Slick Private Investigator Mike Murphy (Burt Reynolds) and tough Police Lieutenant Speer (Clint Eastwood), once partners, now bitter enemies, reluctantly team up to investigate a murder.Slick Private Investigator Mike Murphy (Burt Reynolds) and tough Police Lieutenant Speer (Clint Eastwood), once partners, now bitter enemies, reluctantly team up to investigate a murder.Slick Private Investigator Mike Murphy (Burt Reynolds) and tough Police Lieutenant Speer (Clint Eastwood), once partners, now bitter enemies, reluctantly team up to investigate a murder.
- Awards
- 1 nomination
Art LaFleur
- Bruiser
- (as Art La Fleur)
Storyline
Did you know
- TriviaBurt Reynolds suffered a serious accident and had his jaw broken when he was hit in the face with a metal chair while filming a fight scene on this movie. Reynolds was restricted to a liquid diet and lost over thirty pounds by the time this movie wrapped. The accident had dire consequences for Reynolds' next movie project, "Stick (1985)." In that movie, Reynolds looked underweight, weak, and thin, and this condition was because of this accident. Apparently, the accident led to Reynolds becoming addicted to painkillers.
- GoofsIn the scene where Lt. Speer breaks into the mobster's home to get the slug upon which to run ballistics the mobster asks Speer if Speer has a warrant. The movie takes place prior to 1934 and the repeal of prohibition. There was no requirement for police to have warrants to search citizens' property or to seize such property until the 1940's.
- Quotes
Mike Murphy: [Speer has silently entered Murphy's office] I didn't hear you knock, Lieutenant.
Lt. Speer: What a relief. I thought I must be going deaf.
- ConnectionsFeatured in At the Movies: The Stinkers of 1984 (1985)
Featured review
City Heat (1984)
1/2 (out of 4)
Horrendous film about a cop (Clint Eastwood) and private eye (Burt Reynolds) who are investigating the same case. Turns out a man (Richard Roundtree) was trying to blackmail some mob boys but soon he's dead and it's up to our two superstars to crack the case. If you ever need proof that superstars aren't as important as a good screenplay then here it is. Apparently Blake Edwards was set to direct this movie but got fired sometime during the filming as he couldn't agree with the two stars on what this film should be. Perhaps this is the reason the movie is such a mess but whatever the reason it's doubtful you'll see a worst movie with Eastwood. Sometimes when you go into a movie with low expectations you find yourself enjoying it on a few levels but that wasn't the case here. Everything in this movie is horrid but the biggest problem I had is that I could never figure out what the hell I was watching. At times the tone is so serious that you think you're watching an actual thriller. At other times the material is so over the top that you feel as if you're watching some type of spoof. With Eastwood and Reynolds you appear to be getting a buddy picture yet they're hardly on screen together and when they are it isn't for too long. This is a really confusing movie in terms of its tone but perhaps Edwards was going for the spoof, got fired and the replacement director went for something more serious. Whatever happened the final result is a complete disaster and without question a major embarrassment. There's no denying that Reynolds was making some poor selections here and this is yet another. He seems really out of place here and gives a rather awkward performance that never gets the laughs he's going for. You somewhat would expect him to pick out a bad screenplay but for the life of me I can't understand how Eastwood would get involved in something like this. This material is without question the worst I've seen from him and it's hard to believe he'd sign on for something like this. He sleepwalks through the entire film and can't give it a bit of energy. Jane Alexander, Madeline Kahn and Rip Torn are all bland as well and Roundtree doesn't get to do much before getting knocked off. The film takes place in the 30s so we get all the old fashioned cars and outfits and while this is pretty on the eyes there wasn't a single frame where I actually felt like we were in the 30s. It's hard to find any direction here as each scene is just off the wall and comes off looking extremely tired and there's no energy to be found anywhere. As horrid as this movie is at the same time it's almost easy to recommend just so people can see how badly a movie can be even with strong talent. This is the type of film that makes you scratch your head and wonder what they were thinking but I'd love to hear Eastwood try to put a spin on this.
1/2 (out of 4)
Horrendous film about a cop (Clint Eastwood) and private eye (Burt Reynolds) who are investigating the same case. Turns out a man (Richard Roundtree) was trying to blackmail some mob boys but soon he's dead and it's up to our two superstars to crack the case. If you ever need proof that superstars aren't as important as a good screenplay then here it is. Apparently Blake Edwards was set to direct this movie but got fired sometime during the filming as he couldn't agree with the two stars on what this film should be. Perhaps this is the reason the movie is such a mess but whatever the reason it's doubtful you'll see a worst movie with Eastwood. Sometimes when you go into a movie with low expectations you find yourself enjoying it on a few levels but that wasn't the case here. Everything in this movie is horrid but the biggest problem I had is that I could never figure out what the hell I was watching. At times the tone is so serious that you think you're watching an actual thriller. At other times the material is so over the top that you feel as if you're watching some type of spoof. With Eastwood and Reynolds you appear to be getting a buddy picture yet they're hardly on screen together and when they are it isn't for too long. This is a really confusing movie in terms of its tone but perhaps Edwards was going for the spoof, got fired and the replacement director went for something more serious. Whatever happened the final result is a complete disaster and without question a major embarrassment. There's no denying that Reynolds was making some poor selections here and this is yet another. He seems really out of place here and gives a rather awkward performance that never gets the laughs he's going for. You somewhat would expect him to pick out a bad screenplay but for the life of me I can't understand how Eastwood would get involved in something like this. This material is without question the worst I've seen from him and it's hard to believe he'd sign on for something like this. He sleepwalks through the entire film and can't give it a bit of energy. Jane Alexander, Madeline Kahn and Rip Torn are all bland as well and Roundtree doesn't get to do much before getting knocked off. The film takes place in the 30s so we get all the old fashioned cars and outfits and while this is pretty on the eyes there wasn't a single frame where I actually felt like we were in the 30s. It's hard to find any direction here as each scene is just off the wall and comes off looking extremely tired and there's no energy to be found anywhere. As horrid as this movie is at the same time it's almost easy to recommend just so people can see how badly a movie can be even with strong talent. This is the type of film that makes you scratch your head and wonder what they were thinking but I'd love to hear Eastwood try to put a spin on this.
- Michael_Elliott
- Jun 11, 2010
- Permalink
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Details
- Release date
- Country of origin
- Language
- Also known as
- Kansas City Heat
- Filming locations
- Los Angeles, California, USA(Main Street Gym)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $25,000,000 (estimated)
- Gross US & Canada
- $38,348,988
- Opening weekend US & Canada
- $6,301,694
- Dec 9, 1984
- Gross worldwide
- $38,348,988
- Runtime1 hour 37 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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