Directed by
William A. Wellman |
Writing Credits (in alphabetical order)
George Sumner Albee | ... | (story) |
Kenneth MacKenna | ... | (story department head) (uncredited) |
Charles Schnee |
Cast (in credits order) verified as complete
Produced by
Dore Schary | ... | producer |
Music by
David Raksin |
Cinematography by
William C. Mellor | ... | director of photography (as William Mellor) |
Editing by
John D. Dunning | ... | (as John Dunning) |
Casting By
Leonard Murphy | ... | (uncredited) |
Art Direction by
Cedric Gibbons | ||
Eddie Imazu |
Set Decoration by
Edwin B. Willis |
Makeup Department
John Truwe | ... | makeup artist |
Jack Dawn | ... | makeup department head (uncredited) |
Sydney Guilaroff | ... | key hair stylist (uncredited) |
William Tuttle | ... | key makeup artist (uncredited) |
Production Management
Walter Strohm | ... | production manager |
Ruby Rosenberg | ... | unit manager (uncredited) |
Second Unit Director or Assistant Director
Fletcher Clark | ... | second assistant director (uncredited) |
Joel Freeman | ... | assistant director (uncredited) |
Bert Spurlin | ... | second-unit assistant director (uncredited) |
John Waters | ... | second unit director (uncredited) |
Art Department
Walter Fabel | ... | greens department head |
Ralph S. Hurst | ... | associate set decorator |
James Luttrell | ... | property master |
Chris Smith | ... | sign painter |
E.J. Willis | ... | property department head |
Fred Gabourie | ... | construction department head (uncredited) |
Jack Gaylord | ... | property shop head (uncredited) |
George Gibson | ... | scenic backings (uncredited) |
Henry Greutert | ... | head sculptor (uncredited) |
Richard Hendrickson | ... | assistant property master (uncredited) |
William Skamnes | ... | assistant set decorator (uncredited) |
Frank Wesselhoff | ... | painter (uncredited) |
Sound Department
Douglas Shearer | ... | recording supervisor |
Bill Edmondson | ... | sound second man (uncredited) |
Fred Faust | ... | sound stage man (uncredited) |
Ted Hoffman | ... | sound synchronization supervisor (uncredited) |
Harold Humbrock | ... | foley artist (uncredited) |
Conrad Kahn | ... | sound (uncredited) |
Scott Perry Sr. | ... | foley artist (uncredited) |
Michael Steinore | ... | sound effects editor (uncredited) |
Special Effects by
A. Arnold Gillespie | ... | process department head (uncredited) |
Irving G. Ries | ... | special optical effects (uncredited) |
Stunts
Jack Semple | ... | stunt double: James Whitmore (uncredited) |
Harry Woolman | ... | stunt double: James Whitmore (uncredited) |
Camera and Electrical Department
Bill Allen | ... | second-unit gaffer |
Zeb Bojarsky | ... | electrician |
Les Coleman | ... | second grip |
Joe Gabourie | ... | process grip |
Hal Marzorati | ... | rear-projection process director of photography |
William McConnell | ... | electrician |
Dan Powers | ... | process assistant |
A.C. Riley | ... | second-unit assistant camera |
J. Toney | ... | electrician |
John Arnold | ... | camera department head (uncredited) |
Robert King Baggot | ... | second assistant camera (uncredited) |
Frank Barnes | ... | grip department head (uncredited) |
Neal Beckner | ... | camera operator (uncredited) |
Lee Cannon | ... | electrician (uncredited) |
Harold Constable | ... | second-unit grip (uncredited) |
Max Fabian | ... | second-unit director of photography (uncredited) |
Ed Hubbell | ... | still photographer (uncredited) |
Frank Huszar | ... | electrician (uncredited) |
Matt Klosnick | ... | assistant camera (uncredited) |
Louis Kolb | ... | electrical department head (uncredited) |
Don Larson | ... | grip (uncredited) |
George Lasher | ... | second-unit gaffer (uncredited) |
