A woman's husband and his lover try to drive her mad at their seaside mansion.A woman's husband and his lover try to drive her mad at their seaside mansion.A woman's husband and his lover try to drive her mad at their seaside mansion.
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- TriviaA TV movie made for the USA Network. Before that, however, it was originally intended to air on CBS.
- GoofsWhen Sarah seems to catch Miss Thetford off guard, who is in Austin's study making a telephone call, Miss Thetford explains that she was making a long-distance call to her sister who lives in Grand Rapids. She explains this to Sarah as if the two had just met. Later, while Austin's reviewing the charges on their telephone bill, he asks Sarah who lives in Grand Rapids. She acts as though she has no idea. If she had known Miss Thetford her entire life, she must know where her immediate relatives reside.
Featured review
Directed by Jerry London and adapted to teleplay by Thomas Baum from the novel, The Crossing, written by Jim Flanagan. It stars Sela Ward, Michael Woods, Roscoe Born, Morgan Fairchild and Polly Bergen.
After a troubled childhood that saw her father die and her mother go mad to the point of suicide, Sarah Hardy (Ward) blossoms into a beautiful woman and marries a handsome man. In spite of her close friends concerns, Sarah and her husband decide to move back to the family home of her childhood, The Pines. It's not long before strange occurrences begin to unnerve Sarah at The Pines. Is her mother not really dead, is it a ghost, or outside influences with ulterior motives?
I genuinely feel bad pouring some scorn on this TV movie, because I so wanted to like it, to grasp a bit of freshness in what has become known as the Gaslight sub-genre of horror. Sadly it's just not very good. It's awash with soap opera operatics, some very poor acting, a confused tonal flow (am I mystery, horror, a message thriller?), an out of place porn movie jazz like musical score, and an ending that beggars belief. The mansion design is great, and there's some nice night time photography during the outer grounds sequences, but it's a difficult film to recommend to those after a good old fashioned mansion based spooker. 5/10
After a troubled childhood that saw her father die and her mother go mad to the point of suicide, Sarah Hardy (Ward) blossoms into a beautiful woman and marries a handsome man. In spite of her close friends concerns, Sarah and her husband decide to move back to the family home of her childhood, The Pines. It's not long before strange occurrences begin to unnerve Sarah at The Pines. Is her mother not really dead, is it a ghost, or outside influences with ulterior motives?
I genuinely feel bad pouring some scorn on this TV movie, because I so wanted to like it, to grasp a bit of freshness in what has become known as the Gaslight sub-genre of horror. Sadly it's just not very good. It's awash with soap opera operatics, some very poor acting, a confused tonal flow (am I mystery, horror, a message thriller?), an out of place porn movie jazz like musical score, and an ending that beggars belief. The mansion design is great, and there's some nice night time photography during the outer grounds sequences, but it's a difficult film to recommend to those after a good old fashioned mansion based spooker. 5/10
- hitchcockthelegend
- Oct 1, 2015
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- Runtime1 hour 32 minutes
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Top Gap
By what name was The Haunting of Sarah Hardy (1989) officially released in Canada in English?
Answer