This is a fine debut for a top & unique silent film star. Considering Chaney's vocal accomplishment in the early torturous sound on film system, one wonders how Chaney would have faired a few years down the road in films like The Invisible Man with only his voice and no face whatsoever. Lon barely was able to make this remake as he was suffering from advanced stages of throat cancer and it shows on his face throughout the film. His face is gaunt and withdrawn which only adds to the oddness of the story. Thalberg most likely gave the go ahead for Lon to remake his 1925 silent hit as it was popular with the public and after five years he would have been still familiar with the story. Thus learning lines would have come a lot easier to the suffering and ultimately dying Chaney. Sound actually improves the story somewhat and indicates the same circus environment that Chaney's director friend would make two years down the road in Freaks. Browning had actually made the silent Unholy Three and the script or scenario must have not gathered too much dust when director Jack Conway did this sound remake. But Conway & Chaney scored a 1930 triumph and it's a shame Chaney had to die on the cusp of it.