A passionate yet unsuccessful comedian stalks and kidnaps his idol to take the spotlight for himself.A passionate yet unsuccessful comedian stalks and kidnaps his idol to take the spotlight for himself.A passionate yet unsuccessful comedian stalks and kidnaps his idol to take the spotlight for himself.
- Won 1 BAFTA Award
- 3 wins & 8 nominations total
Chuck Low
- Man in Chinese Restaurant
- (as Chuck L. Low)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
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Storyline
Did you know
- TriviaMartin Scorsese has said that he thought Robert De Niro's best performance under his direction was in this film.
- GoofsThe TV sets in the store display window near the end, where Jerry Langford angrily watches the end of Rupert Pupkin's TV appearance, are all tuned to channel 3. There is no TV station in New York City on channel 3 (two major stations, WCBS and WNBC, are on channels 2 and 4 respectively). However, channel 3 was (and is) commonly used for connecting video devices such as home computers and videotape recorders to TV sets. The film crew most likely rigged a videotape player to the TVs to mimic a network broadcast, thus requiring them to be tuned to channel 3--a small detail that most audience members wouldn't have noticed.
- Quotes
Rupert Pupkin: Better to be king for a night than schmuck for a lifetime.
- ConnectionsFeatured in Saturday Night Live: Jerry Lewis/Loverboy (1983)
- SoundtracksJerry Langford Theme
Written, arranged and performed by Bob James
Featured review
Travis Bickle from "Taxi Driver" and Rupert Pupkin from "The King of Comedy" are not as unlike as they may first appear. They are men desperately searching for some meaning in their spiritually empty lives, neither man connecting with anyone else; the consequent strain has driven each to his own brand of insanity. Both can be likened to Lee Harvey Oswald-men leading lives of quiet desperation, wanting to do something-ANYTHING-to have SOME impact on the world.
Pupkin is further removed from reality than Bickle (actually Bickle's attitudes about his environment aren't entirely unreasonable) and it's unlikely he could ever be "normal", no matter how much therapy he had. He's lost in his own little world, a world devoid of any real substance. To him, Heaven would be a place where he would exist solely on TV. Real life is too messy.
"The King of Comedy" is the best satire I've seen about the vapidness of society's values and the public's obsession with celebrity. It has its share of funny moments but the overall effect is deadening. Even though things went about as well as Pupkin could have expected in the end, what has he gained? Nothing of any value, though in his delusional mind, he probably would disagree. Ah, Pupkin! Ah, humanity!
Pupkin is further removed from reality than Bickle (actually Bickle's attitudes about his environment aren't entirely unreasonable) and it's unlikely he could ever be "normal", no matter how much therapy he had. He's lost in his own little world, a world devoid of any real substance. To him, Heaven would be a place where he would exist solely on TV. Real life is too messy.
"The King of Comedy" is the best satire I've seen about the vapidness of society's values and the public's obsession with celebrity. It has its share of funny moments but the overall effect is deadening. Even though things went about as well as Pupkin could have expected in the end, what has he gained? Nothing of any value, though in his delusional mind, he probably would disagree. Ah, Pupkin! Ah, humanity!
- Eclectic Critic
- Dec 2, 2000
- Permalink
Details
- Release date
- Country of origin
- Language
- Also known as
- El rey de la comedia
- Filming locations
- Paramount Building - 1501 Broadway, Manhattan, New York City, New York, USA(Jerry Langford's offices)
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $20,000,000 (estimated)
- Gross US & Canada
- $2,536,242
- Opening weekend US & Canada
- $137,624
- Feb 21, 1983
- Gross worldwide
- $2,537,298
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