When a nightclub singer is forced to take refuge from the mob in a convent, she ends up turning the convent choir into a soulful chorus complete with a Motown repertoire, until the sudden ce... Read allWhen a nightclub singer is forced to take refuge from the mob in a convent, she ends up turning the convent choir into a soulful chorus complete with a Motown repertoire, until the sudden celebrity of the choir jeopardizes her identity.When a nightclub singer is forced to take refuge from the mob in a convent, she ends up turning the convent choir into a soulful chorus complete with a Motown repertoire, until the sudden celebrity of the choir jeopardizes her identity.
- Awards
- 9 wins & 10 nominations
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaWhen Paul Rudnick was writing the screenplay, Bette Midler (who was attached to star at the time) suggested he go to a real-life convent to do research. He went to stay in the Regina Laudis Abbey in Bethlehem, Connecticut. The Prioress, Mother Dolores Hart, O.S.B., had been an actress, singer, and dancer, appearing in movies including King Creole (1958) and Where the Boys Are (1960). Mother Hart is still the only known nun to be a voting member of the Academy of Motion Picture Arts and Sciences, and she and her fellow nuns enjoy watching her Academy screeners every year.
- GoofsAfter Deloris witnesses the murder, she flees to the Reno PD and explains to the detective everything that Vince and his henchmen said to each other and to the victim right before the trigger was pulled, even describing the scene visually. However, when Deloris walked in on the murder, she actually opened the door a fraction of a second before the trigger was pulled, and had been talking to herself until the moment she turned the doorknob, so there is no way she could have heard or seen the preceding conversation that she reported to the police.
- Quotes
Deloris: [prays] Bless us, oh Lord, for these Thy gifts which we are about to receive. And yea, though I walk through the valley of the shadow of no food, I will fear no hunger. We want you to give us this day, our daily bread. And to the republic for which it stands, and by the power invested in me, I pronounce us ready to eat. Amen.
- Crazy creditsNewspaper and magazine clippings of the nun choir.
- Alternate versionsTBS broadcasts overdub a quick feedback-like squeal sound during the opening musical number to obscure an obscenity, when Whoopi Goldberg's character inserts the comment "You don't give a s--t" as the song "Heat Wave" ends.
- ConnectionsEdited into The Green Fog (2017)
- Soundtracks(Love Is Like A) Heat Wave
Written by Brian Holland, Lamont Dozier, and Eddie Holland (as Edward Holland)
Performed by Whoopi Goldberg, Jenifer Lewis, and Charlotte Crossley
It's outrageously funny and Deloris has soooooo many funny lines, you won't be able to contain yourself. When asked to name all the Apostles, a young Deloris replies: 'John, Paul, George... and... Ringo!' and when told by the Cops she'd have to hide from her lover, her reaction was: 'What are you gonna do, stick me in a bag and bury me? FORGET IT!'
Whoopi puts in yet another fantastic performance (acting and singing wise), and Maggie Smith is great as Mother Superior. Harvey Kietel portrays Deloris' shady lover, and one of the funniest characters is the one played by Kathy Najimy (before 'Veronica's Closet' and 'King Of The Hill'). Wendy Makkena plays Sister Mary Roberts, and the remaining Nuns are also really good.
The Nun's get stuck into helping rid the city of sin - cleaning buildings etc. And along the way, Deloris gets stuck into leading the church choir. With her help, she transforms the off-key, no-hoping choir into a funky-type singing group, and this attracts attention from the streets, and from The Pope.
A fantastic movie, and Whoopi yet again delivers a flawless performance, stealing the show with her cool voice, witty one-liners and, well, that hair! Awesome stuff! 8/10
- David, Film Freak
- Mar 1, 2001
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Details
- Release date
- Country of origin
- Language
- Also known as
- Cambio de hábito
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $31,000,000 (estimated)
- Gross US & Canada
- $139,605,150
- Opening weekend US & Canada
- $11,894,587
- May 31, 1992
- Gross worldwide
- $231,605,150
- Runtime1 hour 40 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1