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7.0/10
6.2K
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Stefano, a young restorer, is commissioned to save a controversial mural located in the church of a small, isolated village.Stefano, a young restorer, is commissioned to save a controversial mural located in the church of a small, isolated village.Stefano, a young restorer, is commissioned to save a controversial mural located in the church of a small, isolated village.
- Awards
- 1 nomination
Cesare Bastelli
- Car Driver
- (uncredited)
Storyline
Did you know
- TriviaThe house used as the laughing windows one was located in a small village called Malalbergo, close to Bologna. Already at the time of filming the house was crumbling so it was demolished not longer after filming had wrapped. However, for years people believed it still stood and often went looking for it.
- GoofsWhen Stefano leaves Copppola, mid-conversation, to check on Francesca, when he finds her sleeping, he returns momentarily to find Coppola gone without warning or trace. He then goes outside to look for him, and hears the front gate slam, assuming most likely that Coppola had left without saying good-bye. End of scene. Next time Coppola appears, he offers no explanation or apology and Stefano doesn't bring it up.
- ConnectionsFeatured in Fear at 400 Degrees: The Cine-Excess of 'Suspiria' (2009)
Featured review
Yesterday I watched one of the my favourite giallos of all time. The House with the laughing windows(1976) was directed by Pupi avati. I have to admit my ignorance of Pupi avati as a director. I only know he has directed some other cult movie called Zeder. Judging by this movie, he was destined for great things but that potential was never fulfilled.
The plot goes like this. Stefano is a restorer comes to an island in order to rescue the fresco depicting the suffering of St.Sebastian. The artist(now dead) was known to be a disturbed individual who painted scenes of death and suffering. He is somehow given a place to live by a somewhat mentally challenged individual. From this point onwards, he notices the sinister behaviour of the villagers. He doesn't understand it and decides to get to the bottom of the mystery that haunts the village.
This giallo is unique and quite different from other giallos because unlike other giallos, there is not much gratuitous violence or sex to keep the viewer interested. There are no scenes which would shock the viewer or anything like that. That is one reason why giallo aficionados might not appreciate this movie completely. It does not have the usual gimmicks and over the top acting performances that are generally expected from giallo actors and actresses. The leading man(Lino capollichio) is amazingly capable of carrying the whole movie on his shoulders with a restrained performance of a man who is puzzled and somewhat disturbed by the village and its environment.
The ending is one of best aspects of the film. It is the perfect payoff for patiently building the atmosphere throughout the movie. Another aspect is the creepy atmosphere throughout the movie. It is almost downright scary sometimes. In this aspect, this movie is similar to a movie like Don't look now or Japanese horror than generic giallo films or slashers.
The negative aspects that may turn off some giallo lovers is that it is quite slow but the slow buildup in fact increases the tension and that makes the ending all the more worthwhile. The best scene(according to me) is the scene in the dark room where the hero walks through the room slowly. There is absolute silence in the room which is very unlike other giallo films.
Final rating: 10/10. Yes, it may seem very high but it is worth the high rating. Anybody lucky enough to be able to get a copy of this movie should watch it.
The plot goes like this. Stefano is a restorer comes to an island in order to rescue the fresco depicting the suffering of St.Sebastian. The artist(now dead) was known to be a disturbed individual who painted scenes of death and suffering. He is somehow given a place to live by a somewhat mentally challenged individual. From this point onwards, he notices the sinister behaviour of the villagers. He doesn't understand it and decides to get to the bottom of the mystery that haunts the village.
This giallo is unique and quite different from other giallos because unlike other giallos, there is not much gratuitous violence or sex to keep the viewer interested. There are no scenes which would shock the viewer or anything like that. That is one reason why giallo aficionados might not appreciate this movie completely. It does not have the usual gimmicks and over the top acting performances that are generally expected from giallo actors and actresses. The leading man(Lino capollichio) is amazingly capable of carrying the whole movie on his shoulders with a restrained performance of a man who is puzzled and somewhat disturbed by the village and its environment.
The ending is one of best aspects of the film. It is the perfect payoff for patiently building the atmosphere throughout the movie. Another aspect is the creepy atmosphere throughout the movie. It is almost downright scary sometimes. In this aspect, this movie is similar to a movie like Don't look now or Japanese horror than generic giallo films or slashers.
The negative aspects that may turn off some giallo lovers is that it is quite slow but the slow buildup in fact increases the tension and that makes the ending all the more worthwhile. The best scene(according to me) is the scene in the dark room where the hero walks through the room slowly. There is absolute silence in the room which is very unlike other giallo films.
Final rating: 10/10. Yes, it may seem very high but it is worth the high rating. Anybody lucky enough to be able to get a copy of this movie should watch it.
- Lucabrasisleeps
- Nov 20, 2008
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By what name was The House with Laughing Windows (1976) officially released in India in English?
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