In a sport that prizes quirkiness and treasures it's characters, one of the greatest of them from the 1930s was pitcher Dizzy Dean. He was so colorful a personality he was probably elected to the Baseball Hall of Fame on the strength of that as opposed to his pitching statistics. After all part of the Dean story is that early end to his career.

In the Pride of St. Louis Dan Dailey successfully captures the character of Dizzy Dean, at least the Dean I remember. I'm not old enough to remember him pitching, but I do remember him broadcasting Baseball Game of the Week during the 1960s. For that's part of the Dean story as well, being a pioneer broadcaster on radio and later television. Now that announcers are in the Hall of Fame, there's no question Dizzy belongs there.

Jerome Herman Dean was one of a tribe of sharecropper's kids who had very little schooling, but an amazing talent for throwing a baseball at blinding speed. In fact he had a younger brother Paul Dean who was a pretty good pitcher himself.

Richard Crenna plays Paul in this film and it's one of his earliest film roles. Paul Dean in real life was a quiet retiring sort who's career was also cut short by injuries. Because of that Crenna isn't given much to work with. During the Dean heyday, sportswriters tried to pin the nickname of Daffy on Paul, but it never took.

Joanne Dru, taking a break from playing, western gals in gingham dresses and corsets is first rate as the wise, patient, and understanding Patricia Nash who met and married Dizzy while he was playing for Houston in the Texas League.

In the 1937 All Star Game Dizzy started for the National League. Facing Cleveland's Earl Averill, Dean was hit on the foot by a line drive smack at him. Refusing to listen to medical advice, Dean came back to pitch too early. He'd broken a big toe and put too much of a strain on his arm. He was never the same pitcher and his refusal to accept that is part of the story.

Had he had a career of say ten to fifteen years who knows what pitching statistics he might have rolled up. Dean was the next to last pitcher to win 30 games in 1934 and after Denny McLain(who was something of a character himself)did it 1968 it hasn't been done since.

Dean went into broadcasting and while he was not the first former player to go into the broadcast booth, his colorful game descriptions made him an instant hit. He started broadcasting for the other St. Louis team, the Browns, and the Browns were a pretty miserable team with not much to cheer about. Dean became a star attraction there.

Of course part of the Dean story is the trouble he got into because of his lack of education and his colorful way of expressing himself on the air. That's part of the story I won't go into, but in the film it's handled with tact and humility and your eyes might moisten if you tend to the sentimental.

A fine baseball film, a real tribute to an American success story.

Dan Dailey gives a sincere and colorful performance as the great Dizzy Dean. His handling of the character is very true to life and captures the flavor of Dean's background and limited education. The film of course centers around Dizzy Deans rise to fame and his sudden trip to the sidelines with an injury he chose to ignore, much to his regret. His wife is splendidly portrayed by Joanna Dru who gives a very down to earth quality to the woman who loved and supported the ballplayer who rose to a "dizzying height" so quickly. The portrayal of Dizzy's later career as a sportscaster is honest and unflinching, reflecting his troubles which stemmed from his poor education and his colorful language both on and off the air. Dizzy was quite a character and Daily has breathed life into his story with admirable skill. If you enjoyed this film, I recommend the comedy "Kid from Left Field" (1953) wherein Daily plays a down and out has-been ballplayer idolized by his young son (Billy Chapin). Daily again fleshes out a ballplayer in a completely satisfying manner. I heartily recommend Pride of St. Louis to baseball fans everywhere.

Dan Dailey is a bright spot in this otherwise run of the mill baseball movie that could have been so much better. Like most films that deal with baseball, you don't get the idea that you are seeing anything close to realistic play on the field. If you love baseball as I do, try Pride of the Yankees, with Gary Cooper. In it many of the Yankee players actually were seen on the filed including the great Babe Ruth.

The life story of Jerome Herman "Dizzy" Dean is the subject matter of this amiable baseball movie. The opening caption tells us that we are going to meet "one of the most colourful characters of our time", and certainly Dean, ace pitcher for the St. Louis Cardinals, is quite an entertainer.

Dan Dailey barnstorms it as the droll hayseed with bags of charm and a disarming grin. We follow him along the usual star trajectory as Dean is discovered in an Arkansas hick game, then rises inexorably through the Texas League and into the big time, winning the World Series with the Cardinals and smashing all pitching records on the way. A sports injury leads to decline, and the downward slide begins, but Dizzy is irrepressible. He overcomes life's disappointments and learns how to make his zany charm work for him in a new career.

