Royal Shakespeare Company and at the West End in classic plays, comedies and thrillers, opposite the likes of Peter O'Toole and John Mills. Having spurned an offer from Rank to renew her contract in 1952, she appeared less often in films, a noted exception being as Dirk Bogarde's romantic interest in Campbell's Kingdom (1957). Her television career, however, blossomed. Aside from guest roles in such varied popular series as Danger Man (1960), Department S (1969), The Rivals of Sherlock Holmes (1971), The Pallisers (1974) and Doctor Who (1963), she made TV history as the glamorous, fur-clad Lady Pamela Wilder in the high-octane boardroom drama The Power Game (1965).
Her last role of note was as the bitchy matriarch of The Bretts (1987), a dynasty of actors in 1920s London. Murray retired from acting in 2001 and lived the last years of her life in Spain.
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