Matches here are a metaphor for undistinguished short lives, and work well to propel Aki Kaurismaki's sere, reductionist story. He clearly works well with lead actress Kati Outinen, and the predictability of the tale is deliberate so as to force the viewer to confront the unsaturated colors, the paint that needs re-doing, the absence of empathy, the rarity of anything in the lead character's life to cling to or believe in. While themes, aesthetics and behaviors on display here are characteristically Nordic, Kaurismaki's manner, set-ups, and potent understatement are his alone and in top-shelf form. One wants a larger oeuvre from him.