"You're a child, Diz - a sweet, kind, generous child," says his wife Patricia, played admirably by Joanne Dru. His boyish enthusiasm captures the hearts of the Cardinals fans, who are just as likely to see Dizzy ushering them to their stand seats or working in the ticket booth as winding up his arm on the mound. He even sings with the jazz combo during the interval. However, this very childlike quality is Dean's fatal flaw - he is impulsive and undisciplined, and when his career starts to slide he lacks the maturity to deal with the diasppointment.

From the Cardinals he plummets in quick succession to the Chicago Cubs and then back into the Texas League. He takes to drinking and gambling, and neglects his adoring wife. The fight in the poker den is his lowest point. Getting knocked to the floor is the visual representation of his moral fall.

Baseball is his life, and baseball comes to his rescue. A characteristic act of kindness brings him into contact with Johnny Kendall (Richard Hylton), a rich young entrepreneur who happens to be a baseball nut and Dean's biggest fan. Kendall sees that Dean's intimate knowledge of the game and his quirky, homespun talking style will make him a natural as a radio commentator. The hunch is borne out triumphantly. The baseball-listening public loves him. Dailey is great, pouring out the malapropisms thick and fast ('confidential' for 'confident, 'respectable' for 'respective'). Pat has left her husband and made a new life for herself, but when she hears that familiar rustic drawl over the radio, she falls back in love with him.

To call "The Pride Of St Louis" a 'baseball movie' is something of a misnomer, because the film isn't really about baseball as such and doesn't attempt to get to grips with the sport. Repetitive shots of Dean's deliveries, filmed monotonously from behind the plate, form the standard fare. Wrigley Field is a mere back projection, and even the World Series is rapidly glossed over. The film's focus is Dizzy, and Dan Dailey delivers him.

I remember "Ol Diz" broadcasting those Saturday games with partner Pee Wee Reese, the former Dodger and teammate of Jackie Robinson. It was so much fun to listen to him butcher the English language (for example, "He slud into third base). But we forget that he was a great pitcher for the notorious St. Louis Cardinals. He was known for being a bit hard to control, doing things his own way. He also had a reputation for being a bit less than intellectual. The famous story after he was struck by a lie drive, led with the headline, "Doctors Examine Dean's Head. Find Nothing." This is a charming little movie with a good performance by Dan Dailey. The title is much like the great Lou Gehrig's tribute, "The Pride of the Yankees." Obviously, this one didn't gain the foothold that that one did, but then Dean wasn't the tragic figure Lou was. This is a nice movie with a quirky guy making it big. Dean will always be one of my favorites and I'm glad there is a movie about him.

"Pride of St. Louis" is aptly named, as like "Pride of the Yankees", the film was written by the great screenwriter, Herman Mankiewicz. However, despite this, I kept questioning throughout the film how much of this was fact and how much was fancy. Well, according to Wikipedia, which I quote above, it is REASONABLY close to the facts! In other words, it's kind of his life...kind of not! This, along with the odd casting of 37 year-old Dan Dailey (who looked older, incidentally) took me out of the film and led me to believe I was watching a lot of fiction!

Now doing a film about the career of Jerome 'Dizzy' Dean is a bit unusual because the man only had five good years in the major leagues until he was injured and apparently washed up. The same was true of his brother, Paul 'Daffy' Dean...though his career was even shorter. Overall, it's an enjoyable film but if you want to learn about the real Dean, you might want to keep looking elsewhere.

This is the story of Jerome 'Dizzy' Dean, Hall of Fame pitcher of the St. Louis Cardinals. An injury caused early retirement, a bout with drinking and gambling; but his down home manner led to another career...baseball radio/tv announcing.

Dan Dailey is kind of ho-hum in his attempts at Dean's hayseed mannerisms. Richard Crenna plays Paul Dean, Dizzy's brother, who also pitched for the Cardinals.

Very little actual baseball action, but the movie is interesting and fun to watch. All little boys that have an interest in baseball should watch this along with PRIDE of THE YANKEES and the BABE RUTH STORY.

Also in the cast are Richard Hylton, Joanne Dru, Stuart Randall and Hugh Sanders. Remember to take a good whack and don't forget to slud into second.

Jerome Hanna 'Dizzy' Dean from the Ozarks has the gift of gab. He's also a pretty good baseball player. He would rise up to be a Hall of Fame pitcher for almost two decades in the Major Leagues and later as a broadcaster after a career ending injury. He pursues Patricia Nash who becomes his wife. During an early outing, he almost gets a perfect game but for one home run. After the home run, the opposing team taunts him as Dizzy.

Dizzy is well before my time. I've heard of the guy but don't know anything about him. It's an amiable character but the drama is extremely low. It's a lazy, easy day at the park just like watching baseball nowadays. I can certainly understand his appeal with his friendliness. The audience who love Dizzy would love this movie. As a person who knows nothing, it's a rather flat drama with a likeable lead.