Harold Lipstein | ... | director of photography: second unit (uncredited) / second-unit director of photography (uncredited) |
Leo Monlon | ... | grip (uncredited) |
John M. Nickolaus Jr. | ... | second-unit second camera (uncredited) |
C.A. Philbrick | ... | gaffer (uncredited) |
Howard Roberts | ... | best boy (uncredited) |
Carroll L. Shepphird | ... | process assistant (uncredited) |
Art Spang | ... | grip (uncredited) |
Gene Stout | ... | electrician (uncredited) |
Roy Strickland | ... | second-unit grip (uncredited) |
Casting Department
James Broderick | ... | casting assistant |
William Grady | ... | casting department head (uncredited) |
Costume and Wardrobe Department
Ida Loewen | ... | women's wardrobe |
Rhea Meunier | ... | women's wardrobe |
Bob Streeter | ... | wardrobe |
Florence Hackett | ... | wardrobe (uncredited) |
Sam Kress | ... | costume department head (uncredited) |
Editorial Department
Greydon Gilmer | ... | assistant editor |
Peter Ballbusch | ... | montage editor (uncredited) |
Margaret Booth | ... | supervising editor (uncredited) |
Location Management
Charles C. Coleman | ... | location manager (uncredited) |
Howard W. Horton | ... | location manager (uncredited) |
Music Department
Mike McLaughlin | ... | music mixer |
Alex Alexander | ... | musician: cello (uncredited) |
Robert Franklyn | ... | orchestrator (uncredited) |
Johnny Green | ... | conductor (uncredited) / music department head (uncredited) |
Wally Heglin | ... | orchestrator (uncredited) |
Virginia Majewski | ... | musician: viola (uncredited) |
Jack Marshall | ... | musician: guitar (uncredited) |
David Raksin | ... | conductor (uncredited) / orchestrator (uncredited) |
Uan Rasey | ... | musician: trumpet (uncredited) |
Si Zentner | ... | musician: trombone (uncredited) |
Script and Continuity Department
Milton Beecher | ... | writers department head |
Gloria Colone | ... | continuity department head |
Edith Farrell | ... | script department head |
Dorothy Pratt | ... | story analysis department head |
Marjorie Thorson | ... | story editor |
William J. Hole Jr. | ... | script supervisor (uncredited) |
Additional Crew
Lauren Amell | ... | footage estimator |
Ruth de Saxe | ... | legal research |
Ethel Eickhoff | ... | director's secretary |
Joe Finn | ... | budget manager |
William Golden | ... | preview manager |
Ike Isaacs | ... | stand-in |
Honore Janney | ... | footage estimator |
Mildred Kelly | ... | publicity analyst |
Barrett Kiesling | ... | publicist |
Stan Markham | ... | publicist |
Don McElwaine | ... | publicist |
James W. Merrick | ... | unit publicity manager |
George Nichols | ... | publicist |
L.K. Sidney | ... | publicist |
Al Simpson | ... | laborer |
Bill Spencer | ... | studio manager |
Howard Strickling | ... | publicist |
Dick Ames | ... | stand-in (uncredited) |
Lucy Ballentine | ... | producer's assistant (uncredited) |
Phoebe Campbell | ... | stand-in (uncredited) |
Bill Cartledge | ... | stand-in (uncredited) |
Merle Chamberlin | ... | projectionist (uncredited) |
Howard Dietz | ... | director of publicity (uncredited) |
Jack Harris | ... | stand-in (uncredited) |
Herman Hoffman | ... | publicity assistant (uncredited) |
Vinita Murdock | ... | stand-in (uncredited) |
John M. Nickolaus | ... | film laboratory head (uncredited) |
Cap Palmer | ... | publicity writer (uncredited) |
Leslie Petersen | ... | radio activity publicist (uncredited) |
Walter Reilly | ... | assistant to Dore Schary (uncredited) |
William F. Rodgers | ... | sales manager (uncredited) |
Bill Scully | ... | stand-in (uncredited) |
Henry Stone | ... | stand-in (uncredited) |
Ben Watson | ... | stand-in (uncredited) |
Dorothy Whalen | ... | stand-in (uncredited) |
Frank Whitbeck | ... | publicist (uncredited) |