Carlos arrived in Australia expecting to move into the mansion of a friend. It wasn't exactly what he expected, and while the boxing kangaroo gag got old fast, it didn't happen too many times, and the stunt work was good with the first one.

Carlos needed a job. He got a job performing as the Pakistani Elvis (Wait, can Cheech Marin sing? No, he can't.) but something better came along. A Mexican restaurant that needed a Mexican waiter. The man who ran the place was desperate, and he owed a lot of money.

Alex brought her father to this place (who knows why?) to celebrate his birthday. While they were there, Alex's father told her she could not marry her rugby star boyfriend. When she defied him, the father made a deal. If she would get rid of Bruce, she could marry anyone she wanted. Surely no one could be worse than Bruce.

Oh, I don't know.

Cheech Marin did a great job, especially as the overdone jerk who was supposed to make Alex's father wish it was Bruce she was marrying. But he did just fine when Carlos was just an ordinary and quite appealing guy, and he had a lot to teach Alex about being nice to those who weren't as rich. One memorable scene involved a family stranded by the side of the road.

Cheech also did the Mexican stereotype in his restaurant job, which was entertaining. And Terence Cooper did a capable job as Alex's father. There were some quirky characters in Alex's family which some people might enjoy, thought I didn't care for them. One cousin had an unusual sexual fetish. Another relative despised Mexicans and came across like a Klansman in a Civil Rights documentary.

I liked most of the Latin music in the film. But not the group that did Latin in the style of contemporary American pop.

This sort of film has been done many times, but the lessons about prejudice are important, and this film had much to say about that.