Ok, so this is not as good as Pride of the Yankees; just like the Cardinals are not as great as the Yankee franchise. But as far as the National League goes, the Cardinals are the best of the bunch.; better than the Giants, Dodgers, or Cubs. They have more World Series rings to prove it, too. This film is very close to Pride of the Yankees in several ways. Gehrig caught a bad break with his terrible disease, and Dean had a magnificent career cut short by a stroke of horrible luck from a line drive to the most pivotal part of a pitcher's body, the big toe. Simply put, if you land the wrong way on your foot and toe, the arm will quickly go to pot. At least Gehrig got to play fifteen years with the Yankees before his unfortunate end. The injury to Dean happened just a few years into his career. The acting in this film is very good; as are all the supporting cast members and especially the dialogue. Dean' s rebirth and affirmation as the best color man in baseball history is readily apparent in the film. Only Phil Rizzuto came close as an unforgettable color announcer. A must see film for every baseball fan.

It seems that 10 years later, someone decided to try to recapture what made "Pride of the Yankees" (the story of New York Yankee great Lou Gehrig) work so well, and so they decided to put out "The Pride of St. Louis" (the story of St. Louis Cardinal great Dizzy Dean.) Frankly, it didn't work as well.

It's an OK movie, but compared to "Pride of the Yankees" it's lacking. Some might argue that the comparison is unfair, but the similarity in name suggests that the comparison was on the minds of those who produced this movie. But this lacks the power of the previous movie. It lacks the star power (Dan Dailey, who played Dean, is certainly no Gary Cooper, who played Gehrig.) It also lacks the story power. Gehrig's story was just more dramatic and powerful. Gehrig died - Dean's arm went on him. I felt for him - and there was a pretty good depiction of the troubles Dean had accepting the end of his career - but I can't say that I was drawn into his story as I was into Gehrig's.

Dan Dailey gives substance and accurate flair to his portrayal of Jerome "Dizzy" Dean, a great pitcher for the St. Louis Cardinals and Chicago Cubs in the 1930s and 1940s who went on to become a radio and TV broadcaster despite being grammar-challenged. Those of us of a certain age remember Dean's TV work on games of the week and credit him with instilling a real understanding and love of the sport. This film captures that mutual affection beautifully. The early-1950s Technicolor treatment and splashy gloss only serve to underscore the mood and temperature of the times. An exemplary element of the film, way ahead of its time, is the depiction of discrimination against certain segments of society. A very good, vastly underrated film.

Pride of St. Louis, The (1952)

*** (out of 4)

Pretty good bio-pic about Jerome "Dizzy" Dean (Dan Dailey), a redneck who rose through the minors at a quick pace to end up with the St. Louis Cardinals and for a time be one of the greatest pitchers in the lead. After being injured during the All-Star game, Dizzy's career quickly fell apart and his personal life grew more issues as he was unable to accept that his career was over. It seems after the success of PRIDE OF THE YANKEES, just about every major personality in baseball eventually got their own movie and this one here has quite a few negatives but the wonderful performance by Dailey makes it worth sitting through. I think the biggest problem is that a lot of the subject matter is obviously sugar-coated as there are times where it seems Dizzy is going through some extremely dark issues with his attitude and some of his habits yet this are downplayed. I'm not sure if they were originally shown more but they decided to tone them down to be more kid friendly but it's just way too obvious at certain parts of the film. Another weak aspect is that the movie doesn't seem to know what they want to tell us about Dizzy as the film bounces around quite a bit and at times has a hard time on what part of the story it wants to focus on. With that said, there's still some very entertaining moments here including a couple very touching ones. One such moment happens when Dizzy meets a crippled man and starts up a relationship with him. Another moment happens towards the end of the picture when Dizzy gets a job as a radio broadcaster but a certain teachers group starts to complain about his language. Since he was uneducated he used a lot of words he shouldn't and this leads to a very good ending. The main reason to watch this thing is for the performance of Dailey who really takes this character and makes it his own. The way he handles the "redneck" language is very good but the biggest thing is that he brings this wonderful personality to life and really makes you feel as if you're watching the real man. He also handles the baseball scenes fairly well and in the end he's extremely memorable in the role. Joanne Dru also delivers as his wife and Richard Crenna is fun as the brother. The screenplay got an Oscar-nomination and while I didn't care for the way it handled parts of the story, there's no denying that the dialogue is terrific. The way it captures Dean's language made for some great fun and especially in the early scenes as the pitcher constantly gets ahead of himself no matter what he's doing. This certainly isn't the greatest baseball movie ever made but for fans of the sport it's a must-see thanks in large part to the main performance.