The lives and work of the staff of an inner city police precinct.The lives and work of the staff of an inner city police precinct.The lives and work of the staff of an inner city police precinct.
- Won 26 Primetime Emmys
- 60 wins & 109 nominations total
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Storyline
Did you know
- TriviaThe theme music, written by Mike Post, became a hit song on its own and won a Grammy. Post said that when he was writing the theme, he first wanted the music to match the gritty visuals he was shown. He then decided to do the opposite, to create a theme that was beautiful and serene, that "took you away" from what you were seeing.
- GoofsWhen the various characters speak into the radio microphone in their patrol cars, they seldom press the "transmit" switch, and Andy Renko is occasionally seen speaking into the back of the microphone.
- Quotes
[repeated line]
Sergeant Phil Esterhaus: [at end of roll call] All right, that's it, let's roll. And Hey!... let's be careful out there.
- Crazy creditsAfter the credits it shows the MTM kitten wearing a policeman's hat to match this show.
- ConnectionsEdited into Roll Call: Looking Back on Hill Street Blues (2006)
Featured review
This TV series is a testament to Brandon Tartikoff, who was then head of Entertainment at NBC, who championed this show and stayed with it because he knew that this was a groundbreaking show.
I remember watching the pilot for this show way back in high school. It was unlike anything I had ever seen on television. I remember the episode when the characters Renko and Bobby Hill were shot and lying in the hallway, and you had no idea if they were alive or dead. I remember gasping out loud. Stuff like that just wasn't on TV at the time.
Ensemble casts, story lines that continued for weeks at a time, and truly compelling, realistic writing. Television was pretty much a wasteland back in 1981 -- and unfortunately, has gotten far, far worse -- and this show, which took a year to find a permanent spot on NBC's lineup and introduced the whole concept of the landmark Thursday night at 10 pm drama on NBC.
Another testament to this show is that in one year every single Emmy nomination for the outstanding supporting actor in a drama series category was for a cast member from Hill Street Blues. That was, and still is, unprecedented stuff. I had the pleasure of taping the show as it came on late night on one of the local channels here in NYC several years ago. Brilliant, and still holds up well. What I would give for something similar to blanket the vapid horizon that is network television today.
I remember watching the pilot for this show way back in high school. It was unlike anything I had ever seen on television. I remember the episode when the characters Renko and Bobby Hill were shot and lying in the hallway, and you had no idea if they were alive or dead. I remember gasping out loud. Stuff like that just wasn't on TV at the time.
Ensemble casts, story lines that continued for weeks at a time, and truly compelling, realistic writing. Television was pretty much a wasteland back in 1981 -- and unfortunately, has gotten far, far worse -- and this show, which took a year to find a permanent spot on NBC's lineup and introduced the whole concept of the landmark Thursday night at 10 pm drama on NBC.
Another testament to this show is that in one year every single Emmy nomination for the outstanding supporting actor in a drama series category was for a cast member from Hill Street Blues. That was, and still is, unprecedented stuff. I had the pleasure of taping the show as it came on late night on one of the local channels here in NYC several years ago. Brilliant, and still holds up well. What I would give for something similar to blanket the vapid horizon that is network television today.
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