A widow tries to find out why her daughter's strange behavior, a reaction to her father's death, is progressively worsening.A widow tries to find out why her daughter's strange behavior, a reaction to her father's death, is progressively worsening.A widow tries to find out why her daughter's strange behavior, a reaction to her father's death, is progressively worsening.
- Awards
- 2 wins
Jacqueline Cassell
- Gloria Miller
- (as Jacqueline Cassel)
Storyline
Did you know
- TriviaJames Horner's original score is based on his score for the film Where the River Runs Black (1986) also a film that involves a child in it's storyline. Intrada Records released a limited edition soundtrack which instantly sold out in a record amount of hours, such as their release of Michael Small's unused score for The China Syndrome (1979) had done previously.
- GoofsKathleen Turner's character says that all railways in the world have the same gauge which is absolutely not true. Examples: Spain - 5' 6"; Ireland - 5' 3" and 3'; India - 5' 6", 2'6" + 1m; Peru - 3'; Portugal - 5' 5 9/16" (1.1665m) + 1 m; Russia - 5'; East Africa - 1m; Nigeria - 3'6"; Sierra Leone - 2'6"; South Africa - 3'6"; Burma - 1m; Ceylon 5'6" + 2'6".
- Quotes
Ruth Matthews: We all go a little crazy sometimes, Doctor.
Jake Beerlander: Yes, Ms. Matthews, but most of us come back.
Featured review
The great things about this film make me forget the obvious concessions to box office: the uselessness of Tommy Lee's over dramatic character, or the cheesy ending.
The beauty of this is all in the multiple structures presented to us, both physically and metaphorically, and how they are layered in such a way that moving one affects all the others, like a house of cards. How they are put together is flawed, and it lacks the subtleties and hooks of any Medem script. But it's a glorious try, a world of connections of all sorts.
The first gate to this world are the Maya pyramids, so carefully photographed in the clever initial sequence in Mexico. There we are given key concepts to interpret the whole thing: The ascending dynamic of this (highly spiritual) shape, the tragedy of the father's death, which triggers the whole plot, and the moon – introduced in a clumsy way, as the cosmic witness to the tragedy and as some old folk Indian tale.
Later we fold the idea of the abstract structure that is the "key" to our girl's mind into the idea of a physical shape, that of a spiral, conceptually close to the conception of a Maya pyramid. The girl actually builds the thing, using common cards and some Tarot cards, providing us another key to another abstract structured cosmic world: metaphorical links between cards and several realities; a whole cosmology of its own.
In between you get hints at other parallel, strong structures: 1 – before becoming an autist the girl spoke three languages; 2 – trees she climbs them, repeating the ascending movement, and she disguises herself as one she becomes it!; 3 – the construction site and the crane, an obvious reference, as it is the fact that the mother is an engineer, a designer of structures (the 3d stuff does sound middle- aged to our BIM days )
The spiral is replicated in a greater scale by the mother, she actually builds her own gate to her daughter (building up for the obvious climax). What you get is the beautiful idea of a physical structure as the metaphor for a spiritual link, and the act of building as a symbol of reaching for someone. This is underscored by the seemingly shared dream between our girls, which i found pretty lame. So the result is a sort of maternal built love. You have to love it!
The beauty of this is all in the multiple structures presented to us, both physically and metaphorically, and how they are layered in such a way that moving one affects all the others, like a house of cards. How they are put together is flawed, and it lacks the subtleties and hooks of any Medem script. But it's a glorious try, a world of connections of all sorts.
The first gate to this world are the Maya pyramids, so carefully photographed in the clever initial sequence in Mexico. There we are given key concepts to interpret the whole thing: The ascending dynamic of this (highly spiritual) shape, the tragedy of the father's death, which triggers the whole plot, and the moon – introduced in a clumsy way, as the cosmic witness to the tragedy and as some old folk Indian tale.
Later we fold the idea of the abstract structure that is the "key" to our girl's mind into the idea of a physical shape, that of a spiral, conceptually close to the conception of a Maya pyramid. The girl actually builds the thing, using common cards and some Tarot cards, providing us another key to another abstract structured cosmic world: metaphorical links between cards and several realities; a whole cosmology of its own.
In between you get hints at other parallel, strong structures: 1 – before becoming an autist the girl spoke three languages; 2 – trees she climbs them, repeating the ascending movement, and she disguises herself as one she becomes it!; 3 – the construction site and the crane, an obvious reference, as it is the fact that the mother is an engineer, a designer of structures (the 3d stuff does sound middle- aged to our BIM days )
The spiral is replicated in a greater scale by the mother, she actually builds her own gate to her daughter (building up for the obvious climax). What you get is the beautiful idea of a physical structure as the metaphor for a spiritual link, and the act of building as a symbol of reaching for someone. This is underscored by the seemingly shared dream between our girls, which i found pretty lame. So the result is a sort of maternal built love. You have to love it!
- How long is House of Cards?Powered by Alexa
Details
Box office
- Budget
- $10,500,000 (estimated)
- Gross US & Canada
- $322,871
- Opening weekend US & Canada
- $12,753
- Jun 27, 1993
- Gross worldwide
- $322,871
- Runtime1 hour 49 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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